1 20 1 http://pierreyvesclouin.fr/files/original/a1033b883c2ef785281c99e844b5c9d5.mov e4492e11aada7122ba8c83a17174404d Omeka Video File The metadata element set that was included in the `files_videos` table in previous versions of Omeka. These elements are common to all video files. Bitrate 215647 Codec H.264 Duration 2326 Height 288 Width 352 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Films (1995 - ) Description An account of the resource Pierre Yves Clouin has been working exclusively in film since 1995 Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data dv Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 00:38:47 Director Name (or names) of the person who produced the video. Pierre Yves Clouin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Je suis un indien Pontiac (I'm a Pontiac Indian) Description An account of the resource <img title="Je suis un indien Pontiac (I'm a Pontiac Indian)" src="https://pierreyvesclouin.fr/files/original/577741963a05a5152edc38c8a6c4f12c.jpeg" alt="" width="400px" /> you can see the movie at the bottom of the page This film was shot during a <a title="Institut français" href="http://ifmapp.institutfrancais.com/residences#f2_6247" target="_self">Institut français, Hors les Murs Program (section film, video, cinema), arts residency</a> in Montreal, Canada, in the summer of 2010. The project is a chronological record, each scene engendering the next. Working without written notes of what I shot, I recorded over 10 hours of video merely keeping in mind that the order in which everything was filmed had provoked what I was currently shooting. Returning to Paris for editing, I sorted my footage in repeated viewings. I had to find an atmosphere, a rhythm, a current, from scene to scene, that seemed compelling, a flow that underlied the shooting. This binding element is like an arc that was built up slowly, as the project progressed. It is an arc that brings together two images that are strictly unrelated, and makes one follow naturally on the other — a group of men, for example, casting a sidelong glance at a passing police car on a bridge at night, followed by a human foot that seems to emerge from a tree trunk in broad daylight and kick in rhythm. With each viewing, I preserved only those scenes that seemed most closely to fit this arc and eliminated everything else, all the while preserving the exact chronology of the shooting sequence. What remans is 39 minutes of video in 73 scenes. J’ai fait ce film durant une résidence <a title="Institut français" href="http://ifmapp.institutfrancais.com/residences#f2_6247" target="_self">Institut Français programme Hors les murs section Film vidéo cinéma</a>, à Montréal l’été 2010. Le projet est un enregistrement chronologique, chaque scène ayant engendré la suivante. Sans avoir de note sur ce que j’avais filmé, j’ai tourné une dizaine d’heures avec à l’esprit l’idée que l’ordre dans lequel tout était filmé provoquait ce que j’étais en train de filmer. Au montage en rentrant à Paris, j’ai fait un tri par passages successifs. Il a fallu retrouver une atmosphère, un rythme ou un flux qui semble s’imposer de lui même entre les images, flux qui était sous tendu au tournage. Ce liant, c’est comme une courbe qui s’est construite au fur et à mesure. Cette courbe fait que deux images qui n’ont strictement rien à voir — d’abord un groupe d’hommes qui observe du coin de l’oeil une voiture de police qui passe sur un pont la nuit et puis un pied qui semble sortir d’un tronc d’arbre et qui bat en rythme, le jour — que ces deux images donc se succèdent évidemment. J’ai gardé à chaque visionnement les images au plus près de la courbe et éliminé tout ce qui lui était étranger, mais en conservant l’exacte chronologie du filmage : Il reste 39 minutes en 73 plans. exhibitions and screenings of "Je suis un Indien Pontiac": 2010 <a title="art star biennal, ottawa" href="http://pierreyvesclouin.fr/items/show/111">Art Star Biennal</a>, Saw Galery, Ottawa, Canada (consultation) Date A point or period of time associated with an event in the lifecycle of the resource 2010-10-10 Rights Information about rights held in and over the resource © Pierre Yves Clouin Type The nature or genre of the resource MovingImage Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montréal cars city day fireworks garden Montréal night People sky street