11
20
453
-
http://pierreyvesclouin.fr/files/original/05c055f612f7b2407930bbf550c0f3a6.pdf
01f03f59e13b93f4514b8c01ffbb49a1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1999-10-14 to 1999-10-24
Event Type
festival
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cowboy in Reel Affirmations 9
Date
A point or period of time associated with an event in the lifecycle of the resource
1999-10-14 to 1999-10-24
Relation
A related resource
<a title="cowboy" href="http://pierreyvesclouin.fr/items/show/97" target="_self">Cowboy</a>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Washington
Festival
-
http://pierreyvesclouin.fr/files/original/5c344d7bdbf4c819eacb8f30468c25d6.pdf
8fe00d07536209c05ad47b23e556c3ab
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Text
Any textual data included in the document.
<p><strong>Pierre Yves Clouin ou le pacte charnel<br /></strong><em>Marianne Valio<br /></em>Là où référents et références ont statué la loi des hommes, l'éligibilité des valeurs et supplanté l'émotion du "faire-vrai", le vidéaste Pierre Yves Clouin accomplit sa vie. De cet accomplissement libertaire est née ma rencontre avec l'auteur et son œuvre.<br />Pierre Yves Clouin est un homme de parole : celle que l'on se donne à soi-même. De cette parole vierge de tout parasitage esthétique, l'artiste structure la portée d'un langage universel d'où advient l'œuvre, sans justification de fondement et de forme, sans écran. Son style c'est lui.<br />Dans le panorama artistique contemporain et producteur d'œuvres, Pierre Yves Clouin ne déroge pas à sa parole. Jamais dupe, il sait que "tout a été dit" et que "tout a été fait". Son implication d'artiste se génère d'elle-même. L'originalité de sa démarche et sa concision esthétique m'engagent à évoquer son travail afin de mettre en valeur la texture de l'œuvre.<br />La chair est son terroir, sa cimaise, son espace de création. La vidéo, son outil immédiat pour transmettre - ici et maintenant - la représentation d'un corps habité, sculpté par un montage en perspective, affiné par la matité des sons, évoquant la gamme chromatique du peintre ou la cadence du burin du sculpteur.<br />De ses débuts de peintre (il fut l'assistant de Gérard Garouste) où il s'impliqua dans la réalisation de peintures abstraites en petits formats, Pierre Yves Clouin persévéra dans sa quête de l'image par l'image (photographie, design, architecture) créant ainsi une percutante langue visuelle dont l'expressivité corrobore l'avant-gardisme de la Renaissance et sa mise en abîme du "point de fuite", en conséquence ses enjeux et empreintes dans l'évolution de l'histoire de l'Art.<br />Pierre Yves Clouin est un artiste tenace. Acharné à extirper de la genèse de ses œuvres en "autoportraits", une essence de l'art, il nous offre les clés du mystère de notre propre perception, sans intention d'effraction de serrures, sans volontarisme de détournement des certitudes de notre quotidien, nous suggérant ainsi d'autres visions plastiques. Par la rigueur absolue de son travail, il assujettit son corps à son expérimentation d'auteur singulier, visant à interroger les lois de la chair, de l'érotisme, de l'animalité et du lien. La projection de ses œuvres vidéographiques signe frontalement la configuration de son inspiration d'artiste, qui révèle le temps d'une œuvre, sa non-appartenance à la tribu des homo sapiens et des bipèdes. Pierre Yves Clouinincarne selon moi, la génération spontanée des "radicaux libres".