22 20 453 http://pierreyvesclouin.fr/files/original/802753304e105686f35dc9360d1d88d7.png 80b7780affc483b5bdf00e2d1cf5149e http://pierreyvesclouin.fr/files/original/e74e257ac99937a7d0d3499d217a5400.pdf dffca2cc1521506cd5f8e758136f033f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 2018-10-21 Event Type Festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Une femme, "(A Woman,) selected at MiMo, Milano Description An account of the resource <img title="Femme, at MIMO" src="http://pierreyvesclouin.fr/files/original/d051503cafd70f9c189a2347c8b35f7b.jpg" alt="" width="400px" /> <a title=""Une femme," by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1138" target="_self">"Une femme, "(A Woman,) </a> selected at <a title="MIMO 2018" href="http://www.mimofilmfestival.it/" target="_self">MiM</a><a title="Mimo 2018" href="http://www.mimofilmfestival.it/" target="_self">o</a>, Milano Mobile Film Festival, screened on October 21 at 3pm, at Teatro Continuo di Burri, Parco Sempione, Milano, Italy Relation A related resource <a title=""Une femme," by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1138" target="_self">"Une femme, "(A Woman,)</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Milano http://pierreyvesclouin.fr/files/original/04dfc3f1e37ad3c9438342a78b444e0f.pdf fbae0493a0a8784d5d96f590e4810f74 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 13-19/10/2018 Event Type festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Une femme, (A Woman, ) selected at Un festival c'est trop court, Nice Description An account of the resource <img title="Femme, at un festival c'est trop court" src="http://pierreyvesclouin.fr/files/original/93351f2abeb5ac9850ab232d3fff6f52.jpg" alt="" width="400px" /> Une femme, (A Woman, ) selected in competition Experience at <a title="Un festival c'est trop court 2018" href="https://nicefilmfestival.wixsite.com/2018" target="_self">Un festival c'est trop court (October 13-19)</a> screened Monday October 15, 4:30pm at Cinema Mercury and October 17, 6pm at la Villa Arson, Nice, France Relation A related resource <a title=""Une femme," by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1138" target="_self">Une femme,</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Nice http://pierreyvesclouin.fr/files/original/56f386efe196282a751c68b00bd1221b.PNG 4c82cdbdc123fa5d78dc6cd4433ba708 http://pierreyvesclouin.fr/files/original/1705b8a6650725a3a4fdd51c57b63978.jpg a1a1ccc15ed853cd2e1fea51d3ded5c7 http://pierreyvesclouin.fr/files/original/d4bd8dc228ace9c95e4cc88b4b781a44.jpg d24737ca54c4ec187f6a192e39740a14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 2018-08-31 Event Type Festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Reentry" and "Tram(e)" selected at Bengals International Short Film Festival, Bengalore Description An account of the resource <img title="Bengals" src="http://pierreyvesclouin.fr/files/original/bdd58bc922cd411f2999fc49ccfd1f78.png" alt="" width="400px" /> "Reentry" and "Tram(e)" selected at the 4 <a title="BengalsInternational site" href="http://aerosat.co.in/BM" target="_self">Bengals International (Short Film Festival)</a>, Bengalore, Karnataka, India, screened August 31 at Suchitra Cinema & Cultural Academy Relation A related resource <a title=""Tram(e)" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1132" target="_self">Tram(e)</a> <a title=""Reentry" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1121" target="_self">Reentry</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Bengalore, India http://pierreyvesclouin.fr/files/original/4e0721fdd341045c5663e9d2c25ec462.pdf 0c8b0ba6abf1dbf4e0022656d613c6df Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 2018-09-19 to 2018-09-23 Event Type festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Lumenité" in the carte blanche Les Inattendus at the WNDX Festival of Moving Image, Winnipeg Description An account of the resource <img title="Exploding" src="http://pierreyvesclouin.fr/files/original/3b71e3cb28807ff53237d7e2f5a1dcc9.png" alt="" width="400px" /> <img title="wndx src=" alt="" width="400px" /> <a title=""Lumenité" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1087" target="_self">Lumenité</a> screened on Sunday September 23, 3pm at Winnipeg Cinematheque, in the carte blanche of the festival L<a title="Les Inattendus" href="http://www.inattendus.com/" target="_self">es Inattendus</a><a title="Les Inattendus" href="http://www.inattendus.com/" target="_self"> </a>(Lyon) at the <a title="Wndx 2018" href="http://wndx.org/" target="_self">WNDX Festival of Moving Image</a> (September 19-23), Winnipeg, Man, Canada Founded in late 1995 in Lyon, France, the association Les Inattendus questions the links woven within the city between the social and cultural realities and their subsequent visual and sound representations. Les Inattendus promotes richness and diversity of contemporary creation by supporting resolutely singular cinematographic gestures that stand out. This program, curated by Marjorie Couderc, represents a sort of “best of” collection, featuring works which have screened in the past few years at the festival. Relation A related resource <a title=""Lumenité" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1087" target="_self">Lumenité</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Winnipeg Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 2018-04-21 Event Type screening Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Shooting Star" in Oh Neigh! Exploding Cinema at the Horse Hospital, London Description An account of the resource <img title="Exploding" src="http://pierreyvesclouin.fr/files/original/180291200d66e6e0ea0cddd389e211b4.jpg" alt="" width="400px" /> <img title="Exploding Cinema src=" alt="" width="400px" /> "<a title="Shooting star by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/687" target="_self">Shooting Star</a>" screened in <a title="exploding Cinema april18" href="https://www.thehorsehospital.com/events/exploding-cinema" target="_self">Oh Neigh! Exploding Cinema</a> at the Horse Hospital, London, Saturday 21st April 7:00 PM 11:00 PM Date A point or period of time associated with an event in the lifecycle of the resource 2018-04-21 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant London Relation A related resource <a title="Shooting star by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/687" target="_self">Shooting Star</a> http://pierreyvesclouin.fr/files/original/7f35140f3add9815a21c3bf5860f0cb2.jpg c85c4470f3f50afd2e390c9e939f58dc http://pierreyvesclouin.fr/files/original/e6b653f454c5975a17139c93a5b68b12.jpg 5e80677ca4dd10f897536bc45c4dd002 http://pierreyvesclouin.fr/files/original/47e323043fccf635c0b7cc4bc875225f.pdf 1fd64fa458eee3b713f94125d641c73a http://pierreyvesclouin.fr/files/original/f478775770d81a7c793f5377bb7bc4f1.pdf d2c777525731b7e21be7e27c097f2630 http://pierreyvesclouin.fr/files/original/91560b9be24200c050c6d351b0e61660.pdf bf52c825cbbd39114b5742157c9439ed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Event Type exhibition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Shooting Star" in Paesaggi Concettuali, OGA, Rome Description An account of the resource <img title="Oga" src="http://pierreyvesclouin.fr/files/original/06ce0a141b0266d0ccd9710ce1499e3f.jpg" alt="" width="400px" /> <a href="http://pierreyvesclouin.fr/items/show/687">Shooting Star</a> selected at <a title="OGA 2018/2019" href="http://www.werthergermondari.com/oga/paesaggi-concettuali--conce/" target="_self">OGA (Ospizio Giovani Artisti / Young Artists Hospice) Videoart exhibitions 2018/2019</a> : Paesaggi Concettuali  January 7 -18 - 2019 Via Cernaia, 15.Rome, Italy The space of the OGA (Ospizio Giovani Artisti / Young Artists Hospice) organizes from four to six group exhibitions every year, with contemporary and modern art works that come exclusively from the Collection of the OGA. Artisti: Koldo Almandoz, Claudio Beorchia, Pierre Yves Clouin, Nina Engeln, Werther Germondari, Eduardo Herrera, Vincenzo Monticelli Cuggiò, Yevhen Samuchenko, Ela Wysakowska Walters, Elizabeth