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&lt;p class="paragraph_style_6"&gt;&lt;a title="WE CANNOT EXHIBIT IT" href="http://pierreyvesclouin.fr/items/show/69" target="_self"&gt;"We Cannot Exhibit It"&lt;br /&gt;&lt;/a&gt;Clouin's fairytale fantasy that fuses the torso of a Russian powerlifter to a silent film adaptation of Jonathan Swift's Gulliver's Travels.&lt;br /&gt;"It is indecent!"&lt;br /&gt;- Jason Cortlund, Cinematexas &amp;copy; 2003&lt;/p&gt;&#13;
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                <text>&lt;p class="paragraph_style_1"&gt;In July, &lt;a title="FRONT ROOM" href="http://pierreyvesclouin.fr/items/show/105" target="_self"&gt;&amp;ldquo;Front Room&amp;rdquo; &lt;/a&gt;(1996) was presented in the &lt;a title="http://www.blackchair.com/" href="http://www.blackchair.com/"&gt;Microcinema International&lt;/a&gt; "Independent Exposure" screening series at The Modern Zoo, at the Portland Center for the Advancement of Culture in Portland, Oregon, and at the 111 Minna Gallery, in San Francisco, California, USA.&lt;/p&gt;</text>
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                <text>&lt;p class="paragraph_style_1"&gt;&lt;a title="&amp;ldquo;We Cannot Exhibit It&amp;quot;" href="http://pierreyvesclouin.fr/items/show/69" target="_self"&gt;&amp;ldquo;We Cannot Exhibit It"&lt;/a&gt; was selected for the &lt;a title="http://www.lafilmfest.com/" href="http://www.lafilmfest.com/"&gt;IFP Los Angeles Film Festival&lt;/a&gt;, June 11-21. "We Cannot Exhibit It" (2002, Certificate of Merit, 38th Chicago International Film Festival Experimental Shorts Competition) screened at the festival on June 15, and 17, in Shorts Program 4.&lt;/p&gt;</text>
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                <text>&lt;p&gt;"Videomotion" at Museum Africa&amp;nbsp;&lt;br /&gt;Playtime Festival, Newtown, South Africa&lt;br /&gt;Clouin's work was featured in a "Videomotion" program presented by Heure Exquise and Le Mas at Museum Africa during the Playtime Festival in Newtown, Johannesburg, South Africa. Sponsored by the French Institute of South Africa and the National Arts Council of South Africa, the multidisciplinary festival (video art, film, performance, visual arts, and poetry) ran from April 30 to May 4.&lt;/p&gt;</text>
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&lt;p&gt;This single take seems utterly random, like most of Clouin's films, but it has a serious sting in its tale as it tracks up an evening street in Paris, where the pavement is full of cafe tables and boistrous people. Then at the end we stop, the sound fades, and we retrace our steps to where we might have seen something rather shocking. The film catches you off guard with its simple yet pointed way of expressing something very important. 8.Mar.03 llgff&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;MODEL &lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;dir-scr&lt;/strong&gt; Pierre Yves Clouin &amp;bull; 01/Fr 3m&amp;nbsp;&lt;strong&gt;**&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;Strange short film that doesn't really make sense but somehow generates a feeling of furtive and dangerous lust, as it features just a few images, filmed surreptitiously, of guys fumbling sexually out of view of the general public. The camera catches them--either in pairs or on their own--only because it knows where to look. The images are all illicit, sneaky, through bars, around corners or extremely close so no one knows someone's filming. Half of the short is in split screen, it's completely silent, and features one title in the middle: "in jail now". So there. 8.Mar.03 llgff&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;LUNCH &lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;dir-scr&lt;/strong&gt; Pierre Yves Clouin &amp;bull; 02/Fr 7m&amp;nbsp;&lt;strong&gt;*&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;This self-consciously arty short obviously has a point but I missed it. It opens with a black and white crawl down a filthy tunnel lined with rubbish, then it cuts to colour images of a bunch of muscly men standing in a group, dancing, watching something. The camera caresses their bare chests, they flash their bums at each other, it goes on and on. Then we see the rubbish again. Oh and along the way we catch a glimpse of a butterfly sitting on a toe ... or perhaps another appendage. What it's about--and what the title means--is anyone's guess. 8.Mar.03 llgff&lt;/p&gt;</text>