<br /><strong>Vidéos<br /></strong><a title="Pneumatic Flight" href="http://pierreyvesclouin.fr/items/show/92" target="_self"><strong><em>Pneumatic Flight</em> </strong></a>(1'30'' - 1999)<br />Sa tête renversée au bord du cadre de l'écran de projection, face à l'objectif et l'occupant plein-champ, Pierre Yves Clouin dirige et oriente sa main posée par-dessus son crâne afin de le porter. Simultanément, la mobilité de son index libère et obstrue sa narine, sculptant l'œuvre par l'aspiration et l'expiration de son souffle, libérant ainsi le son et la forme. Rythme "crescendo", scandé par le mouvement de ses lèvres et de son doigt. Régularité - en premier chef - rapportée par la bande-son, puis accélération et suspension du souffle jusqu'à l'hésitation de la respiration, influençant le mouvement de la caméra qui, quasi-imperceptiblement, expulse la tête renversée hors champ, laissant ainsi en suspens un présent syncopé.<br />Par l'atypique approche perceptive de son corps, Pierre Yves Clouin pose l'esquisse de ce que pourrait être une loi de l'apesanteur dans un univers où la trace de l'homme est validée par l'empreinte de ses pieds sur la terre.<br /><a title="Mon lapin bleu" href="http://pierreyvesclouin.fr/items/show/89" target="_self"><strong><em>Mon lapin bleu</em> </strong></a>(1'10" - 1999)<br />Le décor est planté : un parquet ciré d'une chambre d'appartement, un sapin de Noël décoré de guirlandes argentées et de boules scintillantes et multicolores. Un lapin en peluche bleue, avec de grandes oreilles bleues et un museau blanc. Le personnage principal est nu. Son corps présenté à l'objectif révèle la typologie parfaite d'un corps d'athlète. Le style du décor rappelle un jour de fête, une veillée de Noël, sacro-saint espace-temps réservé aux enfants et à leurs expériences ludiques. Au centre de l'objectif, Pierre Yves Clouin déclenche les mécanismes du désir et sa mise en œuvre. Il enlace entre ses jambes nues l'objet d'amour, le "jouet d'amour", son lapin en peluche bleue. L'étreinte se désigne à la caméra et trouve appui sur le parquet, donnant libre cours à la chorégraphie initiée par l'artiste, à ce jeu de l'amour où tout s'autorise puisqu'il s'agit d'un jeu. Une fois encore, la mise en forme de la perspective par le biais de l'objectif et du mouvement de la caméra induit la relation des protagonistes et expérimente l'originalité de la caméra "subjective". Pierre Yves Clouin nous laisse pantois et troublés par l'évident polymorphisme du désir de l'autre et réciproquement. Sa pudeur délicate consiste à faire opérer la caméra-vidéo au ras du parquet et à mettre hors champ le visage du héros. De même la cime du sapin de Noël restant à jamais invisible, nous abandonne à l'univers insondable de nos pulsions érotiques.<br /><a title="Lube " href="http://pierreyvesclouin.fr/items/show/100" target="_self"><strong><em>Lube</em></strong> </a>(1'35" - 1997)<br />La caméra dans une intime proximité fait corps du profil en visage de Pierre Yves Clouin. "Autoportrait" d'une concentration qui précède l'action, cruciale dans l'expression d'une parole muette mobilisant les lèvres dans l'indicible, révélant l'abécédaire du regard recouvert par les paupières baissées et qui en dit long. Bruissement d'un échantillon cosmétique déchiré dans une rumeur hors champ. Portée de la main qui recouvre et caresse le crâne nu, l'enduisant d'un gel libératoire d'une toilette intime. Le visage de Pierre Yves Clouin subitement se détourne vers l'objectif, révélant également le haut du torse qui pivote sur lui-même. Halluciné, le regard de l'artisteincise nos pupilles par la pénétration de l'objectif. Il projette son crachat dans l'œil de la caméra déchargeant ainsi la tension d'un trop-plein d'amour, celui de notre aliénation commune à l'altérité et au manque.