Wilson. Periodo: 7 - 18 gennaio 2019 Orario: solo su appuntamento A tre anni di distanza dalla mostra ‘Diversamente Concettuali’, realizzata all’OGA nel 2016, spazi reali e geografie della mente tornano ad incontrarsi e a mescolarsi nelle opere di dieci artisti internazionali, tutte come sempre provenienti dalla Collezione dell’Ospizio Giovani Artisti. Koldo Almandoz (San Sebastian, Spagna, 1973) Ha studiato giornalismo all'Università di Navarra, poi è andato a New York per studiare cinema. Ha realizzato cortometraggi e documentari. Selezionati in numerosi e importanti festival internazionali (Cannes, Rotterdam...), i suoi lavori hanno ricevuto numerosi premi. Il suo video in mostra si intitola ‘Plagan’, dalla parola latina "plaga" che significa "colpo", "ferita". Nel suo video vuol far riflettere su come la comparsa massiccia e improvvisa di esseri viventi della stessa specie (in questo caso l’uomo) causa gravi danni. Claudio Beorchia (Vercelli, 1987) è affascinato e incuriosito dalle complessità del mondo circostante, soprattutto quando influenzano la società, fanno sentire gli esseri umani i più vulnerabili e impotenti, oppure sono prodotti dagli stessi esseri umani sotto l'illusione di poterne approfittare o controllare loro. Cerca di attirare l'attenzione su questi aspetti usando molteplici media per creare opere e processi che siano il più eloquenti e significativi possibili, in una continua ricerca di sintesi formale ed efficacia, al fine di ottenere un coinvolgimento profondo e diretto dell'osservatore. Pierre Yves Clouin (Parigi, Francia, 1956) lavora nel cinema dal 1995. È nato e ha sede a Parigi. Ha studiato architettura all'École Nationale Supérieure des Beaux-Arts, ed in seguito ha esposto i suoi dipinti e le sue foto in varie mostre. Il suo lavoro è stato premiato con premi e riconoscimenti come il Silver Spire Arward San Francisco International Film Festival e l'Institut français Hors les murs residence Film, Video/Cinema. I suoi video sono stati selezionati in festival in tutto il mondo. Nina Engeln (Berlino, Germania, 1979) vive e lavora a Colonia. Dopo aver conseguito il Diploma nel 2013, ha ricevuto il diploma di specializzazione "MeisterschülerIn" dall'Accademia di Belle Arti di Dresda nel 2015. Nina Engeln ha esposto in Germania, Austria e Francia. Nel 2011 ha ricevuto una borsa di studio per studenti europei presso l'Accademia di Belle Arti di Vienna, in Austria. “Investigating the dichotomy of liberty and anxiety I started considering transitional periods and interstages. I detect it possible to freeze in fear of freedom and contrary notice the advantage of agitation” (N.A.). Werther Germondari (Rimini, 1963) Artista visivo, performer e filmmaker. Attento a dinamiche innovative sperimentali neo-concettuali che si caratterizzano per un gusto ironico e surreale, svolge dai primi anni ottanta una ricerca attraverso numerosi media espressivi. Ha partecipato a esposizioni in gallerie private e spazi sperimentali internazionali, alternando installazioni d’ambiente, videowork e atti performativi, focalizzando l’attenzione su elementi nascosti, attinenti a una visione reale, sociale e politica. Nel 2013 ha ideato l’Ospizio Giovani Artisti. Eduardo Herrera (Buenos Aires, Argentina, 1977) ha studiato scultura all’Accademia di Belle Arti di Roma e Arti Visive presso l’istituto Antonio Berni (Buenos Aires). Si è Perfezionato nell’arte della ceramica all’Istituto G.Ballardini di Faenza e ha seguito un Corso di ceramica olistica e tecniche sciamaniche all’Istituto Condorhuasi di Buenos Aires. ‘Upload’, il video in mostra, cerca di descrivere la forza che possiamo sentire di abitare in certi luoghi sacri come Antequera Dolmens in Andalusia, così come la nostra presenza interiore che ci permette di essere ‘qui e ora’. Vincenzo Monticelli Cuggiò (Napoli, 1969) Artista fotografo, esordisce nel 2006 nella Galleria Gallerati con una ricerca intimista in stile astratto; in seguito indirizza il proprio percorso concettuale al contesto urbano interpretato in chiave oggettiva. Dal 2010 realizza esclusivamente pezzi unici, senza prova d’autore, concepiti come creature non replicabili esposte all’irreversibilità delle dinamiche reali. Nella Galleria Gallerati è stato giurato e recensore per alcuni concorsi. Dal 2013 è anche fotografo di scena e documenta installazioni ed eventi performativi. Yevhen Samuchenko (Odessa, Ucraina, 1977) è ispirato da dall’universo, è soprattutto attratto dalle riprese notturne, delle quali ama il ritmo lento, in cui ci si estranea dal trambusto della giornata e, grazie anche al lungo processo di ripresa dell'esposizione, non si interferisce con la contemplazione del cielo stellato: “guardando coscientemente il maestoso cielo notturno, mi sento come una singola particella dell'Universo, che si fonde in un unico insieme”. Ela Wysakowska Walters (Gdynia, Polonia, 1974) La sua pratica è caratterizzata dall'uso di diversi media artistici: tradizionali, nuovi e anche non associati all'arte. Le piace la condizione di incertezza, il posizionarsi sulla soglia. La Walters gestisce molti progetti artistici di sensibilizzazione delle persone non legate all'arte. Le piace investigare l'alterità; il processo del suo apparire. Il suo ruolo è quello di penetrare le superfici visibili. Sta cercando connessioni e ama lavorare nei punti di incontro di spazi fisici e mentali. Le piace l’errore, un messaggio limitato, l’assurdo e l’irrazionale. Elizabeth Wilson (Pembury, Kent, GB, 1987) si è laureata con un Master in Fine Art al Royal College of Art nel 2017, un Postgraduate Certificate in Post-Compulsory Education presso l'Università di Brighton nel 2009 e un BA (Hons) in Illustrazione e animazione dall'Università del Gloucestershire nel 2008. Attualmente ricopre il ruolo di Sessional Lecturer e Printmaking Technician presso l'Università per le arti creative. Liz ha esposto opere sia nel Regno Unito che a livello internazionale in varie istituzioni artistiche. ------------------------ Exhibition: CONCEPTUAL LANDSCAPES Artists: Koldo Almandoz, Claudio Beorchia, Pierre Yves Clouin, Nina Engeln, Werther Germondari, Eduardo Herrera, Vincenzo Monticelli Cuggiò, Yevhen Samuchenko, Ela Wysakowska Walters, Elizabeth Wilson. Period: 7 - 18 of January 2019 Opening time: by appointment only Three years after the exhibition 'Diversamente Concettuali', held at the OGA in 2016, real spaces and geographies of the mind come back to meet and mingle in the works of ten international artists, with works as usual coming from the Collection of the Ospizio Giovani Artisti. Koldo Almandoz (Donostia-San Sebastian, Spain, 1973) has written several short films, documentaries and experimental pieces, such as Belarra (2002), Columba Palumbus (2007) and Hubert Le Blonen azken hegaldia (The Last Flight of Hubert Le Blon, 2014). His first feature, Sipo phantasma (Ghost Ship, 2016), screened in the Zabaltegi-Tabakalera section at San Sebastian. In 2017 he returned to Zabaltegi-Tabakalera with the short film, Plágan (Plague). In 2008 he was a member of the Altadis-New Directors Jury in San Sebastian. Claudio Beorchia (Vercelli, Italy, 1979) is intrigued by the complexities of the surrounding world, especially when they affect society, make human beings feel the most vulnerable and powerless, or are produced by human beings themselves under the illusion to be able to take advantage of or control them. He tries to draw attention on these aspects using multiple media to create works and processes being as eloquent and meaningful as possible, in a continuous search of formal synthesis and effectiveness, in order to achieve a deep and direct involvement of the observer. Pierre Yves Clouin (Paris, France, 1956) has been working exclusively in film since 1995. He was born and is based in Paris. He studied architecture at the École Nationale Supérieure des Beaux-Arts, and later exhibited his paintings and photos. His work has been honoured with prizes and distinctions such as the Silver Spire Arward San Francisco International Film Festival and Institut français Hors les murs residency Film, video/ Cinema. His videos have been