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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;GIRLHOOD&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;2:12&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;Gwendolyn Foster&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;Holy Waste&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;4:13&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;Jack Wormell&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;Diana Galimzyanova&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;18:12&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;Andy Gel&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;All the Faces I Love Look Alike&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;14:43&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;Davi Mello &amp;amp; Deborah Perrotta&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;Tokyo 2200 AD&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;2:18&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;Wheeler Winston Dixon&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;Break - music from Twodogs&lt;/p&gt;&#13;
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&lt;p&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;Ode To Los Angeles&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;7:38&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;Katya Kan&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;Timmy Miller Has a&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;Heavy Head&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;17:48&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;Carlo Keshishian&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;Skeleton Dance&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;9:59&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;Charlotte Bill&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;Now&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;3:20&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;Marcin Ciszek Pop&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;Join The Herd&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;1:17&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;Pierre Yves Clouin&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;Between Here And There&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;3:49&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-family: Helvetica Neue; font-size: small;"&gt;David Anthony Sant&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;br /&gt;&lt;a href="https://instagram.com/stories/py.clouin/2803111573052457409" target="_blank" rel="noopener"&gt;Audience reaction&lt;/a&gt; to &lt;a href="https://pierreyvesclouin.fr/items/show/1232"&gt;Join The Herd&lt;/a&gt; filmed by Charlie Pritchard.</text>
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&lt;h1&gt;BLENDED PROGRAM/&lt;/h1&gt;&#13;
&lt;h1&gt;PROGRAMA MEZCLADO&lt;/h1&gt;&#13;
&lt;p&gt;⁂ VII FESTIVAL VIDEO NODOCCS ⁂&lt;/p&gt;&#13;
&lt;p class="last-child"&gt;26TH NOVEMBER TO 4TH DECEMBER 2021&lt;/p&gt;&#13;
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&lt;p&gt;&lt;strong&gt;SELECTED ARTISTS / ARTISTAS SELECCIONADOS&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Dreaming in Aspect Ratio Gwendolyn Audrey Foster USA&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;APA 3 ́00” 2021 AUTOR: Maisha Maene Democratic Republic of Congo&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;LIKE A RAT IN A CAGE Matteo Campulla Italy&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;DONT_GO_AWAY.mp4 LHOSIS Brazil&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;The New World Sinasi Gunes Turkey&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Join the Herd Pierre Yves Clouin France&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;EULOGY, 2020 Susan Silas USA&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;I Wish You Happy Moon Festival Xiaolu Wang China&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;The Matrix (2021) Yingchuan Du China&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;The left hand of darkness Sara Bonaventura Italy&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Press Pound to Connect Alexander Fingrutd USA&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;FOIE Kumo Taro Germany&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Die Liebe in den Zeiten der EU Stephan Groß Germany&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Brojevi (eng. Numbers) Bruno Pavić Croatia&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Everyone