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http://pierreyvesclouin.fr/files/original/abedde530bdb257f1527fcb2cec01344.pdf
f27ab2861530fcbba94477db5c13517e
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Exhibitions, screenings, festival selections & documents
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<p><strong><strong><strong><a title="The final Touch" href="http://pierreyvesclouin.fr/items/show/83" target="_self">THE FINAL TOUCH</a><br /><small>dir </small></strong><small>Pierre Yves Clouin • 01/France 2m </small><img src="http://www.shadowsonthewall.co.uk/sastar1.gif" alt="1 out of 5 stars" /><br /></strong></strong>There's only ambient sound--and very little of that even--in this single shot in which a camera roams around a wall and then stops at a small mirror in which we can see the back of a man who's wearing only a T-shirt. Eventually we realise he's wanking. Absurd and pointless. 16.Apr.02 llgff</p>
<p> </p>
<p><strong><strong><a title="mon lapin bleu" href="http://pierreyvesclouin.fr/items/show/89">MON LAPIN BLEU [My Blue Rabbit]</a><br /><small>dir </small></strong><small>Pierre Yves Clouin • 00/France 1m </small><img src="http://www.shadowsonthewall.co.uk/sastar2.gif" alt="2 out of 5 stars" /><br /></strong>Erm, like PY Clouin's other short here <em>(The Final Touch),</em> this is an absurd silent snippet. But unlike that other one, this is actually oddly funny as it features a naked man wrestling sexually with a big, blue stuffed bunny rabbit ... in front of a Christmas tree! Makes you worry. Hmmm. 16.Apr.02 llgff</p>
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web
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Shadows on the Wall 02
Description
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<p>Selected documentary shorts from the British Film Institute's 16th London Lesbian & Gay Film Festival 3-17 April 2002.<br />Any chance to see short films on a big screen should be siezed upon!<br />Reviews by Rich Cline</p>
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2002-04-17
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<ul>
<li><a title="the final touch" href="http://pierreyvesclouin.fr/items/show/83" target="_self">The final Touch</a></li>
<li><a title="mon lapin bleu" href="https://pierreyvesclouin.fr/items/show/1352"> Mon lapin bleu</a></li>
</ul>
<a title="mon lapin bleu" href="http://pierreyvesclouin.fr/items/show/89" target="_self"><br /></a>
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Text
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London
BFI
Festival
London
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http://pierreyvesclouin.fr/files/original/ec65a120faa58884ff4ac8dce9966708.pdf
61111e41c4c6a096136e335811bea801
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
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Exhibitions, screenings, festival selections & documents
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<table width="100%" border="0" cellspacing="0" cellpadding="1">
<tbody>
<tr>
<td bgcolor="#E2B19F"><span style="font-family: verdana; font-size: small;"><a name="phon"></a><strong>PHONE HOME<br /><small>dir-scr</small></strong><small> Pierre-Yves Clouin • 03/France 5m </small><img src="http://www.shadowsonthewall.co.uk/sastar3.gif" alt="3/5 stars" /><br />Here's yet another incomprehensible kaleidoscope from Clouin, with seemingly disparate images and sound that work together into something rather intriguing this time around! The main image is of a window cleaner, while the sound is a collection of conversation, radio and television snippets, all of which seem to be double entendres. Besides the glass-cleaner, images tend to be men running, frolicking, whatever. Fascinating but completely incomprehensible. (29.Mar.04 llgff)<br /><br /></span></td>
</tr>
</tbody>
</table>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
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SHADOWS ON THE WALL: SHORT FILM REVIEWS 2004
Description
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about <a title="phone home" href="http://pierreyvesclouin.fr/items/show/66" target="_self">Phone Home</a>. Short films from the British Film Institute's 18th London Lesbian & Gay Film Festival March-April 2004. REVIEWS BY RICH CLINE
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2004-03-29
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<a title="phone home" href="http://pierreyvesclouin.fr/items/show/66" target="_self">Phone Home</a>
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Text
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London
BFI
Festival
London
-
http://pierreyvesclouin.fr/files/original/0da741a8e2d4cc864796280dd23bad8b.pdf
117ac1f1385813c64a2f6caa3bb6afe1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Exhibitions, screenings, festival selections & documents
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<p><strong>THERE </strong></p>
<p><strong>dir-scr</strong> Pierre Yves Clouin • 02/US 3m <strong>***</strong></p>
<p>This single take seems utterly random, like most of Clouin's films, but it has a serious sting in its tale as it tracks up an evening street in Paris, where the pavement is full of cafe tables and boistrous people. Then at the end we stop, the sound fades, and we retrace our steps to where we might have seen something rather shocking. The film catches you off guard with its simple yet pointed way of expressing something very important. 8.Mar.03 llgff</p>
<p><strong>MODEL </strong></p>
<p><strong>dir-scr</strong> Pierre Yves Clouin • 01/Fr 3m <strong>**</strong></p>
<p>Strange short film that doesn't really make sense but somehow generates a feeling of furtive and dangerous lust, as it features just a few images, filmed surreptitiously, of guys fumbling sexually out of view of the general public. The camera catches them--either in pairs or on their own--only because it knows where to look. The images are all illicit, sneaky, through bars, around corners or extremely close so no one knows someone's filming. Half of the short is in split screen, it's completely silent, and features one title in the middle: "in jail now". So there. 8.Mar.03 llgff</p>
<p><strong>LUNCH </strong></p>
<p><strong>dir-scr</strong> Pierre Yves Clouin • 02/Fr 7m <strong>*</strong></p>
<p>This self-consciously arty short obviously has a point but I missed it. It opens with a black and white crawl down a filthy tunnel lined with rubbish, then it cuts to colour images of a bunch of muscly men standing in a group, dancing, watching something. The camera caresses their bare chests, they flash their bums at each other, it goes on and on. Then we see the rubbish again. Oh and along the way we catch a glimpse of a butterfly sitting on a toe ... or perhaps another appendage. What it's about--and what the title means--is anyone's guess. 8.Mar.03 llgff</p>
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
web
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Shadows on the Wall: SHORT FILM REVIEWS 2003
Description
An account of the resource
about <a title="there" href="http://pierreyvesclouin.fr/items/show/82" target="_self">There</a>, <a title="model" href="http://pierreyvesclouin.fr/items/show/79" target="_self">Model</a>, <a title="shadows on the wall 2003" href="http://www.shadowsonthewall.co.uk/swsho03a.htm" target="_self">Lunch. Selected short films shown at the British Film Institute's 17th London Lesbian & Gay Film Festival 2-16 April 2003 b</a>y Rich Cline
Date
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2003-04-16
Relation
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<ul>
<li><a title="there" href="http://pierreyvesclouin.fr/items/show/82" target="_self">There</a></li>
<li><a title="model" href="http://pierreyvesclouin.fr/items/show/79" target="_self">Model</a></li>
<li><a title="lunch" href="http://pierreyvesclouin.fr/items/show/68" target="_self">Lunch</a></li>
</ul>
Type
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Text
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London
BFI
Festival
London