selected in festivals worldwide. Nina Engeln (Berlin, Germany, 1979) lives and works in Cologne. After receiving her Diploma in 2013 she received the postgraduate degree 'MeisterschülerIn' from the Academy of Fine Arts Dresden in 2015. Engeln has exhibited in Germany, Austria and France. In 2011 Engeln received a grant for European Union student exchange from Academy of Fine Arts Vienna, Austria. “Investigating the dichotomy of liberty and anxiety I started considering transitional periods and interstages. I detect it possible to freeze in fear of freedom and contrary notice the advantage of agitation”. Werther Germondari (Rimini, Italy, 1963) Visual artist, performer and filmmaker. Interested in innovative experimental dynamics that are neo-conceptual and situational, characterized by a taste for the ironic and surreal, Germondari has experimented for 35 years through many different expressive media (from painting to installations, photography to film, videos to live performance). Germondari's works have also been shown in solo exhibitions where he focuses on hidden elements highlighted in styles. In 2013 he founded the Ospizio Giovani Artisti. Eduardo Herrera (Buenos Aires, Argentina, 1977) he studied sculpture at the Academy of Fine Arts in Rome and Visual Arts at the Antonio Berni institute (Buenos Aires). He specialized in the art of ceramics at the Istituto G.Ballardini in Faenza and followed a course in holistic ceramics and shamanic techniques at the Condorhuasi Institute in Buenos Aires. 'Upload', the video in the exhibition, tries to describe the strength we can sense dwelling in certain sacred places as Antequera’s Dolmens in Andalucía, as well as our inner presence that allows us to be ‘here and now’. Vincenzo Monticelli Cuggiò (Napoli, Italy, 1969) Debuts in 2006 in Galleria Gallerati with an intimate research in abstract style; he then directs his own conceptual path to the urban context interpreted in an objective key. Since 2010 he has made exclusively unique pieces, without any proof of author, conceived as non-replicable creatures exposed to the irreversibility of real dynamics. In Galleria Gallerati he was sworn and reviewer for some competitions. Since 2013 he has also been a stage photographer and documents installations and performative events. Yevhen Samuchenko (Odessa, Ukraine, 1977) Inspired by Mother Nature and our Universe. Shooting nature and street scenes, but most of all I was attracted to night shooting. At night shooting I like its slow pace you can break away from the bustle of the day, and because of the long exposure shooting process does not interfere with the contemplation of the starry sky. Consciously watching the majestic night sky, I feel like a single particle of the Universe, merging into a single whole with it. Ela Wysakowska Walters (Gdynia, Poland, 1974) Her practice is marked by the use of diverse art media – traditional, new as well as those that are not usually associated with art. She likes the condition of uncertainty, of being on the threshold. Walters runs many art outreach projects for people not connected with art. She likes investigating otherness; the process of its appearing. Her role is to penetrate beneath the visible surfaces. She is looking for connections and likes working at meeting points of physical and mental spaces. She is waiting for holes and raptures to appear in reality. Elizabeth Wilson (Pembury, Kent, UK, 1987) has graduated with a Masters in Fine Art from the Royal College of Art in 2017, a Postgraduate Certificate in Post-Compulsory Education from the University of Brighton in 2009 and a BA (hons) in Illustration and Animation from the University of Gloucestershire in 2008. She currently holds the position of Sessional Lecturer and Printmaking Technician at the University for the Creative Arts. Liz has exhibited works both in the UK and internationally within various art institutions. Date A point or period of time associated with an event in the lifecycle of the resource 2019- 0 1- 7/18 Relation A related resource <a href="http://pierreyvesclouin.fr/items/show/687">Shooting Star</a>  Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Rome http://pierreyvesclouin.fr/files/original/e45d74551d7a01d68a0f5937b31e480c.pdf c402f7c05cfb72fae733b7b7522bc428 http://pierreyvesclouin.fr/files/original/d668f278d06459c03f5c91adbd0b3b8e.pdf ba12dcc6103f2fd414349d371fb93f8b http://pierreyvesclouin.fr/files/original/6aacd97a123c52aaf837e5cdaf990672.pdf c258745bf2f2a148259a459e608457a7 http://pierreyvesclouin.fr/files/original/662828846dd4356cd285ef732d77fedc.pdf 47ffcf19051f56075f5eea2ebe852352 http://pierreyvesclouin.fr/files/original/24c2da36769a612494ef65c18c9d50cc.pdf f8a9b89237717f1cfe14ad1b68786cd7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 2018-03-15/16 Event Type festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Shooting Star" selected at EUROVIDEO Festival Europeen des Arts Videos Description An account of the resource <img title="Eurovideo" src="http://pierreyvesclouin.fr/files/original/ecdb3bc6a23e88e8295f09353c91ff0d.jpg" alt="" width="400px" /> <a href="http://pierreyvesclouin.fr/items/show/687">Shooting Star</a> has been selected at <a title="eurovideo2018" href="http://www.videographies.be/eurovideo-2018/" target="_self">EUROVIDEO Festival Européen des Arts Videos</a>  (organized by <a href="http://www.videographies.be/">Videographies</a> and <a href="http://www.argosarts.org/">Argos, Centre for Art and Media</a>) and screened March 15-17, at Théatre de Liège, Belgium and silmutaneously presented at Le Manège, Scène Nationale, Maubeuge, France,  Le Casino Luxembourg, Forum d’art contemporain, Luxembourg, CEZAM, Centar za multimedijalnu produkcuju, Podgorica, Montenegro  La Nuova Pesa, Centro Arte Contemporanea a Roma, Rome, Italy,  Cinema Zuid, Antwerp, Belgium and on RTBF and RTC Date A point or period of time associated with an event in the lifecycle of the resource 2018-03-15/16 Relation A related resource <a href="http://pierreyvesclouin.fr/items/show/687">Shooting Star</a>  Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Liège, Belgium Maubeuge, France Luxembourg Podgorica, Montenegro Rome, Italy Antwerp, Belgium http://pierreyvesclouin.fr/files/original/ab23c68f908f348453c9d7bbab261b78.jpeg 7598f4a6a950aee965d5edeb46069747 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 2017-09-27 2017-10-20 Event Type exhibition Participants Names of individuals or groups participating in the event. Guy Hersant, Ilan Wolff, Didier Cholodnicki, Pierre Yves Clouin, Serge Le Squer. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Lorient espaces urbains en transformation" Galerie d'art Collège de Kerdurand, Riantec, France Description An account of the resource <a title="kerdurand" href="https://galeriedartkerdublog.wordpress.com/2017/09/24/lorient-espaces-urbains-en-transformation/" target="_self">"Lorient espaces urbains en transformation" </a>Galerie d'art Collège de Kerdurand, Riantec, France Exposition de photographie, dans la galerie d’art du collège.<a title="Galerie Le lieu" href="http://www.galerielelieu.com/" target="_self"> La galerie « Le Lieu » </a>(Lorient) prête les &oelig;uvres de : Guy HERSANT, Ilan WOLFF, Didier CHOLODNICKI, Pierre Yves CLOUIN et Serge LE SQUER. