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Il faut 1 minute et 17 secondes à l'isolée pour atteindre les autres et selon le titre, en jeu à la manière de Pierre Yves Clouin, pour ainsi "rejoindre le troupeau". Revenir à ses pairs après la tentation d'une vie plus risquée, revenir comme le fils prodigue après avoir tout dépensé ou même avant même d'avoir tenté: la nouille est intacte. La ressemblance annoncée est celle de la brebis ou de tout autre animal de groupe, à la conduite grégaire; elle engage un regard sociologique sur la crainte ou l'impossibilité de rester seul, de vivre autonome, ce qui glisse vers le terrain dépréciatif: choisir d'être plutôt nouille que penseur. Pierre Yves Clouin aurait pu dire être trop bonne pâte mais il a préféré l'aliment à la française avec la nuance moins heureuse. La nouille n'y est pas cuite, sans quoi l'adhérence, la mollesse eussent empêché le petit bruit du sautillement mais s'opère, ainsi, un autre déplacement du sens, vers "l'objeu" mot-valise fait d'objet et de jeu de Francis Ponge. Lui, Ponge retint un autre papillon, le vrai volant, il le vit comme "un minuscule voilier des airs maltraité par le vent en pétale superfétatoire."&lt;br /&gt;Pierre Yves Clouin fait avec la forme, ce que le poète fait avec le mot mais pour les deux, l'objet/aliment retenu devient le motif inspiré, le lieu de la métaphore, au delà de regard commun- ce qui nous éloigne du troupeau. Tout objet est motif d'invention.&lt;br /&gt;Parce qu'elle est papillon, la nouille nous entraîne ainsi loin des formules d'argot que des films précédents de l'artiste auraient pu déclencher et elle déclenche notre sourire devant la boutade poétique en vidéo.&lt;/em&gt;&#13;
&lt;p class="western" align="justify"&gt;&lt;em&gt;Simone Dompeyre&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p class="western" align="justify"&gt;&lt;a href="https://pierreyvesclouin.fr/items/show/1234"&gt;Traverse Vidéo 2021&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p class="p2"&gt;&lt;strong&gt;&lt;a href="https://pierreyvesclouin.fr/items/show/1232"&gt;Join The Herd&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;(Rejoindre le troupeau)&lt;/em&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p class="p2"&gt;Or the return of the prodigal noodle&lt;br /&gt;Or the latent metaphor&lt;br /&gt;Or Pierre Yves Clouin’s eye awakening the latent beneath the trivial, the metaphor beneath the tiniest element.&lt;br /&gt;&lt;i&gt;Arte povera,&lt;/i&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;or machinic art, or the bias of the thing.&lt;br /&gt;All this is serious humor: A single noodle, shaped like a small knot or butterfly,* is isolated from a group of other identical noodles on the white surface of a household appliance—a washing machine or dishwasher—that, as it vibrates, makes these little bits of food hop and skip along. It takes 1 minute and 17 seconds for the loner to reach the others and "join the herd," as the title says in Pierre Yves Clouin’s playful way. Returning to its peers after being tempted by a more dangerous existence, returning like the prodigal son after having squandered his all—or before having even tried—the noodle is intact. Evidently resembling a sheep or some other gregarious animal that lives in a herd, it offers a sociological perspective on the fear—or the impossibility—of remaining alone, of living independently, alternatives that tend to be pushed off to the sidelines and depreciated. To choose to be a noodle rather than a thinker. Pierre Yves Clouin might have used the French expression&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;i&gt;être de trop bonne pâte&lt;/i&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;(to be made of too good a dough), which means to have an accommodating and docile character, but he opted for a food with a less happy nuance. [In French,&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;i&gt;nouille&lt;/i&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;(noodle) is also used to describe a person who is compliant, stupid or lacks vitality.]&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;This noodle is uncooked, otherwise its stickiness and softness would have prevented the small tapping sound of its hopping. Thus it effects another displacement of sense toward&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;i&gt;l’objeu&lt;/i&gt;, a portmanteau combining the words&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;i&gt;objet&lt;/i&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;(object) and&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;i&gt;jeu&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;(play), coined by Francis Ponge, who remarked that other butterfly, the real aviator, which he described as "a minuscule sailing ship of the air that is knocked about by the wind like a superfluous petal."&lt;br /&gt;Pierre Yves Clouin does with form what the poet does with words. But in both cases, the object or food chosen becomes the inspired motif, the site of the metaphor, beyond the commonplace gaze—which gets us away from the herd. Any object is ground for invention.&lt;br /&gt;Because it is a butterfly, the noodle thus leads us far from the slang expressions that the artist's previous films might have triggered; it triggers, instead, a smile at this poetic sally on video.&lt;/p&gt;&#13;