<br /><a title="Carnissus" href="http://pierreyvesclouin.fr/items/show/93" target="_self"><strong><em>Carnissus</em> </strong></a>(3'34" - 1999)<br />"Autoportrait" au plus près de l'émoi permanent transmis par les icônes vidéograhiques de Pierre Yves Clouin,"Carnissus" nous livre la crucialité de l'œuvre en miroir et de son écho perdurant dans notre inconscient collectif. Au commencement était le désir. Narcisse contemporain, Pierre Yves Clouinse penche sur l'oral de la langue, vecteur amoureux de la prédestination du baiser, à l'origine de la parole et de l'altérité. L'innommable prend place dans la représentation rythmiquement plastique de la pulsation cardiaque, du souffle ténu reliant le portrait à l'autoportrait, le désir au désir, la chair à la chair et l'alter à l'ego. Pierre Yves Clouinplonge dans les tréfonds de l'œuvre absolue, auto-érotisme de l'engagement charnel et de son authenticité. L'objectif cadre au plus serré le visage intérieur de l'artiste jusqu'à l'adoration vorace et l'introjection carnivore. Cette œuvre de Pierre Yves Clouin inscrite au cœur du désir, assume l'enjeu possible de la perte, prenant le risque d'y laisser sa peau. Pour qui l'écoute, elle nous dit que le désir se nourrit de lui-même, que l'amour est aussi son propre bourreau et simultanément son rédempteur.<br />Fondu au noir.<br />Pierre Yves Clouina élu domicile en lui-même. L'engagement physique de son métier d'artiste le place hors de portée de toute exclusion exogène. Ainsi, œuvrant en extrême liberté, sa manipulation subtilement acquise et vaillamment performante du médium vidéographique, lui permet d'atteindre sa "disparition hors cadre" - parachèvement de son œuvre - afin de nous inviter à tirer parti de nous-même : être auteur de notre vie ou bien y renoncer.<br />À quel prix ?<br />L'œuvre vidéographique de Pierre Yves Clouin ne s'expose pas, on l'emmène avec soi.<br /><strong>Paris, le 10 septembre 2000<br /></strong><strong><em>Marianne Valio</em></strong><em> , Chargée de mission au Département de la Coopération, de l'Ingénierie et au Développement Culturels, Pôle Résidences, programmes de Recherche et de Création, à l'Association Française d'Action Artistique (AFAA), Ministère des Affaires Etrangères.<br /></em>Publié dans un portrait de Pierre Yves Clouin, “Turbulences vidéo,” #29, automne-hiver 2000 (Clermont-Ferrand, France).<br />© 2000 Marianne Valio / Turbulences vidéo</p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Pierre Yves Clouin ou le pacte charnel
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/0f3750640c4a7dccd77d6c48e0cff454.jpg" alt="" width="400px" /><br />A text by Marianne Valio (AFAA - Institut Français) about videos by Pierre Yves Clouin in Turbulences (Videoformes)
Date
A point or period of time associated with an event in the lifecycle of the resource
2000-06-10
Relation
A related resource
<a title="Lube" href="http://pierreyvesclouin.fr/items/show/100" target="_self">Lube</a>, <a title="Carnissus" href="http://pierreyvesclouin.fr/items/show/93" target="_self">Carnissus</a>, <a title="Pneumatic Flight " href="http://pierreyvesclouin.fr/items/show/92" target="_self">Pneumatic Flight</a>,<a href="https://pierreyvesclouin.fr/items/show/1352"> Mon lapin bleu</a>
Type
The nature or genre of the resource
Text
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Clermont Ferrand
Marianne Valio
-
http://pierreyvesclouin.fr/files/original/45b2ec657970a8e8f8ebfb45230ab735.pdf
8fe00d07536209c05ad47b23e556c3ab
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Text
Any textual data included in the document.