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Riantec, France Relation A related resource <a title="matiere de transparence" href="http://pierreyvesclouin.fr/items/show/568" target="_self">photos</a> http://pierreyvesclouin.fr/files/original/bfd0b855aa8b8e78a4a23234e079d7ac.pdf 28a275f4a48660b7ad7e560c15ecd224 http://pierreyvesclouin.fr/files/original/7410baf2ee40fd110c328f0d8e766849.pdf bab7ca7e13661a088f07ea7251705aa5 http://pierreyvesclouin.fr/files/original/ef535fdf7bdefc6055032ea6a1e6ec1a.pdf 0f07bf0ec6a046640008bd558dbd8f5c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 2018-03-7/11 Event Type Festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Shooting Star" selected at the Rencontres Traverse Video, Toulouse, France Description An account of the resource <img title="Traverse" src="http://pierreyvesclouin.fr/files/original/6082dbd4514ef20b65c93b6d266241ff.jpg" alt="" width="400px" /> <a title=""Shooting Star" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/687" target="_self">Shooting Star</a> selected at the <a title=""Shooting star" by PY Clouin at traverse video" href="http://traverse-video.org/le-cratere/" target="_self">Rencontres Traverse Video</a>, Toulouse, France (March 7-11 2018) screened March 9, 2pm at cinema Le Cratère " <a title=""Shooting Star" by PY Clouin" href="http://pierreyvesclouin.fr/items/show/687" target="_self">Shooting Star</a> : étoile filante ou étoile que l’on a filmée, la double traduction amorce le propos de Pierre Yves Clouin qui n’a jamais abandonné cette possibilité de double lecture. Qu’il filme en ses débuts, son corps en « contenu explicite » comme les catalogues qualifient ses &oelig;uvres, alors la vidéo s’intitule <a title=""cowboy" by PY Clouin" href="%20http://pierreyvesclouin.fr/items/show/1105" target="_self">Cow Boy</a>, en accord avec le plan de bas du corps, jambes écartées, en position de duel, mais la main attouche le sexe. Le corps, nu encore, devient (<a title=""c'est le veau qui bêle" by PY Clouin" href="http://pierreyvesclouin.fr/items/show/107" target="_self">c’est) le veau qui bêle</a> grâce au cadrage détournant le visage et se jouant des mouvements des membres, de même <a title=""Workman" by PY Clouin" href="http://pierreyvesclouin.fr/items/show/99" target="_self">Workman</a> transforme ce corps humain en être différent…  Depuis ce sont les objets, les lieux, les éléments qui sont ainsi détournés pour seul exemple : <a title=""Rodin des bois" by PY Clouin" href="http://pierreyvesclouin.fr/items/show/654" target="_self">Rodin des bois</a> entraîne au versant de l’étrange, des troncs devenant chimères.  En un nouvel esprit des choses, Clouin sait créer des beautés cachées, dans l’immédiateté de leur rencontre au gré de ses déplacements. Il accepte l’invitation.  Du quotidien, il trouve la tension, le moment où l’on se plaît à voir autre chose que ce qui est ; alors il déclenche l’appareil qu’il porte ; léger, il le tient près de son regard curieux cela peut être le téléphone désormais et précisément pour <a title=""Shooting Star" by PY Clouin" href="http://pierreyvesclouin.fr/items/show/687" target="_self">Shooting Star</a>. Curieux, c’est prendre soin/cura en latin.  Le film interstitiel s’évade de la reconnaissance quotidienne : ainsi un reflet du portable – allumé incidemment, explique PY Clouin, sur la fonction « lampe de poche » – devient l’étoile filante porteuse de v&oelig;u et ici porteuse du film.  Les plans se saccadent, se succèdent selon l’itinéraire, les bruits urbains sont plus ou moins précis, la lumière varie ainsi que la couleur allant jusqu’au vert si éloigné de notre imagerie de la ville. En effet de travelling, le halo passe de vitrine à vitre de voiture, à fenêtres et baies d’appartement, de bureaux, de magasins… il glisse sur des grilles variées, des claustras, passe au plein ciel. La petite lumière s’accélère jusqu’au filage, le quotidien « s’expanse », l’autre est à portée de l’&oelig;il qui sait voir, il se prête à l’invention de filmer." <a title="catalogueTraverse2018" href="https://traverse-video.org/catalogue_2018/catalogue_2018.html#p=92" target="_self">Simone Dompeyre</a> <a title="catalogueTraverse2018" href="https://traverse-video.org/catalogue_2018/catalogue_2018.html#p=92" target="_self">Avril 2018</a> <a title="catalogueTraverse2018" href="https://traverse-video.org/catalogue_2018/catalogue_2018.html#p=92" target="_self">Rencontres Traverse Vidéo, Toulouse, France</a> "<a title=""Shooting Star" by PY Clouin" href="http://pierreyvesclouin.fr/items/show/687" target="_self">Shooting Star</a> : a shooting star or a star shot on film, the double translation of this video’s title is an appropriate introduction to Pierre Yves Clouin whose work has never abandoned the possibility of dual readings. In his early videos he filmed his body—‘’explicit content’’ as catalogues classified his works. <a title=""cowboy" by PY Clouin" href="http://pierreyvesclouin.fr/%20http://pierreyvesclouin.fr/items/show/1105" target="_self">Cow Boy</a>, as might be expected shows his lower body, legs spread, in position for a duel; but then his hand lightly touches his genitals. His body, again nude, becomes <a title=""C'est le veau qui bêle" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/107" target="_self">The Bleating Calf </a> thanks to the framing of his diverted face; similarly, playing on the movement of his limbs, <a title=""Workman" by PY Clouin" href="http://pierreyvesclouin.fr/items/show/99" target="_self">Workman</a> transforms his human body into a different sort of being… Since these early works, Clouin has continued to subvert our reading of objects, places, and other elements. One example: <a title=""Rodin des bois" by PY Clouin" href="http://pierreyvesclouin.fr/items/show/654" target="_self">Rodin Wood </a> draws the viewer into a strange universe where tree trunks become chimera.  With a fresh mindfulness of things, Clouin knows how to create hidden beauties in the immediacy of his daily encounters, and he accepts these invitations.  He finds tension in the quotidian, the moment when one enjoys seeing something for other than what it is. This is when he turns on the camera he’s carrying; it’s light so he can hold it near his curious gaze. It might even be a cellphone, as in the case of <a title=""Shooting Star" by PY Clouin" href="http://pierreyvesclouin.fr/items/show/687" target="_self">Shooting Star</a> . Curious means to take care, to be careful (cura in Latin). The interstitial film escapes ordinary detection. Thus a reflection of his cellphone—with the ‘’flashlight’’ function turned on, as Clouin explains—becomes a shooting star that brings luck and, here, carries the film. The shots jerk from one to the next, following on each other, dependent on his itinerary; the urban noises are more or less distinct, and the light varies, with the color occasionally veering to a green that is far from our image of the city. There’s the effect of the traveling shot, with the halo passing from shop window to the window of a rail car, bay windows of apartments, glass store fronts, and office windows… sliding across a variety of gates, grids, open brick- and iron-work, and shifts to the open sky. The little light accelerates until it’s spinning, the quotidian ‘’expands,’’ the other is within sight of anyone who knows how to see, it lends itself to the invention of filming. <a title="catalogueTraverse2018" href="https://traverse-video.org/catalogue_2018/catalogue_2018.html#p=92" target="_self">Simone Dompeyre</a> <a title="catalogueTraverse2018" href="https://traverse-video.org/catalogue_2018/catalogue_2018.html#p=92" target="_self">Avril 2018</a> <a title="catalogueTraverse2018" href="https://traverse-video.org/catalogue_2018/catalogue_2018.html#p=92" target="_self">Rencontres Traverse Vidéo, Toulouse, France</a>   <img title="Traverse" src="http://pierreyvesclouin.fr/files/original/76b10056366ded579e8fd2366e0cccf4.jpg" alt="" width="400px" /> <img title="Traverse" src="http://pierreyvesclouin.fr/files/original/ca836d69cf3508b542171ea0349fcf49" alt="" width="400px" /> Date A point or period of time associated with an event in the lifecycle of the resource 2018 -03-7/11 Relation A related resource <a title=""Shooting Star" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/687" target="_self">Shooting Star</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toulouse, France http://pierreyvesclouin.fr/files/original/3d1d2f417210c5a2aa8b8052b89d1ded.pdf 7db7c8162195c2d3e5cd5ebb0b180db3 http://pierreyvesclouin.fr/files/original/61d9375fb8f691ec0cca1f4cbe913871.pdf 860183f2a03769e19b5a25bf49a74c5c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 2018-02-09 to 2018-02-17 Event Type Festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Lumenité" selected at Les Inattendus, Lyon Description An account of the resource <img title="Les Inattendus" src="http://pierreyvesclouin.fr/files/original/d377e5d97d67a996794afa5a2f301433.jpg" alt="" width="400px" /> Lumenité