and no one Özgür Demirci Turkey&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Parcourir Florine Mougel France&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Magnification Lorenzo Papanti Italy&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;How I Choose to Spend the Remainder of my Birthing Years Sarah Lasley USA&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;purgatory is the side of the road Mireya Martinez USA&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;ALL YOU WANT IS GREECE Alex Morelli USA&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;The Photo Hunters Enrico Dedin Italy&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Fear in your eyes Evgenia Makarova Russia&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Untitled (Redactions) Christopher Meerdo USA&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Pese a todo Alessandro Focareta Italy&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Cosecha mecánica Felix Klee Germany&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;1959 SW Morrison St Chris Ticas Guatemala&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Asignaciones para maternar, nº3: dormirle Carelyn Mejías Venezuela&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Serie $0$ Fácil viene, fácil se va. Kiari Bastardo Venezuela&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Los tres Comisarios DIxon Calvetti Venezuela&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Pulsarh Ezequiel Pizzani &amp;amp; Nelson Parra Venezuela&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Contrapunctus I Qunyuan WANG China&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;INTERSPERSED David Anthony Sant Australia&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p class="last-child"&gt;&lt;strong&gt;TOC DE QUEDA LAURA PINTA CAZZANIGA ESPAÑA&lt;/strong&gt;&lt;/p&gt;&#13;
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&lt;p class="p1"&gt;Célébrant 7 années consécutives, le VII Festival Video NodeCCS se tiendra du 26 novembre au 4 décembre 2021, virtuellement et en personne, avec un programme d'événements synchrone qui comprend des spectacles en direct, des projections vidéo, des projections expérimentales ouvertes, de la musique en direct et plus encore&lt;br /&gt;La programmation sera projetée par Zoom via un lien qui sera annoncé le jour de l'événement via les réseaux sociaux de nodeCCS, et sous forme d'événements en face à face gratuits dans les espaces de Marya Azzarelli et de Los Galpones Art Centre à Caracas, Musée d'Art Contemporain de Zulia MACZUL à Maracaibo ; Studio Radas et Zumzeig Gallery à Barcelone (Espagne) et Agder University à Kristiansand (Norvège)&lt;br /&gt;Organisé par la plateforme nodeCCS –fondée par les artistes vénézuéliens Maria Bilbao · Herrera et Diana Rangel– le VII NodeCCS Video Festival connectera des scènes créatives locales et internationales pendant neuf jours, réunissant des artistes vidéo, des œuvres d'installation et des expériences artistiques en ligne expérimentales du monde entier. monde. Pour cette septième édition du Festival, un total de 250 vidéos de 39 pays ont été enregistrées à partir d'un appel ouvert, avec 33 artistes de 15 pays sélectionnés par un comité de sélection composé de Laura Arensburg (Argentine), Pamela Merazt (Mexique), Marithe Govea (Venezuela), Oscar Schlenker (Venezuela) et Javier Guerra (Espagne).&lt;br /&gt;Le VII Festival Video NodeCCS est présenté comme un projet dirigé par des artistes, qui comprend le soutien de tous les artistes qui ont participé à la collaboration ouverte en se soumettant à l'appel 2021, et cette année il collabore avec le Musée d'art contemporain de Zulia MACZUL, la Fondation Govea-Meoz et le Los Galpones Art Center, a le soutien du Goethe Institut Venezuela, des amis artistes et collaborateurs.&lt;br /&gt;A noter que depuis sa création à ce jour, NodeCCS a réalisé sa programmation et son festival à Caracas (Venezuela), Lima (Pérou), Bogotá (Colombie), Miami (USA), Berlin (Allemagne), Madrid et Barcelone ( Espagne) , Karazin (Ukraine), Mexico (Mexique), Kristiansand (Norvège) et Athènes (Grèce).&lt;/p&gt;&#13;
&lt;p class="p1"&gt;Cette année, la programmation du Video NodeCCS Festival sera réalisée sous la modalité virtuelle / face à face, de manière synchrone à Caracas et Maracaibo (Venezuela), ainsi qu'à Barcelone (Espagne) et à Kristiansand (Norvège), afin que tous les événements qui Ils sont présentés dans des espaces physiques et seront transmis en ligne via des liens quotidiens qui seront rendus publics via instagram et facebook @nodoCCS.&lt;/p&gt;&#13;