<p><strong>The Venus Flytrap<br /></strong>by Rajendra Roy<br />The first time I saw Pierre-Yves Clouin’s video work, I remember feeling a little naughty. I was looking at what I thought was a dying calf, weak and vulnerable, and yet it was a scintillating experience. The image was a bit out of focus; just enough to invite imagination, but not so much as to dissuade belief. When my eyes finally focused on what was actually taking place on the screen, and I realized that bare skin and labored moans belonged not to a weak calf, but rather to a wily Frenchman, I was enamored. It is perhaps the naked vulnerability of Clouin’s subject/self that makes his careful mastery of the video trompe l’oeil so beguiling. In each of the minute-or-so long works he produces, the viewer is presented with soft crevices on sculpted male bodies, hush moans and false orifices via voyeuristic electronic glances. In the end, it is always the viewer who is left exposed. Exposed that is, to the invented reality of the recorded image. At once anti-documentarian and a redefining of the visual autobiography, Clouin’s work succeeds precisely because he fully expects us to trust the camera: “Seeing is Believing.” Melding a Venus flytrap’s knack for seduction with a contortionist’s sense of mise-en-scène, Pierre-Yves Clouin is the quintessential video “top.”<br />Rajendra Roy<br /><br /><strong>L’attrape-mouche<br /></strong><em>par Rajendra Roy<br /></em>La première fois que j’ai vu le travail vidéo de Pierre Yves Clouin, je me souviens de m’être senti un peu coupable. Je regardais ce qui me semblait être un veau en train de mourir, faible et vulnérable, et c’était pourtant une étincelante expérience. L’image était un peu floue ; juste assez pour inviter à l’imagination, mais pas suffisamment pour nous dissuader d’y croire. Quand, finalement, mes yeux se concentrèrent sur ce qu’en fait il y avait à l’écran, et que je réalisais que cette peau dénudée et que ces difficiles gémissements n’étaient pas ceux d'un veau sans défense, mais plutôt d'un astucieux français, j'ai été épris.<br />C’est peut-être la vulnérabilité nue du sujet-moi de Clouin qui rend sa soigneuse maîtrise de la vidéo trompe-l’œil si captivante. Dans chacun de ses travaux d’une minute, ou des plus longs, qu’il a produit, le spectateur se trouve devant de douces fentes sur des corps masculins sculptés, de secrets gémissements et de faux orifices via de voyeuristes coups d’œil électroniques. À la fin, c’est toujours le spectateur qui reste mis à nu, exposé en fait à la réalité inventée de l’image enregistrée.<br />À la fois anti-documentaire et redéfinition de l’autobiographie visuelle, le travail de Clouin réussit précisément parce qu’il attend entièrement de nous, d’avoir confiance en la caméra : "Voir, c’est croire".<br />En fusionnant la stratégie de séduction de l’attrape-mouche de Vénus et un sens contorsionniste de la mise en scène, Clouin est le "top" quintessenciel de la vidéo.<br /><strong>Rajendra Roy<br /></strong>Chief curator, Department of Film, Museum of Modern Art;<br />Competition Selection Committee, Berlinale Internationale<br />Filmfestspiele Berlin; Formerly, programmer, artistic director,<br />Hamptons International Film Festival; executive director, MIX<br />Gay/Lesbian Film Festival; Film and Media Arts Program Manager, Solomon R. Guggenheim Museum<br /><strong>Education:</strong> BA, University of California, San Diego<br /><strong>Co-founder:</strong> Rising Stars program<br /><strong>Publications include:</strong> "Making Choices," <em>Moving Pictures; </em>"The New<br />'Old' World," <em>IndieWIRE</em>; "Naked Eye: Pierre-Yves Clouin," <em>Empire,<br /></em>no. 7; "The Knickian Doctrine: A Metaphor for the Future of the Media<br />Arts," <em>MAIN</em>; "The Truth and the Need: Jim Hubbard as Curator" in<br /><em>Jim Hubbard, Filmmaker</em>, exh. cat. <em>Brooklyn: Dumba Arts Center</em>;<br />"Films and Videos for a Synthetic Society" with Anie Stanley, in <em>Next<br /></em><em>Sex</em>; "L'Attrape Mouche (Venus Flytrap)" in <em>Turbulences Video #29.</em></p>
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
paper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Venus Flytrap