screened Saturday February 10 2018 at 4:00 pm, at the MJC Monplaisir, during the<a title="Les Inattendus" href="http://www.inattendus.com/festival-2018-11eme-edition/" target="_self"> festival Les Inattendus</a> (February 9- 17 2018) Lyon, France Date A point or period of time associated with an event in the lifecycle of the resource 2018- 02-10 Relation A related resource <a title="lumenité" href="http://pierreyvesclouin.fr/items/show/1087" target="_self">Lumenité</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Lyon, France http://pierreyvesclouin.fr/files/original/0b58dcb327fa3a796bc05d88e59f56d8.PDF 7c62e4674197a8fd0ffcb5a92fb30522 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 05-06-1998 Event Type Festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Cul en l'air" at Athens International Film & Video Festival 1998 Description An account of the resource "Cul en l'air" screened at the Athens International Film& Video Festival, Wednesday May 6, 9:30, Ridges Auditorium, at Athens Center for Film & Video, Athens, Ohio, USA Date A point or period of time associated with an event in the lifecycle of the resource 06-05-1998 Relation A related resource <a title=""Cul en l'air" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/103" target="_self">"Cul en l'air"</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Athens, OHIO, USA http://pierreyvesclouin.fr/files/original/bbb4fce5171c110bf70ed4d892a9608c.pdf beab5d2a5eb911869b794dcd338a8491 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Event Type Festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Shooting Star" selected at the San Diego Underground Film Festival Description An account of the resource <img title="San Diego UFF" src="http://pierreyvesclouin.fr/files/original/6b07873dd7f4c59c332938a6dda09ae8.jpg" alt="" width="400px" /> Shooting Star" selected at the <a title="San Diego UFF" href="http://www.sdundergroundarts.org/festival-2017" target="_self">San Diego Underground Film Festival,</a> (August 24-27) screened at the Tenth Ave Arts Center, Sunday August 27th 12:15pm Curators: Ryan Betschart, Rachel Nakawatase Date A point or period of time associated with an event in the lifecycle of the resource 2017 - 08 - 27 Relation A related resource <a title=""Shooting Star" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/687" target="_self">Shooting Star</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, CA, USA http://pierreyvesclouin.fr/files/original/d2f9a995e93cd934023c8f82bff4fd01.pdf f5a9c626fa81369e7aa6c515da622bc6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 2017-07-05 Event Type screening Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "La murène devant la salle de bain" in artscience, the new and history, Bologna, Italy Description An account of the resource <img title="Art&Science" src="http://pierreyvesclouin.fr/files/original/da74fdf7c8ee18873b6bc9055cddddc7.jpg" alt="" width="400px" /> <a title=""The Moray eel Opposite The Bathroom" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1065" target="_self">"The Moray Eel Opposite the Bathroom"</a><a> screened in a program of </a><a title="RISC 2016" href="http://pierreyvesclouin.fr/items/show/1088" target="_self">RISC</a> curated by Serge Dentin <a>at </a><a title="artsciences online" href="https://artscience.online/2017/07/04/la-conferenza-mercoledi-5-luglio-the-conference-july-5-wednesday/" target="_self">artscience</a><a>, the new and history, Sala Conferenze "Marco Biagi", Complesso del Baraccano, Bologna, Italy</a> Date A point or period of time associated with an event in the lifecycle of the resource 2017-07-05 Type The nature or genre of the resource event Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Bologna, Italy Relation A related resource <a title=""The Moray eel Opposite The Bathroom" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1065" target="_self">The Moray Eel Opposite the Bathroom</a> http://pierreyvesclouin.fr/files/original/e53b5e068983b47a8d73416f4f0fae18.pdf a343bfce4597ab56d2a385713ee49c6c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Interview du réalisateur Pierre Yves Clouin - RISC 2016 Date A point or period of time associated with an event in the lifecycle of the resource 2016-11-20 http://pierreyvesclouin.fr/files/original/4333751fc26732f2df41d5a0c2f4bb5f.JPG 3ac6871d796e771fe6ed649dc93f061a http://pierreyvesclouin.fr/files/original/808f28b5c2184984a783de61352a25cf.JPG da0e9436d95d3e8ea9c3a3762c06b8bf http://pierreyvesclouin.fr/files/original/b5eba85095b52e2751cfec04ed39a975.JPG 87bf54c856594c5c19cd8eb80d7c537a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. Clouin Pierre Yves né le 15 juin 1956 à Paris, France. C'est un miniaturiste qui détient la minutie d'un graveur; c'est un Wols ou un Tobey baroque. Dans ces petits formats à l'huile, il développe l'arabesque qu'un travail précédent, éffacé, suggère. Ses entrelacs blancs et noirs sur fond beige ou parme, ce sont les grandes mers et les hautes montagnes lunaires ou les mouvements des nuages sur notre planète, vus par satellite. L'œil peut scruter longuement pour découvrir les formes qu'il apporte dans cet univers sans cesse en mouvement. Expo.: 1988, La Galerie, Paris; 1989, Galerie Diane Manière, Paris. Jean Pierre Delarge Editions Gründ, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pierre Yves Clouin in Dictionnaire des Arts Plastiques Modernes et Contemporains Date A point or period of time associated with an event in the lifecycle of the resource 2001 Rights Information about rights held in and over the resource Jean-Pierre Delarge Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Paris http://pierreyvesclouin.fr/files/original/2f680a20eb575af36dabbb5e53efbe71.pdf d9e03409df075cd29ceb7b0879e92380 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 2017 - 04 - 6,7,8 Event Type Festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Lumenité" selected at the Festival du Film Court d'Angoulême Description An account of the resource <img title="Festival du court Angouleme" src="http://pierreyvesclouin.fr/files/original/0c4b71c3e2645a12729adaa143e7f6e6.jpg" alt="" width="400px" /> "<a title=""Lumenité" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1087" target="_self">Lumenité</a>" selected at the <a title="Festival du Film Court d'Angoulême" href="http://www.filmcourtangouleme.com/" target="_self">Festival du Film Court d'Angoulême</a>, France, screened on April 8 at 4:00pm at the Cinéma de la Cité in the Competition des films indépendants Relation A related resource <a title=""Lumenité" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1087" target="_self">Lumenité</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Angoulême, France Festival http://pierreyvesclouin.fr/files/original/9ffad2c2acdb35a1712beb2f7c0c69f8.pdf fd8e781c537a4ecb520246bdd14231e1 http://pierreyvesclouin.fr/files/original/532f895a04dabde727a013ddd7385af2.pdf 056b4826fd9e38585d4b411b43c026b8 http://pierreyvesclouin.fr/files/original/9a785ee93da20b2bfd5433b225cdeaca.pdf 2146bfbf833bd707e77b0d825386d35c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Event Type Festival Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) February 17th & 18th 2017 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Shooting Star" selected in aDifferent Festival, Milwaukee, WI, USA Subject The topic of the resource <img title="aFestival, Milwaukee" src="http://pierreyvesclouin.fr/files/original/3cbb39f1ed2c32e22c175fa35eb45fbc.jpg" alt="" width="400px" /> <a title="aDifferent Festival" href="http://www.acinema.space/adifferent-festival/" target="_self">aDifferent Festival </a> is curated by Janelle VanderKelen and Takahiro Suzuki, aCinema.  <a title=""Shooting Star" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/687" target="_self">Shooting Star</a> was screened in <a title="aDifferent Festival program4" href="https://www.acinema.space/archive/adifferent-festival/program-4">Program 4 - Assembled Environs </a> February 18th - 3:00 pm at <a title="aDifferent Festival program4" href="http://woodlandpattern.org/events/?event=285" target="_self">Woodland Pattern Book Center</a>, Milwaukee, WI, USA <div> </div> Relation A related resource <a title=""Shooting Star" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/687" target="_self">Shooting Star</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Milwaukee, WI http://pierreyvesclouin.fr/files/original/4c9ab174eb7d2087c2138d309ed5b907.pdf d199fa585e9b15574da0024c4aad2df3 http://pierreyvesclouin.fr/files/original/9504cb60ebe10b5afa12311bb8c4ec28.pdf a008c9a340a02090bef62de51116bedb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. "All you Can Eat : homosexuelle Pornografie und künstlerischer Film."  Pierre Yves Clouin In der Zwischenzeit gibt es viele bildende Künstler, die ihre eigene Homosexualität offensiv thematisieren. Der Einfluss der eigenen Sexualität auf die künstlerische Arbeit ist zu einem festen Topos geworden. Ein Beispiel dafür, wie heute selbst- verständlich mit der Homosexualität in der Kunst – hier Videokunst – umgegangen wird, sind die Arbeiten des französischen Künstlers Pierre Yves Clouin. Auch hier spielt die Inszenierung vor der Kamera und der Aspekt des Zeigens eine große Rolle: Exhibitionismus und Voyeurismus kommen in Videos wie <a title=""Cul en l'air" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/103" target="_self">Cul en l’air </a> (1997) voll zum Tragen. Seine minimalistischen Videos sind Performances, die filmisch verdichtet sind. Einerseits stehen sie in der Tradition der Body Art der 1960er und -70er Jahre – z.B. die Arbeiten von Carolee Schneemann und Valie Export –, andererseits erhalten die Videos durch ihre Direktheit und Perspektive eine pornografische Dimension. Insbesondere in der Performancekunst gab es immer wieder Aktionen, die als pornografisch bezeichnet wurden: Bekanntestes Beispiel sind sicherlich die Happenings der Wiener Aktionisten um Otto Mühl, Günter Brus und Herrmann Nitsch, die aber immer aufgrund ihrer Intention und ihrer Artikulationsweise den eng gesetzten Rahmen der Pornografie durchbrachen. Oftmals besaßen diese Akti- onen und Performances einen politisch-utopischen Kern und waren Rituale wider das Domestizierte.  Von dieser utopischen Sprengkraft ist in den Videos von Pierre Yves Clouin nichts zu spüren. Bei Clouin handelt es sich um Körpererkundungen, die mitunter narzisstisch anmuten. An dieser Stelle kann durchaus gefragt werden, inwiefern der Impetus eines Videokünstlers und eines Pornodarstellers identisch ist, den eige- nen Körper offensiv zur Schau zu stellen. Beim Künstler geht es im Unterschied zum Pornodarsteller oftmals um die Zurschaustellung des Unperfekten, um die Reflexion von Körperpolitiken im Zusammenhang mit Massenmedien und um die Transformation des Körpers zu einem Instrument bzw. künstlerischem Material. Ein unaufgelöster Rest bleibt jedoch im Vergleich von künstlerischem und por- nografischem Film – z.B. der Wunsch nach direkter Ansprache eines anonymen Publikums. Und so heißt es in einer Kritik zu <a title=""Cul en l'air" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/103" target="_self">Cul en l’air </a>: <blockquote>„My levitating butt is a bit of a prick. This conceptual videotape transforms a man’s buttock into the head of a giant penis. Luckily, it doesn’t blow its load.“</blockquote> Schlußbemerkung <a title=""Front Room" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/105" target="_self">Front Room</a> (1996) – ebenfalls von Clouin – markiert aber auch den Unterschied zwischen eindimensionaler Pornografie und der künstlerischen Dimension eines Films, der immer auch einen Raum für Imagination und Assoziation öffnet. Das, was der Zuschauer bzw. die Zuschauerin in <a title=""Front Room" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/105" target="_self">Front Room </a>zunächst zu sehen glaubt, wird letztendlich enttäuscht. Im Gegensatz zur Ästhetik der Eindeutigkeit und dem Konzept der Inkorporie- rung des Betrachters oder der Betrachterin im pornografischen Film besitzt jeder künstlerische Film etwas Uneindeutiges oder löst Eindeutigkeiten auf. Irritation und Distanzierung sind Aspekte, die dem pornografischem Prinzip fremd sind. Es stellt sich die Frage, ob der künstlerische Film überhaupt pornografisch sein kann. Vielleicht wäre es besser, wie Peter Gorsen von einer „uneigentlichen Obszönität in der Kunst“1 spricht, von einer „uneigentlichen Pornografie im künstlerischen Film“ zu sprechen, weil die Filme trotz unverblümter Darstellungen immer ein Mehr an Wahrnehmung bieten. Pornografie will – auch wenn die Unterscheidung zwischen Kunst und Pornografie oft wie ein verklemmtes Feigenblättchen zu wirken scheint – im Gegensatz zu einer künstlerischen Intention im Umgang mit Darstellung von Sexualität „durch nichts Krummes in ihrem Ziel, Lust zu wecken (...) gestört wer- den.“...2 Ulrich Wegenast, Freiburger FrauenStudien, vol. 10, issue 15, 2004,  pp. 293-314. <hr /> Pierre Yves Clouin ...[T]here are many visual artists who aggressively thematize their own sexuality. The influence of one's own sexuality on the artistic work has become an established topos. One example of how homosexuality is now naturally dealt with in art – here film – are the works of the French artist Pierre Yves Clouin. Here, too, the aspect of staging in front of the camera and the aspect of showing play a big role: exhibitionism and voyeurism take full effect in films such as <a title=""Cul en l'air" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/103" target="_self">Cul en l’air </a> (1997). His minimalist videos are performances that are filmically condensed. On the one hand, they stand in the tradition of 1960s and 1970s Body Art – e.g. the works of Carolee Schneemann and Valie Export. On the other hand, the videos acquire a pornographic dimension through their directness and perspective. Especially in performance art there have consistently been actions that have been described as pornographic: the most well-known examples are certainly the happenings of the Viennese Actionists around Otto Mühl, Günter Brus and Herrmann Nitsch, which, because of their intention and manner of articulation, broke the tightly-set framework of pornography. Often, these actions and performances had a political utopian core and were rituals against the domestic. This utopian force is not at all palpable in the videos of Pierre Yves Clouin. His work is one of body explorations, which occasionally appear narcissistic. At this point one may well ask to what extent the impetus to aggressively display one's own body is identical for a video artist and for a porn actor. For the artist, unlike the porn actor, it is often about the display of the imperfect, the reflection of body politics in relation to mass media, and about the transformation of the body into an instrument or artistic material. An undissolved remainder lingers however in the comparison between artistic and pornographic film – e.g. the wish to directly address an anonymous audience. And so a critical review of <a title=""Cul en l'air" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/103" target="_self">Cul en l’air </a>  says: <blockquote>“My levitating butt is a bit of a prick. This conceptual videotape transforms a man's buttocks into the head of a giant penis. Luckily, it doesn't blow its load.”