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http://pierreyvesclouin.fr/files/original/6c76a40fb50d8bf426ce5fff2fa8e6d5.mov
84826b84b4e3c64d1a250b3b54e84890
Omeka Video File
The metadata element set that was included in the `files_videos` table in previous versions of Omeka. These elements are common to all video files.
Bitrate
198624
Codec
H.264
Duration
919
Height
240
Width
320
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Films (1995 - )
Description
An account of the resource
Pierre Yves Clouin has been working exclusively in film since 1995
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
dv
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
00:15:19
Director
Name (or names) of the person who produced the video.
Pierre Yves Clouin
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Thé au riz</em>
Description
An account of the resource
<a href="https://dai.ly/k1nGJpJ7rdh7mgzRlHU"><img title="théauriz" src="https://pierreyvesclouin.fr/files/original/0cb5a73403f0499dcf3535c765903efa.jpeg" alt="" width="400px" /></a><br />
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<p class="paragraph_style"><span class="style_1"><a href="https://dai.ly/k1nGJpJ7rdh7mgzRlHU"><strong>Click here or on the image to see the film</strong></a><br /><strong>you can also see the movie at the bottom of the page</strong><br /><br /><br />You imagine yourself with a bar in the bed, or with the bed in the kitchen<br /></span><em><span class="style_1">Tu t’imagines avec un comptoir dans le lit, ou un lit dans la cuisine</span></em></p>
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<div class="tinyText"><strong><span class="style_3">exhibitions and screenings of "Thé au riz":</span></strong></div>
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<p class="paragraph_style_2"><strong>2005 </strong> <span class="style_4"><br /></span></p>
<p class="paragraph_style_2"><strong>. </strong>San Francisco Cinematheque presents <a title="http://www.sfcinematheque.org/#/archive/200504070/" href="http://www.sfcinematheque.org/#/archive/200504070/">"We Cannot exhibit It: The Videos of Pierre Yves Clouin,"</a> Yerba Buena Center for the Arts, San Francisco, USA</p>
<p class="paragraph_style_2"><strong>2003</strong><span class="style_4"><br /></span></p>
<p class="paragraph_style_2"><strong>. </strong><a href="https://pierreyvesclouin.fr/items/show/247">World Wide Video Festival,</a> Amsterdam, The Netherlands<span class="style_4"> <br /></span></p>
<p class="paragraph_style_2"><strong>2002</strong><span class="style_4"><br /></span></p>
<p class="paragraph_style_2"><strong>. </strong>MIX NYC, Anthology Film Archives NYC, New York, USA<br /><br /></p>
<p><strong><a href="https://pierreyvesclouin.fr/items/show/247">A text by program director Remco Vlaanderen - WorldWide Video Festival 2003 - about Thé au riz & Strong Enough</a></strong><br />Thé au Riz, 2002 Video, 15’30 min., colour<br />“You see stuff and, at the same time, hear other stuff. For example, you see a guy's butt in the street and you hear someone talking about his taxes. Totally unrelated”, ponders the voice-over in Thé au Riz. Pierre Yves Clouin juxtaposes a sound recording of an intimate conversation in bed with his lover with lengthy images of public spaces — a shopping mall, a café, a street in New York City.</p>
<p>The conversation meanders along, as a wide view of a landscape filmed through an airplane window passes by. The altitude of the plane reduces rivers and mountains to mere cracks and crevices. All sense of proportion is lost. The scene changes, so does the conversation.</p>
<p>- What do you mean, the bar that’s higher than you?</p>
<p>- What?</p>
<p>- You said: on the bar, which is higher than you.</p>
<p>- Oh yeah, when you’re sitting on the bed here the bar over there is higher than me.</p>
<p>There doesn’t appear to be any sense of logic or direction in this conversation, nor do the changing scenes seem in any way related to each other. It appears to be just pillow talk accompanied by random images shot with a handycam. The man continues to speak in a soft voice about some friends, the places in Paris they visited, which route they took to get there, and where they had lunch. We see a kid wearing an Adidas jacket waiting for his dad who’s using a public phone in some mall while a voice-over discusses a female duck and her ducklings. Totally unrelated. When he asks his friend about the leftover pasta we see the image of someone reading a paper in an outdoor café. What remains however throughout the entire fifteen minutes of the video is the strong sense of intimacy. Clouin immerses you in a dream-like state where the apparent absence of logic is not questioned.<br />Thé au Riz is a thought-provoking and challenging work that raises a number of questions about the blurring of the boundaries between public and private space, in particular about the relationship between the individual and the media, which are increasingly invading people’s private lives, just like we se</p>
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Date
A point or period of time associated with an event in the lifecycle of the resource
2002-01-28
Rights
Information about rights held in and over the resource
© Pierre Yves Clouin
Type
The nature or genre of the resource
MovingImage
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Paris, Chicago, Los Angeles, Toronto
Chicago
Los Angeles
Paris
street
Toronto