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/0f3750640c4a7dccd77d6c48e0cff454.jpg" alt="" width="400px" /><br />Rajendra Roy publishes a review on videos by Pierre Yves Clouin in Turbulences (Videoformes)
Date
A point or period of time associated with an event in the lifecycle of the resource
2000-10-02
Relation
A related resource
<a title="C'EST LE VEAU QUI BÊLE" href="http://pierreyvesclouin.fr/items/show/107" target="_self"><em>C'est le veau qui bêle</em> (The bleating calf)</a>
Type
The nature or genre of the resource
Text
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Clermont Ferrand
Rajendra Roy
-
http://pierreyvesclouin.fr/files/original/54374b831cc9a30e992bc67598b393fc.pdf
df5d50a1220fd86e39cf0d8e4214a011
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1999-06-17 to 1999-06-27
Event Type
festival
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Cul en l'air</em> in 23th San Francisco Lesbian & Gay Film Festival 99
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/79caa313ca54b7cd67317f2a5234b656.jpg" alt="" width="400px" />
Relation
A related resource
<a title="Cul en l'air" href="http://pierreyvesclouin.fr/items/show/103" target="_self"><em>Cul en l'air</em></a>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
San Francisco
Festival
-
http://pierreyvesclouin.fr/files/original/42b0f465e1c9dcc6454fdc6f8c1480be.pdf
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1999-07-09
Event Type
screening
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Dragged Out
Description
An account of the resource
<img src="https://pierreyvesclouin.fr/files/original/d84bd9aba5621e0862b3d8b0b2aa184e.pdf" alt="" width="400px" />Dragged Out ... a studied glance at current radical drag<br />
<p>curated by Ger Zielinski, with <a title="cowboy" href="http://pierreyvesclouin.fr/items/show/97" target="_self">CowBoy</a>, <a title="diana texas" href="http://pierreyvesclouin.fr/items/show/90" target="_self">Diana Texas</a></p>
<p>8p.m Friday, July 9, 1999, Cinecycle 129 Spadina Avenue,</p>
<p>Toronto</p>
Relation
A related resource
<ul>
<li><a title="court calme et troublant" href="http://pierreyvesclouin.fr/items/show/124" target="_self">Ger Zielinski, "Court, calme et troublant,”</a></li>
<li><a title="cowboy" href="http://pierreyvesclouin.fr/items/show/97" target="_self">CowBoy</a></li>
<li><a title="diana texas" href="http://pierreyvesclouin.fr/items/show/90" target="_self">Diana Texas</a></li>
</ul>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Toronto
Screening
-
http://pierreyvesclouin.fr/files/original/8bc2dc8cc31378980eb488d4696c7ca0.pdf
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
379
Width
287
http://pierreyvesclouin.fr/files/original/88cb41eeb3742214b0ac229e49eea6a0.JPG
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1999-04- 22 to 1999-05-06
Event Type
festival
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Workman wins a Silver Spire Award at the San Francisco International Film Festival
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/774f1ff0701923697f8a8862edacd25e.jpg" alt="" width="400px" />
<p><a title="workman" href="http://pierreyvesclouin.fr/items/show/99" target="_self"><span style="color: #000000;">Golden Gate Award Competition, New Visions Video</span></a></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
1999-04- 22 to 1999-05-06
Relation
A related resource
<a title="workman" href="http://pierreyvesclouin.fr/items/show/99" target="_self">Workman</a>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
San Francisco
Festival
-
http://pierreyvesclouin.fr/files/original/2c30e33bab6ccf40d0b420b1682d0e46.pdf
1a231d75282965dca27bb8bc514c3fa4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1999-04-22 to 1999-05-01
Event Type
festival
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Workman in Images Festival 99
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/64a0a6a8f88dd404b46c1877e6bade22.jpg" alt="" width="400px" />
Relation
A related resource
<a title="Workman" href="http://pierreyvesclouin.fr/items/show/99" target="_self">Workman</a>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Toronto
Festival
-
http://pierreyvesclouin.fr/files/original/dc38d6bae420b49f841d9bc356394533.pdf
9190e45179c96e14c82fbef3786b90b0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Text
Any textual data included in the document.