&lt;p class="western" align="justify"&gt;&lt;em&gt;Simone Dompeyre&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p class="western" align="justify"&gt;&lt;a href="https://pierreyvesclouin.fr/items/show/1234"&gt;Traverse Vidéo 2021&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;"Entraîné par des ressemblances qu'il est toujours le premier à découvrir entre des éléments et des objets très éloignés, Pierre Yves Clouin fabrique son troupeau de nouilles posées sur le couvercle d'un appareil électro-ménager."&lt;br /&gt;&lt;/em&gt;"Guided by resemblances—that he is always the first to discover—between very diverse elements and objects, Pierre Yves Clouin builds his herd of pasta atop a household appliance."&lt;br /&gt;&lt;a href="https://pierreyvesclouin.fr/items/show/1234"&gt;Traverse Vidéo 2021&lt;/a&gt;&lt;/p&gt;&#13;
&lt;em&gt;&lt;br /&gt;&lt;/em&gt;</text>
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&lt;ul&gt;&#13;
&lt;li&gt;&lt;span&gt;&lt;a href="https://pierreyvesclouin.fr/items/show/1258"&gt;&lt;em&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;34ème Instants Vidéo - Rencontres Internationales, La Friche Belle de Mai,&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;&lt;/a&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt; Marseille, France&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://pierreyvesclouin.fr/items/show/1251"&gt;&lt;em&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;Rencontre Internacional de Cineastas 2021&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt; à &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;El Expendio&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt; ,&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt; Monterrey, Nuevo Leon, Mexique&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://pierreyvesclouin.fr/items/show/1241"&gt;&lt;em&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;13ème édition des Rencontres Internationales Sciences et Cinémas (RISC)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/a&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt; , Marseille, France&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://pierreyvesclouin.fr/items/show/1229"&gt;&lt;em&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;Rencontres Internacional de Cineastas 2021, Esto Es Para Esto,&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/a&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt; Monterrey, Nuevo Leon, Mexique&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;strong&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;2020&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://www.soanywaymagazine.org/issue-seven"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;Magazine Soanyway (octobre 2020, numéro 7)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt; , Leeds, Royaume-Uni&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://pierreyvesclouin.fr/items/show/1222"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;Festival international du court-métrage « One Shot »&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt; , Centre arménien d'art expérimental contemporain/NPAK, Erevan, Arménie&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;a href="https://pierreyvesclouin.fr/items/show/1711"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;Festival international du court-métrage Alter-Native&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt; , Targu Mures, Roumanie&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://pierreyvesclouin.fr/items/show/1202"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;Criblage des grumes de septembre&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt; , Édimbourg, Écosse, Royaume-Uni&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://pierreyvesclouin.fr/items/show/1213"&gt;&lt;em&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;Les Inattendus&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/a&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt; , Biennale, Lyon, France&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://pierreyvesclouin.fr/items/show/1202"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;Exposition d'images animées SSA/Cutlog Artist&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt;&lt;span style="vertical-align: inherit;"&gt; , Royal Scottish Academy, Édimbourg, Écosse, Royaume-Uni&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;strong&gt;&lt;a href="https://www.soanywaymagazine.org/issue-seven" title="soanyway numéro 7"&gt;&lt;/a&gt;&lt;/strong&gt;</text>