&lt;p class="p1"&gt;L'ouverture du festival aura lieu le 26 novembre de manière synchrone à Caracas dans les espaces Marya Azzarelli du bâtiment San Carlos à Las Mercedes, et à Barcelone (Espagne) dans la galerie Studio Radas, à 16h CCS / 21h BCN ; tandis que la clôture aura lieu le samedi 4 décembre de 9h à 14h dans la salle multimédia du &lt;strong&gt;musée d'art contemporain de Zulia MACZUL (Maracaibo)&lt;/strong&gt;, avec la projection des vidéos sélectionnées.&lt;br /&gt;Pour enrichir l'agenda du festival de cette année, la programmation expérimentale fait partie du programme "Creative Processes at a Distance", réalisé par les instituts Goethe en Amérique du Sud, dirigé par les fondatrices Maria Bilbao · Herrera et Diana Rangel, qui présenteront leurs propositions collaboratives à Caracas au Warehouse 17 du Los Galpones Art Center, le samedi 27 novembre à 14h CCS / 17h BCN et à Zumzeig à Barcelone (Espagne) en janvier 2022.&lt;br /&gt;De même, comme chaque année, nodeCCS propose un espace pour la musique électronique expérimentale, et cette fois il sera invité le 4 décembre à la clôture du Festival dans un lieu secret qui sera rendu public uniquement aux personnes qui participent à la programmation, où ils seront présentés les propositions de DJs vénézuéliens, basés dans différentes villes et qui sont de retour dans notre ville, tels que Bernardo Risquez, Oscar Fonseca, KX, Federico Blank et More.&lt;br /&gt;Le calendrier complet des activités virtuelles ouvertes et gratuites en ligne est consultable sur le site www.nodoccs.com ou via le compte @nodoccs sur instagram.&lt;/p&gt;&#13;
&lt;br /&gt;&lt;br /&gt;Celebrating 7 consecutive years, the VII Festival Video NodeCCS will be held from November 26 to December 4, 2021, virtually and in person, with a synchronous program of events that includes live performances, video screenings, open experimental screenings, live music and more&lt;br /&gt;The programming will be projected by Zoom via a link that will be announced on the day of the event via nodeCCS social networks, and in the form of free face-to-face events in the spaces of Marya Azzarelli and Los Galpones Art Center in Caracas. , Museum of Contemporary Art of Zulia MACZUL in Maracaibo; Studio Radas and Zumzeig Gallery in Barcelona (Spain) and Agder University in Kristiansand (Norway)&lt;br /&gt;Organized by the nodeCCS platform - founded by Venezuelan artists Maria Bilbao Herrera and Diana Rangel - the VII NodeCCS Video Festival will connect local and international creative stages for nine days, bringing together video artists, installation works and artistic experiences in experimental line from around the world. world. For this seventh edition of the Festival, a total of 250 videos from 39 countries were recorded from an open call, with 33 artists from 15 countries selected by a selection committee made up of Laura Arensburg (Argentina), Pamela Merazt (Mexico ), Marithe Govea (Venezuela), Oscar Schlenker (Venezuela) and Javier Guerra (Spain).&lt;br /&gt;The VII Festival Video NodeCCS is presented as an artist-led project, which includes the support of all the artists who participated in the open collaboration by submitting to the 2021 call, and this year it collaborates with the Art Museum contemporary of Zulia MACZUL, the Govea-Meoz Foundation and the Los Galpones Art Center, has the support of the Goethe Institut Venezuela, artist friends and collaborators.&lt;br /&gt;Note that since its creation to date, NodeCCS has carried out its programming and its festival in Caracas (Venezuela), Lima (Peru), Bogotá (Colombia), Miami (USA), Berlin (Germany), Madrid and Barcelona (Spain) , Karazin (Ukraine), Mexico City (Mexico), Kristiansand (Norway) and Athens (Greece).&lt;br /&gt;This year, the programming of the Video NodeCCS Festival will be carried out in a virtual / face-to-face fashion, synchronously in Caracas and Maracaibo (Venezuela), as well as in Barcelona (Spain) and Kristiansand (Norway), so that all events which They are presented in physical spaces and will be transmitted online via daily links that will be made public via instagram and facebook @nodoCCS.&lt;br /&gt;&lt;br /&gt;The festival will open synchronously on November 26 in Caracas in the Marya Azzarelli spaces of the San Carlos building in Las Mercedes, and in Barcelona (Spain) in the Studio Radas gallery, at 4 p.m. CCS / 9 p.m. BCN; while the closing will take place on Saturday 4 December from 9 a.m. to 2 p.m. in the multimedia room of the Zulia MACZUL contemporary art museum (Maracaibo), with the screening of the selected videos.