Pierre-Yves Clouin enregistre dans son intégralité une action souvent vaine (comme se déplacer à quatre pattes) mais qui intrigue par ses effets d'oprique . Le jeune vidéaste se joue du temps de la télévision, du temps segmenté par la publicité, formaté par la grille des programmes où rien n'est gratuit.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
paper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Belle de nuit Inrockuptibles
Description
An account of the resource
press Inrockuptibles
Art critic Nicolas Thély publishes a review of Switch 2, arte 1999
Date
A point or period of time associated with an event in the lifecycle of the resource
1999-03-01
Format
The file format, physical medium, or dimensions of the resource
paper
Language
A language of the resource
Type
The nature or genre of the resource
Text
Nicolas Thély
-
http://pierreyvesclouin.fr/files/original/b3d4b02a68cadd73d2d31852f28b13b6.pdf
8f525a48c48710c36b9f427995b4a13f
http://pierreyvesclouin.fr/files/original/dd7fd06dfe7fc7a9edea2ccabefe9385.pdf
04c908a34b5a271cf563143ad3805433
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Text
Any textual data included in the document.
<p>Les nuits de la pleine lune</p>
<p>Switch 2</p>
<p>Films expérimentaux, films abstraits, art vidéo et performances surgissent sur les écrans d'ARTE chaque nuit de pleine lune. Douce dérision, grain de folie et accès d'humeur s'immiscent dans cette troisième Nuit. Une nuit proposée par Claire Doutriaux et Paul Ouazan</p>
<p>LA SEPT ARTE</p>
<p>Une année des treize lunes</p>
<p>ARTE fête les treize pleines lunes de 1999 avec l3 programmations spéciales. Chaque Nuit sera produite par un des partenaires d'ARTE (Allemagne, France, Belgique, Espagne...). Elle donnera libre cours à des programmes inédits :courts métrages, surprises, films expérimentaux, auto.tictions, zapping... Expérimentez !</p>
<p>Une fois par mois, Switch privilégie I'univers singulier d'un réalisateur ou d'un artiste. Après leur première Nuit, Claire Doutriaux et Paul Ouazan nous proposent ce soir d'explorer le travail unique du vidéaste américain Nelson Sullivan. Figure connue du milieu underground new-yorkais, celui-ci nous guide dans les rues d'un New York inconnu avec humour et autodérision.</p>
<p>On verra aussi les æuvres de Jean-Pierre Mocik, Pierre-Yves Clouin, Marie-Ange Guilleminot, William Wegman et la nuit se terminera en beauté avec le film culte de Jack Smith, Flaming Creatures.</p>
<div>
<p>Pierre-Yves Clouin</p>
<p>Ce jeune vidéaste français a fait de son corps un lieu d'exploration privilégié. Cadrages, décadrages et jeux de perspectives confèrent à ces petites ceuvres un caractère extrêmement déroutant</p>
</div>
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
paper program
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Switch2 arte
Description
An account of the resource
<strong><strong><em><em><img title="Arte" src="https://pierreyvesclouin.fr/files/original/dd326caf67301686c8fbd5bfb0b82e7b.jpeg" alt="" width="400px" /></em><br />Switch2 Atelier de la sept arte, broadcast program curated by Claire Doutriaux et Paul Ouazan: <br /></em></strong></strong>
<ul>
<li>William Wegman </li>
<li>Marie Ange Guilleminot </li>
<li>Pierre Yves Clouin </li>
<li>Nelson Sullivan </li>
<li>Jack Smith </li>
<li>Jean-Claude Mocik</li>
</ul>
Date
A point or period of time associated with an event in the lifecycle of the resource
1999-03-02
Format
The file format, physical medium, or dimensions of the resource
paper
Type
The nature or genre of the resource
Text
Relation
A related resource
<ul>
<li><a title="C'est le veau qui bêle" href="http://pierreyvesclouin.fr/items/show/107" target="_self">C'est le veau qui bêle</a></li>
<li><a title="Workman" href="http://pierreyvesclouin.fr/items/show/99" target="_self">Workman</a></li>
<li><a title="Head Egg" href="http://pierreyvesclouin.fr/items/show/95" target="_self">Head Egg</a></li>
<li><a title="Front Room" href="http://pierreyvesclouin.fr/items/show/105" target="_self">Front Room</a></li>
<li><a title="Carnissus" href="http://pierreyvesclouin.fr/items/show/93" target="_self">Carnissus</a></li>