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&lt;li&gt;&lt;a title="WUFF7" href="http://pierreyvesclouin.fr/items/show/1182" target="_self"&gt;WUFF7,&amp;nbsp;&lt;/a&gt;Winnipeg Cinematheque, Winnipeg, Manitoba, Canada&lt;/li&gt;&#13;
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&lt;li&gt;&lt;a title="les inattendus 2020" href="http://pierreyvesclouin.fr/admin/items/show/1213" target="_self"&gt;&lt;em&gt;Les Inattendus,&lt;/em&gt;&lt;/a&gt;&amp;nbsp;Lyon, France&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;span&gt;&lt;span&gt;&lt;strong&gt;&lt;br /&gt;2019&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&#13;
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&lt;li&gt;&lt;span class="s1"&gt;&lt;span class="s1"&gt;&lt;a title="soanyway magazine" href="http://pierreyvesclouin.fr/items/show/1178" target="_self"&gt;&amp;nbsp;Soanyway Magazine&lt;/a&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="s1"&gt;(Volume 2, Issue 3, June 2019)&lt;/span&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;span&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;..."There is a similar sense in Pierre Yves Clouin’s ‘found-drawing’, a film almost motionless like a drawing, its sound of a busy road revealing otherwise, and suggests that mundane sights or scenes might be frozen and reworked. "...&lt;br /&gt;&lt;a href="https://www.soanywaymagazine.org/issue-three"&gt;https://www.soanywaymagazine.org/issue-three&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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&lt;li&gt;&lt;a href="http://www.festivaldominuto.com.br/en/contents/52207"&gt;&lt;span class="style"&gt;1 Minuto Film Festival&lt;/span&gt;&lt;/a&gt;&lt;span class="style"&gt;&lt;a href="http://www.festivaldominuto.com.br/en/contents/52207"&gt;,&lt;/a&gt; São Paulo, Brazil&lt;/span&gt;&lt;/li&gt;&#13;
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&lt;strong&gt;&lt;strong&gt;&lt;strong&gt;&lt;strong&gt;&lt;strong&gt;2020:&lt;br /&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;/strong&gt;&#13;
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&lt;li&gt;&lt;span&gt;Edition 5 of&amp;nbsp;&lt;/span&gt;&lt;a title="megacities" href="http://www.megacities-shortdocs.org/" target="_self"&gt;Megacities Shortdocs&lt;/a&gt;&lt;span&gt;, Paris&amp;nbsp;&lt;/span&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a title="Lift.Off" href="http://pierreyvesclouin.fr/items/show/1185" target="_self"&gt;The Lift-Off Sessions&lt;/a&gt;&lt;a title="Lift Off London" href="http://pierreyvesclouin.fr/items/show/1185" target="_self"&gt;,&lt;/a&gt;&lt;a&gt;&amp;nbsp;London, UK&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;em&gt;&lt;a title="festival d'Angoulême 2019" href="http://pierreyvesclouin.fr/items/show/1171" target="_self"&gt;Festival du film court d'Angoulême&lt;/a&gt;,&amp;nbsp;&lt;/em&gt;&lt;a&gt;Angoulême, France F&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;em&gt;&lt;a title="risc 2019" href="http://pierreyvesclouin.fr/items/show/1169" target="_self"&gt;Rencontres Internationales Sciences et Cinémas&lt;/a&gt;&amp;nbsp;(RISC)&lt;/em&gt;,&lt;em&gt;&amp;nbsp;&lt;/em&gt;Marseille, France&lt;/li&gt;&#13;
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&lt;li&gt;&lt;a title="MIMO" href="http://pierreyvesclouin.fr/items/show/1143" target="_self"&gt;MiM&lt;/a&gt;o, Milano Mobile Film Festival, Milano, Italy&lt;/li&gt;&#13;
&lt;li&gt;&lt;a title="Un festival c'est trop court 2018" href="http://pierreyvesclouin.fr/items/show/1139" target="_self"&gt;&lt;em&gt;Un festival c'est trop court,&lt;/em&gt;&lt;/a&gt; Nice, France&lt;a title="Bengals International" href="http://pierreyvesclouin.fr/items/show/1133" target="_self"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/li&gt;&#13;
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&lt;p&gt;Probably Impact: 48°49'11.493N/2°21'36-94Kg-20°&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;exhibitions and screenings of "Reentry":&lt;br /&gt;&lt;strong&gt;2020&lt;/strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;&#13;
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&lt;li&gt;&lt;a href="https://pierreyvesclouin.fr/items/show/1224"&gt;Exploding Cinema Online Show&lt;/a&gt;&lt;span&gt;, London, UK&lt;/span&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a title="les inattendus 2020" href="http://pierreyvesclouin.fr/items/show/1213" target="_self"&gt;&lt;em&gt;Les Inattendus,&lt;/em&gt;&lt;/a&gt;Lyon, France&lt;strong&gt;&lt;/strong&gt;&lt;/li&gt;&#13;
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&lt;p&gt;&lt;strong&gt;2019&lt;/strong&gt;&lt;em&gt;&lt;a title="Lumenité at Les Inattendus" href="http://pierreyvesclouin.fr/items/show/1107" target="_self"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a title="RPM Festival 2019" href="http://pierreyvesclouin.fr/items/show/1157" target="_self"&gt;RPM Festival&lt;/a&gt;,&amp;nbsp;UMass, Boston, MA, USA&lt;/li&gt;&#13;