&lt;br /&gt;To enrich this year's festival agenda, the experimental programming is part of the "Creative Processes at a Distance" program, produced by the Goethe Institutes in South America, directed by the founders Maria Bilbao · Herrera and Diana Rangel, who will present their collaborative proposals in Caracas at Warehouse 17 at Los Galpones Art Center, on Saturday November 27 at 2 p.m. CCS / 5 p.m. BCN and at Zumzeig in Barcelona (Spain) in January 2022.&lt;br /&gt;Likewise, as every year, nodeCCS offers a space for experimental electronic music, and this time it will be invited on December 4 at the end of the Festival in a secret place that will be made public only to those who participate in the programming, where they The proposals of Venezuelan DJs, based in different cities and who are back in our city, such as Bernardo Risquez, Oscar Fonseca, KX, Federico Blank and More will be presented.&lt;br /&gt;The complete calendar of open and free online virtual activities can be viewed at www.nodoccs.com or via the @nodoccs account on instagram.</text>
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&lt;p align="left"&gt;&lt;em&gt;ou le retour de la nouille prodigue&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p align="left"&gt;&lt;em&gt;ou la métaphore en latence&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p align="left"&gt;&lt;em&gt;ou l'œil de Pierre Yves Clouin qui réveille le latent sous le trivial, la métaphore sous l'élément le plus petit.&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p align="left"&gt;&lt;em&gt;arte povera ou art machinique ou le parti pris de la chose.&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p align="left"&gt;&lt;em&gt;Tout cela en humour sérieux: une nouille en forme de petit nœud ou de papillon est séparée d'autres identiques regroupées sur le support blanc d'un appareil ménager, machine à laver le linge ou la vaisselle qui vibre en marche et fait sautiller les petits aliments. Il faut 1 minute et 17 secondes à l'isolée pour atteindre les autres et selon le titre, en jeu à la manière de Pierre Yves Clouin, pour ainsi "rejoindre le troupeau". Revenir à ses pairs après la tentation d'une vie plus risquée, revenir comme le fils prodigue après avoir tout dépensé ou même avant même d'avoir tenté: la nouille est intacte. La ressemblance annoncée est celle de la brebis ou de tout autre animal de groupe, à la conduite grégaire; elle engage un regard sociologique sur la crainte ou l'impossibilité de rester seul, de vivre autonome, ce qui glisse vers le terrain dépréciatif: choisir d'être plutôt nouille que penseur. Pierre Yves Clouin aurait pu dire être trop bonne pâte mais il a préféré l'aliment à la française avec la nuance moins heureuse. La nouille n'y est pas cuite, sans quoi l'adhérence, la mollesse eussent empêché le petit bruit du sautillement mais s'opère, ainsi, un autre déplacement du sens, vers "l'objeu" mot-valise fait d'objet et de jeu de Francis Ponge. Lui, Ponge retint un autre papillon, le vrai volant, il le vit comme "un minuscule voilier des airs maltraité par le vent en pétale superfétatoire."&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p align="left"&gt;&lt;em&gt;Pierre Yves Clouin fait avec la forme, ce que le poète fait avec le mot mais pour les deux, l'objet/aliment retenu devient le motif inspiré, le lieu de la métaphore, au delà de regard commun- ce qui nous éloigne du troupeau. Tout objet est motif d'invention.&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p align="left"&gt;&lt;em&gt;Parce qu'elle est papillon, la nouille nous entraîne ainsi loin des formules d'argot que des films précédents de l'artiste auraient pu déclencher et elle déclenche notre sourire devant la boutade poétique en vidéo.&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p class="western" align="justify"&gt;&lt;em&gt;Simone Dompeyre&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p class="western" align="justify"&gt;&lt;a href="https://pierreyvesclouin.fr/items/show/1234"&gt;Traverse Vidéo 2021&lt;/a&gt;&lt;/p&gt;&#13;
&lt;em&gt;&lt;em&gt;&lt;br /&gt;"Entraîné par des ressemblances qu'il est toujours le premier à découvrir entre des éléments et des objets très éloignés, Pierre-Yves Clouin fabrique son troupeau de nouilles posées sur le couvercle d'un appareil électro-ménager."&lt;br /&gt;&lt;br /&gt;"Guided &lt;span class=""&gt;by resemblances—that he is always the first to discover—between very diverse elements and objects, Pierre Yves Clouin builds his herd of pasta atop a household appliance."&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Traverse Vidéo&lt;/em&gt;&lt;/em&gt;</text>
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