<li><a title="les inrockuptibles about switch2" href="http://pierreyvesclouin.fr/items/show/110" target="_self">les Inrockuptibles</a></li>
</ul>
program
-
http://pierreyvesclouin.fr/files/original/30bdb4e6848b57955ba357462dcdac9f.pdf
74d43e4bb095ea2cffd15c264fc5d3e9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1998-11-18 to 1998-11-21
Event Type
festival
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Workman in <em>12eme Rencontre Video Art Plastique</em>
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/f0d865b080c4ece1ca92ff53d35e9990.jpg" alt="" width="400px" /><br />in <em>Centre d'art contemporain de Basse Normandie</em>
Relation
A related resource
<a title="Workman" href="http://pierreyvesclouin.fr/items/show/99" target="_self">Workman</a>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Hérouville St Clair, FR
Festival
-
http://pierreyvesclouin.fr/files/original/4f327a164b547b5878fc2a86524fadcc.pdf
832db4bbf3f1d8c5fcda89ce0c1d9b9f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1998-10-16 to 1998-11-29
Event Type
biennal
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Workman in Pandaemonium, the London Festival of Moving Images 1998
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/12b9aae6d4a76431b885e0dc469a3927.jpg" alt="" width="400px" />
<p>London electronic Arts, Lux, London</p>
Relation
A related resource
<a title="workman" href="http://pierreyvesclouin.fr/items/show/99" target="_self">Workman</a>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
London
biennal
-
http://pierreyvesclouin.fr/files/original/7fdd49b602c6cb4c2f7a655ac86d35e9.pdf
202cbf219b4997850acfbb9ac7fb2ba0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1998-09-16 to 1999-09-20
Event Type
festival
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Cul en l'air</em> in 3RD Cinematexas
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/eef8fbf5db9ce6a46f9a51b8dface528.jpg" alt="" width="400px" />
Relation
A related resource
<a title="Cul en l'air" href="http://pierreyvesclouin.fr/items/show/103" target="_self"><em>Cul en l'air</em></a>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Austin
Festival
-
http://pierreyvesclouin.fr/files/original/313e2d031d4646245f48496ee8339584.pdf
7ed4eb1238082c60ea62a5e260dad7f4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1998-09-25 to 1998-10-18
Event Type
festival
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Front Room in CFFVF
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/93ba129acfb232b8a60405aa270f4748.jpg" alt="" width="400px"" />
Date
A point or period of time associated with an event in the lifecycle of the resource
1998-09-25 to 1998-10-18
Relation
A related resource
<a title="Front Room" href="http://pierreyvesclouin.fr/items/show/105" target="_self">Front Room</a>
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Orlando, Melbourne, FL, Gainesville, Tampa
Festival
-
http://pierreyvesclouin.fr/files/original/c5584bb3ff9fe0f9d6b50fada18bdce2.pdf
53a295cef1599440121e3ef9ad677322
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1999-06-12 to 1999-06-20
Event Type
festival
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Cul en l'air</em> in Atlanta Film and Video Festival 98
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/0a685e262799f5b9ef0ef540469bd742.jpg" alt="" width="400px"" />
Relation
A related resource
<a title="Cul en l'air " href="http://pierreyvesclouin.fr/items/show/103" target="_self"><em>Cul en l'air</em> </a>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Atlanta
Festival
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1998-08
Event Type
event
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
out on screen, Vancouver
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/2a6f62425a54dca5d1da841f4838b2e1.jpg" alt="" width="400px" />
<p><a title="Front Room" href="http://pierreyvesclouin.fr/items/show/105" target="_self">Front Room</a> </p>
<p><a title="Cul en l'air" href="http://pierreyvesclouin.fr/items/show/103" target="_self">Cul en l'air</a></p>
<p>in out on screen</p>
Relation