</blockquote> Closing Remarks <a title=""Front Room" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/105" target="_self">Front Room</a> – likewise by Clouin – also marks however the difference between one-dimensional pornography and the artistic dimension of a film that always also opens up room for imagination and association. What the viewers of <a title=""Front Room" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/105" target="_self">Front Room</a> at first believe they are seeing is eventually thwarted. In contrast to the pornographic film's aesthetics of definiteness and its concept of the incorporation of the viewers, every artistic film contains something ambiguous or dissolves clarities. Confusion and distancing are aspects that are foreign to the pornographic principle. The question emerges whether the artistic film can be pornographic at all. As Peter Gorson speaks of an “inauthentic obscenity in art,”1 it would be better to speak of an “inauthentic pornography in the artistic film,” because these films, despite their explicit depictions, always provide a widening of perspective. Contrary to an artistic intention in dealing with depicting sexuality, pornography – even when this distinction between art and pornography often seems like a fig leaf – does not want to be “bothered by anything awry in its aim to arouse desire.”2 Ulrich Wegenast, Freiburger FrauenStudien, vol. 10, issue 15, 2004,  pp. 293-314 (excerpt). Translation: Heinrich-David Baumgart  <hr /> Pierre Yves Clouin .. [T] il ya beaucoup d'artistes qui thématisent agressivement leur propre sexualité. L'influence de sa propre sexualité sur l'œuvre artistique est devenue un topos établi. Les œuvres de l'artiste français Pierre Yves Clouin sont un exemple de comment l'homosexualité est naturellement  maintenant traité dans l'art - ici le film. La encore le fait d’être face caméra et en représentation jouent un grand rôle: l'exhibitionnisme et le voyeurisme font pleinement effet dans des films comme <a title=""Cul en l'air" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/103" target="_self">Cul en l’air </a> (1997). Ses vidéos minimalistes sont des représentations condensées en film. Ils se tiennent d’une part de la tradition du Body Art des années 1960 et 1970 - des travaux de Carolee Schneemann et Valie Export par ex. et d'autre part, ces vidéos acquièrent une dimension pornographique par leur franchise et leur perspective. Il y a toujours eu dans l'art de la performance, notamment, des actions qui ont été décrites comme pornographiques: les exemples les plus connus sont certainement les happenings des actionnistes viennois autour d'Otto Mühl, Günter Brus et Herrmann Nitsch qui, en raison de leur intention et de leur mode d’articulation, ont brisé le cadre étroitement fixé de la pornographie. Souvent, ces actions et performances avaient un utopique noyau politique et étaient des rituels contre la domesticité. Cette force utopique n'est pas palpable dans les vidéos de Pierre Yves Clouin. Son travail est une exploration du corps, parfois narcissique. À ce stade, on peut se demander dans quelle mesure l'impulsion à afficher agressivement son propre corps est identique pour un artiste vidéo et pour un acteur porno. Pour l'artiste, à la différence de l'acteur porno, il s'agit souvent de l'affichage de l'imparfait, de la politique du corps par rapport aux médias de masse et de transformation du corps en instrument ou en matériel artistique. Toutefois il reste un fond non résolu dans la comparaison entre le film artistique et le film pornographique - par exemple le désir de s'adresser directement à un public anonyme. Ainsi, une critique de <a title=""Cul en l'air" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/103" target="_self">Cul en l’air </a> dit: «En s’envolant mon cul fait le gland. Cette bande vidéo conceptuelle transforme les fesses d'un homme en gland de pénis géant. Heureusement, il ne crache pas. “ Mot de la fin <a title=""Front Room" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/105" target="_self">Front Room</a> - du même Clouin - marque aussi la différence entre la pornographie unidimensionnelle et la dimension artistique d'un film qui lui, ouvre toujours la place à l'imagination et à l'association. Ce que les spectateurs dans la salle croient d'abord voir dans <a title=""Front Room" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/105" target="_self">Front Room</a> est finalement contrecarré. Contrairement à l'esthétique et le concept d'incorporation des téléspectateurs du film pornographique, chaque film artistique contient quelque chose d'ambigu où la clarté est dissoute. Confusion et distanciation sont des aspects qui sont étrangers au principe pornographique. La question se pose de savoir si le film artistique peut être vraiment pornographique. Comme Peter Gorson parle d'une ”obscénité inauthentique dans l'art”1, il serait préférable de parler d'une ”pornographie inauthentique dans le film artistique”, car ces films, malgré leurs représentations explicites, offrent toujours un élargissement de perspective. Contrairement à une intention artistique de représenter la sexualité, la pornographie - même si cette distinction entre l'art et la pornographie semble souvent une feuille de vigne - ne veut pas être ”dérangée dans son objectif de susciter le désir par quelque chose de tordu”2. Ulrich Wegenast, Freiburger FrauenStudien, vol. 10, issue 15, 2004,  pp. 293-314 (extrait). 1 Gorson, Peter: Sexualästhetik. Grenzformen der Sinnlichkeiit im 20. Jahrhundert, Reinbek bei Hamburg, 1987. 2 Mertner, Edgar and Herbert Mainusch: Porntopia. Das Obszöne und die Pornografie in der literarischen Landschaft, Frankfurt/./Bonn, 1970, S.88. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "All You Can Eat – Homosexuelle Pornografie und künstlerischer Film" by Ulrich Wegenast Subject The topic of the resource <a title="text by U Wegenast" href="budrich-journals.de/index.php/fgs/article/download/2330/1934" target="_self">Text</a> about Robert Mapplethorpe, Kenneth Anger, Jack Smith, Michael Brynntrup, Bruce LaBruce, Jürgen Brüning, Pierre Yves Clouin Date A point or period of time associated with an event in the lifecycle of the resource 2004 Rights Information about rights held in and over the resource Ulrich Wegenast Language A language of the resource De Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Freiburg, Germany Relation A related resource <a title=""Front Room" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/105" target="_self">Front Room </a><a title=""Cul en l'air" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/103" target="_self">Cul en l'air</a> http://pierreyvesclouin.fr/files/original/bc11bdedee175fd62cacef00d29f7c47.jpg 7810a123e61b8485f0520778c3ae0af5 http://pierreyvesclouin.fr/files/original/b4ad74a02cffd9b2522d193eefa6e0b6.jpg 809719df1273082aec4fe085165760e7 http://pierreyvesclouin.fr/files/original/936d3d28edd2c4cbc4db6cb60f3c088d.pdf a343bfce4597ab56d2a385713ee49c6c http://pierreyvesclouin.fr/files/original/bd8be0e274d29090b684c37d09449260.pdf 621ca5677e2b84360d5d4cb6b050ad1d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Event Type Festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Lumenité" premier and "The Moray Opposite the Bathroom" selected at the <a title="RISC 2016" href="http://www.pollymaggoo.org/" target="_self">10e Rencontres Internationales Sciences et Cinemas</a>, Marseille Description An account of the resource <img src="http://pierreyvesclouin.fr/files/original/52d034e73e41e6c2a490df38c0ce8b66.jpg" alt=" width=" />   <ul> <li><a title=""The Moray eel Opposite The Bathroom" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1065" target="_self">"The Moray Eel Opposite the Bathroom" </a>screened on November 20 at 2Pm at Cinéma Les Variétés, Marseille</li> <li><a title=""Lumenité" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1087" target="_self">"Lumenité"</a> screened on November 25  at 8:30Pm at the Muséum d'Histoire Naturelle de Marseille</li> </ul> <a title="interview RISC 2016" href="http://festivalrisc.org/interview-du-realisateur-pierre-yves-clouin/" target="_self">Interview durant RISC Marseille 2016</a> <hr /><header class="header"> <div id="header-grid" class="hfg_header site-header"><nav class="header--row header-main hide-on-mobile hide-on-tablet layout-full-contained nv-navbar header--row" data-row-id="main" data-show-on="desktop"> <div class="header--row-inner header-main-inner"> <div class="container"> <div class="row row--wrapper" data-section="hfg_header_layout_main"> <div class="hfg-slot left"> <div class="builder-item desktop-center"> <div class="item--inner builder-item--logo" data-section="title_tagline" data-item-id="logo"> <h5 class="site-logo"><a class="brand" href="https://festivalrisc.org/" aria-label="Rencontres Internationales Sciences et Cinéma Rencontres Internationales