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&lt;p&gt;&lt;strong&gt;2018&lt;/strong&gt;&lt;em&gt;&lt;a title="Lumenité at Les Inattendus" href="http://pierreyvesclouin.fr/items/show/1107" target="_self"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a title="Bengals International" href="http://pierreyvesclouin.fr/items/show/1133" target="_self"&gt;Bengals International &lt;/a&gt;Short Film Festival,&amp;nbsp;Bengalore, Karnataka, India&lt;/li&gt;&#13;
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&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="http://www.festivaldominuto.com.br/en/contents/51075"&gt;&lt;/a&gt;&lt;a href="https://pierreyvesclouin.fr/items/show/1283"&gt;1 Minuto&lt;/a&gt;,&amp;nbsp;&lt;span&gt;São&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;Paulo, Brazil&lt;/li&gt;&#13;
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&lt;p&gt;&lt;strong&gt;2020&lt;/strong&gt;&lt;em&gt;&lt;a title="Lumenité at Les Inattendus" href="http://pierreyvesclouin.fr/items/show/1107" target="_self"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;&#13;
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&lt;li&gt;&lt;span&gt;&lt;em&gt;"&lt;a href="http://www.filmcourtangouleme.com/cave-a-films/"&gt;La cave à films"&lt;/a&gt;&lt;/em&gt; at the &lt;/span&gt;&lt;em&gt;&lt;a href="http://www.filmcourtangouleme.com/"&gt;Festival International du Film Court d’Angoulême (FIFCA)&lt;/a&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;&lt;span&gt;Angoulême, France&lt;/span&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;p&gt;&lt;strong&gt;2019&lt;/strong&gt;&lt;em&gt;&lt;a title="Lumenité at Les Inattendus" href="http://pierreyvesclouin.fr/items/show/1107" target="_self"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a title="Lumenité at Rencontres Traverse video 2019" href="http://pierreyvesclouin.fr/items/show/1154" target="_self"&gt;&lt;em&gt;Rencontres Traverse Vidéo&lt;/em&gt;,&lt;/a&gt; &lt;span class="s1"&gt;&lt;em&gt;&lt;a&gt;Musée Les Abattoirs - Frac Occitanie&lt;/a&gt;,&amp;nbsp;&lt;/em&gt;&lt;/span&gt;Toulouse, France&lt;/li&gt;&#13;
&lt;li&gt;&lt;a title="exploding cinema at the others" href="http://pierreyvesclouin.fr/items/show/1167" target="_self"&gt;Exploding Cinema&lt;/a&gt; at the others, London, UK&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;p&gt;&lt;strong&gt;2018&lt;/strong&gt;&lt;em&gt;&lt;a title="Lumenité at Les Inattendus" href="http://pierreyvesclouin.fr/items/show/1107" target="_self"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;&#13;
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&lt;li&gt;&lt;a title="Wndx 2018" href="http://pierreyvesclouin.fr/items/show/1127" target="_self"&gt;WNDX, Festival of Moving Image&lt;/a&gt;,&lt;em&gt;&amp;nbsp;Carte Blanche Les Inattendus&lt;/em&gt;, Winnipeg, Man, Canada&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;/li&gt;&#13;
&lt;li&gt;&#13;
&lt;p&gt;&lt;em&gt;&lt;a title="Lumenité at Les Inattendus" href="http://pierreyvesclouin.fr/items/show/1107" target="_self"&gt;Les Inattendus&lt;/a&gt;, Lyon, France&lt;/em&gt;&lt;/p&gt;&#13;
&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;p&gt;&lt;strong&gt;&lt;strong&gt;2017&lt;br /&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a title="&amp;quot;Lumenité&amp;quot; by Pierre Yves Clouin at Angoulême" href="http://pierreyvesclouin.fr/items/show/1094" target="_self"&gt;&lt;em&gt;Festival du Film Court d'Angoulême&lt;/em&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;/a&gt;, Angoulême, France&lt;/li&gt;&#13;
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&lt;p&gt;&lt;strong&gt;2016&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a title="RISC 2016" href="http://pierreyvesclouin.fr/items/show/1088" target="_self"&gt;&lt;em&gt;Rencontres Internationales Sciences et Cinemas&lt;/em&gt;&lt;/a&gt;, RISC 2016 Marseille, France&lt;/li&gt;&#13;
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&lt;br /&gt;&lt;em&gt;"La lumière, c'était le lumen en latin; lumen/lumenis, de là, la cohorte des termes désignant son champ lexical, ainsi lumineux et luminosité et luminaire et déormais comme unité de mesure de la lumière, LM, pour les ampoules LED, le lumen... Pierre Yves Clouin y agrège la luminosité comme capacité du Lumen, la quantité totale de lumière émise dans un faisceau un angle défini... et il en joue en traquant dans la nuit noire, de petits points brillants et mouvants allant jusqu'à former une farandole... ils s'avèrent les lumières de lampes de poches portées par des coureurs à pied pour on ne sait quelle course ou marathon nocturnes: la luménité convergente ne suffit que pour cette révélation -&amp;nbsp; éphéùère par définition dans son apparition et ne laissant d'elle que son nom."&lt;/em&gt;&lt;br /&gt;&lt;span&gt;Simone Dompeyre&lt;/span&gt;&lt;br /&gt;&lt;a href="https://pierreyvesclouin.fr/items/show/1154"&gt;&lt;em&gt;Catalogue des Rencontres Traverse Vidéo 2019&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;a title="interview RISC 2016" href="http://festivalrisc.org/interview-du-realisateur-pierre-yves-clouin/" target="_self"&gt;Interview durant RISC Marseille 2016&lt;/a&gt;&lt;/em&gt;</text>
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