A related resource
<ul>
<li><a title="Front Room" href="http://pierreyvesclouin.fr/items/show/105" target="_self">Front Room</a></li>
<li><a title="Cul en l'air" href="http://pierreyvesclouin.fr/items/show/103" target="_self">Cul en l'air</a></li>
</ul>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Vancouver
-
http://pierreyvesclouin.fr/files/original/d1bd17d8ae9dc03411b5bd0d6fbd7d39.pdf
89f089feca3eb6b5fc8e9b31a0746e2d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1998-11-04 to 1998-11-08
Event Type
festival
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Front Room in Microcinema 98
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/83dcde5d308dd197d7f8916652a90139.jpg" alt="" width="400px" />
Relation
A related resource
<a title="front room" href="http://pierreyvesclouin.fr/items/show/105" target="_self">Front Room</a>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Baltimore
Festival
-
http://pierreyvesclouin.fr/files/original/2eab9a1b8b587343b55afb4922ff8cae.pdf
b665c716e3172e408ece21a38375beaf
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1998-04-16 to 1998-04-19
Event Type
festival
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Front Room in Taos Talking Picture Festival
Relation
A related resource
<a title="front room" href="http://pierreyvesclouin.fr/items/show/105" target="_self">Front Room</a>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Taos
Festival
-
http://pierreyvesclouin.fr/files/original/281441e77ef7a28d42f04fb25deb5528.pdf
482effc804ea95e493e74f0e314382bc
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1998-10-05 to 1998-10-11
Event Type
festival
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cul en l'air in 3rd International Festival of New Film, Split
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/689fcba70bbdf2b560c3d4c2264a0a18.jpg" alt="" width="400px" />
Relation
A related resource
<a title="Culen l'air " href="http://pierreyvesclouin.fr/items/show/103" target="_self">Cul en l'air</a>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Split
Festival
-
http://pierreyvesclouin.fr/files/original/b82d569a208e48f302d024af45794f03.pdf
38c1dc3edc55c927b345dc1e97e24b26
http://pierreyvesclouin.fr/files/original/6931e01fa1a1bb72729eb2f47e920d80.JPG
dedf63cd3c1d24601d9079164564bbb1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1998-03-18 to Fall 1998
Event Type
festival
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Front Room in New Arts Program 98
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/edd18bd70d450aad810f0fe042f7a663.jpg" alt="" width="400px" />
<p>screening Locations:</p>
<ul>
<li>- Philadelphia - Museum of American Art, March 18, 20, 27, April 3 and 10</li>
<li>- Norman, Oklahoma -University of Oklahoma, April 7 and 14th</li>
<li>- New York City - TZ'Art & Co, May 1st to May 30th</li>
<li>- Reading, PA - Freedman Gallery at Albright College, September 9th to October 12th</li>
<li>- Easton, PA - Art Gallery at Lafayette College,fall 98</li>
<li>- Spring Valley, California - IAAVC September 1998</li>
<li>- Alentown, Pennsylvania - Allentown art Museum, February 6 to March 14</li>
<li>- Reading, Pennsylvania - Freedman Gallery at albright College, Fall 1998</li>
</ul>
Relation
A related resource
<a title="front room" href="http://pierreyvesclouin.fr/items/show/105" target="_self">Front Room</a>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Philadelphia, Norman, New York City, Reading, Easton, Spring Valley, Alentown, Reading, USA
Festival
-
http://pierreyvesclouin.fr/files/original/b9120dc13c7693e4a6d31c8f9b71a294.pdf
56e29cba886fa9eec32d1af3c6a84dfd
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1998-05-05 to 1998-05-09
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
European Media Art Festival 1998
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/4d5d5c8727ced8d9dbb74679ab55488d.jpg" alt="" width="400px" />
Relation
A related resource
<a title="Cul en l'air" href="http://pierreyvesclouin.fr/items/show/103" target="_self">Cul en l'air</a>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Osnabrück
Festival
Osnabrück