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&lt;p&gt;"Dirges and Sturgeons" spring 2003 tour Sometimes, danger and small warm things After premiering at New York's Anthology Film Archives in October 2001 and touring in 2002, "Dirges and Sturgeons" was back on the road in the spring.&lt;br /&gt;Curated for Anthology by Astria Suparak, the program includes work by Animal Charm, Lawrence Elbert, Bjorn Melhus, Pierre Yves Clouin, Jacqueline Goss, Miranda July, Seth Price, and others.&lt;br /&gt;&lt;a title="&amp;ldquo;The Litlle Big&amp;rdquo; " href="http://pierreyvesclouin.fr/items/show/11" target="_self"&gt;&amp;ldquo;The Litlle Big&amp;rdquo;&lt;/a&gt; selected for Sundance 2001, is featured in the show. The spring 2003 included the following screenings:&lt;/p&gt;&#13;
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&lt;li&gt;&amp;bull;March 12 - San Francisco Art Institute, San Francisco, CA&lt;/li&gt;&#13;
&lt;li&gt;&amp;bull;March 24 - University of Manitoba, Winnipeg, Manitoba, Canada &amp;bull;March 25 - Available Light at Club SAW, Ottawa, Ontario, Canada &amp;bull;March 27 - Concordia University, Montreal, Quebec, Canada Dirges and Sturgeons Curator Astria Suparak describes these videos as presenting futuristic or high-tech ideas "in a lo-fi way," and the best entries are both simple and conceptually subtle in their approaches to gender. Pierre Yves Clouin continues to explore the male body in The Little Big (1999), a single take in which a crack that appears to be buttocks in shadow is revealed to be something more erotic. In Lawrence Elbert's Whitney: Mama's Little Baby (2000) a drag queen drinks from a bottle in a paper bag and delivers a solipsistic and rather pathetic monologue to the camera. The theme of self-entrapment is echoed in The Magic Glass (1991), as video maker Bjorn Melhus speaks to his feminized image on a monitor while shaving himself. On the same program, which runs about 58 minutes: work by Jacqueline Goss, Miranda July, Seth Price, and Animal Charm. - Fred Camper, Chicago Reader Online &amp;copy; 2002 For complete information on the tour, the program, and the press it has received, see astriasuparak.com. For booking, e-mail Astria Suparak. "Dirges and Sturgeons" spring 2002 tour&lt;/li&gt;&#13;
&lt;li&gt;&amp;bull;March 22 - Artists' Television Access, San Francisco CA&lt;/li&gt;&#13;
&lt;li&gt;&amp;bull;March 23 - Santa Barbara Community College CA&lt;/li&gt;&#13;
&lt;li&gt;&amp;bull;March 24 - C-Level, Los Angeles CA&lt;/li&gt;&#13;
&lt;li&gt;&amp;bull;March 27 - Pitzer College Cinematheque, Claremont CA&lt;/li&gt;&#13;
&lt;li&gt;&amp;bull;March 28 - "Broken Music" at Echo Park Film Center, Los Angeles CA &amp;bull;April 5 - Intermedia Arts, Minneapolis MN&lt;/li&gt;&#13;
&lt;li&gt;&amp;bull;April 9 - Bamboo Theater Presents, Milwaukee WI&lt;/li&gt;&#13;
&lt;li&gt;&amp;bull;April 11 - Madison's Starlight Cinema, University of Wisconsin, Madison WI&lt;/li&gt;&#13;
&lt;li&gt;&amp;bull;April 15 - Discount Cinema at The Empty Bottle, Chicago IL &amp;bull;April 16 - Illinois State University Cinema Society, Bloomington-Normal IL&lt;/li&gt;&#13;
&lt;li&gt;May 7 - Massachusetts College of Art, Boston MA "Dirges and Sturgeons" fall 2002 tour&lt;/li&gt;&#13;
&lt;li&gt;&amp;bull;Sept. 26 - 3 Billion Art Gallery, Fort Worth, TX&lt;/li&gt;&#13;
&lt;li&gt;&amp;bull;Sept. 28 - Lee Hardware Gallery, Shreveport, LA&lt;/li&gt;&#13;
&lt;li&gt;&amp;bull;Sept. 30 - Zeitgeist Multi-Disciplinary Arts Center, New Orleans, LA&lt;/li&gt;&#13;
&lt;li&gt;&amp;bull;Oct. 4 - Basement Films, Albuquerque, NM&lt;/li&gt;&#13;
&lt;li&gt;&amp;bull;Oct. 10 - Modified Arts, Phoenix, AZ&lt;/li&gt;&#13;
&lt;li&gt;&amp;bull;Oct. 11 - The Earwig Factory, Bisbee, AZ&lt;/li&gt;&#13;
&lt;li&gt;&amp;bull;Oct. 29 - Harvard University, Cambridge, MS, with Elizabeth Subrin (not open to the public)&lt;/li&gt;&#13;
&lt;li&gt;&amp;bull;Oct. 30 - Massachusetts Art Film Society, Boston, MS &amp;bull;Oct. 31 - Yale University, New Haven, CT&lt;/li&gt;&#13;
&lt;li&gt;&amp;bull;Nov. 1 - Western Connecticut State University, Danbury, CT&lt;/li&gt;&#13;
&lt;li&gt;&amp;bull;Dec. 3 - Cornell University, Ithaca, NY&lt;/li&gt;&#13;
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