Sciences et Cinéma" rel="home"><img width="280" height="130" src="https://festivalrisc.org/wp-content/uploads/2024/10/petit-logo-risc.png" class="neve-site-logo skip-lazy" alt="logo RISC" data-variant="logo" decoding="async" /></a></h5> </div> </div> </div> <div class="hfg-slot right"> <div class="builder-item has-nav hfg-is-group has-primary-menu"> <div class="item--inner builder-item--primary-menu has_menu" data-section="header_menu_primary" data-item-id="primary-menu"> <div class="nv-nav-wrap"> <div role="navigation" class="nav-menu-primary" aria-label="Menu principal"> Interview du réalisateur Pierre Yves Clouin </div> </div> </div> </div> </div> </div> </div> </div> </nav></div> </header><main id="content" class="neve-main"> <div class="container single-post-container"> <div class="row"> <article id="post-1379" class="nv-single-post-wrap col post-1379 post type-post status-publish format-standard has-post-thumbnail hentry category-non-classe"> <div class="entry-header"> <div class="nv-title-meta-wrap"> par Alexandre BOERO, <a href="https://festivalrisc.org/author/virgifau-0916/" title="Articles par Festival RISC" rel="author">Festival RISC, Marseille France, </a><time class="entry-date published" datetime="2016-11-18T22:08:19+01:00" content="2016-11-18">18 novembre 2016</time> </div> </div> <div class="nv-content-wrap entry-content"> <div class="section"> <div class="layoutArea"> <div class="column"> Pour les 10ème RISC, Pierre Yves Clouin est en lice pour le Prix Jeune public avec « La Murène devant la salle de bain », et celui du meilleur Court-métrage avec « Luménité ». Le parisien se confie sur ses deux films en compétition et revient sur ce qui l’a poussé à devenir réalisateur. Votre art est très atypique, et il s’exprime pleinement dans « La Murène » : C’est une paréidolie en mouvement. Quand on voit une prise électrique, on voit deux yeux et une bouche. On la regarde, et on voit une tête. C’est ça la paréidolie. Dans « La Murène devant la salle de bain », on regarde un jogging posé sur un rebord, et on voit une murène. C’est le moment de l’intrigue. C’est le fait de tourner autour qui provoque notre surprise. Une photo n’est pas suffisante. La vidéo permet d’exprimer plus de choses. Je fais en sorte que le spectateur puisse se mettre à ma place. Comment vous est venue l’idée de faire « La Murène » ? On ne peut pas dire que l’idée m’est venue. Je n’écris pas ce que je fais avant. Je suis tout le temps en train de filmer. Je vais à la découverte de choses qui peuvent m’intriguer, me surprendre. En général, ce sont des choses assez simples, de mon entourage, du quotidien, ou là où je vis. Vous êtes un adepte des films de ce type ? C’est quelque chose que je fais depuis 20 ans maintenant. Le fait qu’on regarde quelque chose et qu’on voit autre chose, ça me travaille beaucoup. Les plans séquences comme ça, d’une, deux ou trois minutes, c’est ce que je préfère. Comment vous est venue l’envie, le désir de faire de la vidéo ? J’étais peintre avant. A l’époque, j’avais considéré que mon « travail » de peintre était terminé. J’avais ce rêve de gamin de faire du film et du cinéma. Alors j’ai pris une caméra et j’ai fait des choses très simples, très brutes. Autre film en compétition, « Luménité ». Que proposez-vous au public avec celui-ci ? C’est la première fois qu’il sera montré dans un festival. Là aussi, c’est une surprise. On est dans un univers très familier. C’est quelque chose de très quotidien. Pour tourner, il faut que je connaisse l’endroit. Ces deux films sont destinés à tous les publics et peuvent titiller la curiosité des plus jeunes ? Votre film va vraiment à la rencontre des sciences… Ce qui arrive dans le film, ce sont des choses qui peuvent arriver à tout le monde. Ce qui m’a attiré, c’est ce moment où on arrive à douter de ce qu’on voit, on doute de notre propre perception alors qu’on sait parfaitement ce qu’on voit. </div> </div> <div class="layoutArea"> <div class="column"> Est-ce que vous seriez tenté un jour de faire des films plus longs ? </div> </div> </div> <div class="section"> <div class="layoutArea"> <div class="column"> Je ne me donne pas de contrainte de ce genre. Je ne fais pas ça aujourd’hui pour faire du moyen ou long-métrage plus tard. Mon objectif est que ce que je filme soit vivant et tendu. Si je dois faire un film de trente minutes mais avec des trous, ça ne me tente pas. Vous avez cette volonté de filmer en instantané. Du coup pour vous, il n’est pas question d’utiliser un matériel de professionnel, caméras lourdes etc ? Tout à fait oui. Mais il y a une évolution énorme par rapport à il y a dix ans. On peut faire des films de qualité avec du matériel très léger aujourd’hui, mais qui reste encore trop lourd pour être utilisé tout le temps et partout. Vous avez participé à de nombreux festivals, dont les RISC bien entendu ? Oui, je suis très heureux d’être présenté ici à Marseille, avec deux films qui plus est ! Également, en cette fin d’année, l’une de mes premières vidéos, qui date de 1996, sera présentée de nouveau dans un Festival en Finlande au mois de décembre. Merci beaucoup Pierre Yves, et bonne chance pour vos deux films en compétition, « La Murène dans la salle de bain », dimanche 20 novembre à 14h00 aux Variétés, et « Luménité », vendredi 25 novembre à 20h30 au Muséum d’histoire naturelle de Marseille. </div> </div> <div class="layoutArea"> <div class="column"> Merci à vous. A bientôt ! </div> </div> <div class="layoutArea"> <div class="column"> Alexandre BOERO </div> </div> </div> </div> </article> </div> </div> </main> Date A point or period of time associated with an event in the lifecycle of the resource 2016-11-19 2016-11-26 Relation A related resource <ul> <li><a title=""The Moray eel Opposite The Bathroom" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1065" target="_self">"The Moray Eel Opposite the Bathroom"</a></li> <li><a title=""Lumenité" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1087" target="_self">"Lumenité"</a></li> </ul> Type The nature or genre of the resource event Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Marseille Source A related resource from which the described resource is derived <a title="pollymaggo" href="http://www.pollymaggoo.org/" target="_self">Pollymaggoo</a> Festival Marseille http://pierreyvesclouin.fr/files/original/2d43f12ddc74e9792673be165c3481bd.pdf 8126a73f318d9369df0d8d80d6e9a567 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Event Type festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Le feu de l'eau" premier in competition Experience at Un Festival C'est trop court, Nice, France Description An account of the resource <img src="http://pierreyvesclouin.fr/files/original/e517fb98300f9093bd1ec00f54ef178a.jpg" alt="" width="400px" /> <a title=""Le feu de l'eau" by Pierre Yves Clouin in competition Experience" href="http://www.nicefilmfestival.com/ufctc2016/courts-metrages/188-le-feu-de-l'eau-">"Le feu de l'eau"</a> in <a title="competition experience Nice 2016" href="http://www.nicefilmfestival.com/ufctc2016/competitions/competition-experience" target="_self">Competition Experience</a> screnned at Villa Arson, October 18 and Cinema Merkury, October 20 at 7:30pm in <a title="un festival c'est trop court 2016" href="http://www.nicefilmfestival.com/ufctc2016/" target="_self">Un festival c'est trop court!,</a> Festival Europeen de court métrage de Nice (October 14 to 21) Nice, France <iframe width="480" height="270" src="//www.dailymotion.com/embed/video/x4v8o6s" frameborder="0"></iframe> <a href="http://www.dailymotion.com/video/x4v8o6s_trailer-competition-experience-un-festival-c-est-trop-court-2016_shortfilms" target="_blank" rel="noopener">Trailer Compétition Expérience // Un festival c...</a> par <a href="http://www.dailymotion.com/NiceFilmFestival" target="_blank" rel="noopener">NiceFilmFestival</a> Date A point or period of time associated with an event in the lifecycle of the resource 2016- 10 - 14 2016- 10 - 21 Relation A related resource <a title=""Le feu de l'eau" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1082" target="_self">Le feu de l'eau</a>