1
20
430
-
https://pierreyvesclouin.fr/files/original/d7f9cebfdef93e4e838c11d6bca6ae62.pdf
2c363debe91a1c66db66eb02e8607374
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Text
Any textual data included in the document.
<p>Thé au Riz, 2002 Video, 15’30 min., colour</p>
<p>“You see stuff and, at the same time, hear other stuff. For example, you see a guy's butt in the street and you hear someone talking about his taxes. Totally unrelated”, ponders the voice-over in Thé au Riz. Pierre Yves Clouin juxtaposes a sound recording of an intimate conversation in bed with his lover with lengthy images of public spaces — a shopping mall, a café, a street in New York City.</p>
<p>The conversation meanders along, as a wide view of a landscape filmed through an airplane window passes by. The altitude of the plane reduces rivers and mountains to mere cracks and crevices. All sense of proportion is lost. The scene changes, so does the conversation.</p>
<p>- What do you mean, the bar that’s higher than you?</p>
<p>- What?</p>
<p>- You said: on the bar, which is higher than you.</p>
<p>- Oh yeah, when you’re sitting on the bed here the bar over there is higher than me.</p>
<p>There doesn’t appear to be any sense of logic or direction in this conversation, nor do the changing scenes seem in any way related to each other. It appears to be just pillow talk accompanied by random images shot with a handycam. The man continues to speak in a soft voice about some friends, the places in Paris they visited, which route they took to get there, and where they had lunch. We see a kid wearing an Adidas jacket waiting for his dad who’s using a public phone in some mall while a voice-over discusses a female duck and her ducklings. Totally unrelated. When he asks his friend about the leftover pasta we see the image of someone reading a paper in an outdoor café. What remains however throughout the entire fifteen minutes of the video is the strong sense of intimacy. Clouin immerses you in a dream-like state where the apparent absence of logic is not questioned.</p>
<p>Thé au Riz is a thought-provoking and challenging work that raises a number of questions about the blurring of the boundaries between public and private space, in particular about the relationship between the individual and the media, which are increasingly invading people’s private lives, just like we see more and more of people’s private lives reflected in the media.</p>
<br />
<p>Strong Enough, 2001 Video, 1’5 min, colour</p>
<p>“I don't need your sympathy There's nothing you can say or do for me…” Cher in Strong Enough</p>
<p>Out of all the bug video’s that were sent in to the World Wide Video Festival this year Pierre Yves Clouin's Strong Enough made a lasting impression. The short clip only lasts one-and-a-half minute and is arguably the world’s shortest and sweetest musical ever made. The leading lady is a June Bug lying upside-down on its back, struggling in a desperate attempt to get back up on its feet again.</p>
<p>It is remarkable how Clouin manages to transform such a simple everyday life scene into a larger-than-life event by effectively utilizing the essence of comedy: the careful orchestration of tension and relief. The viewer is parachuted into a top dramatic moment. You immediately identify and sympathize with the struggling bug. Then Clouin injects a bit of humour to relieve the heavy tension of this tragic event: the first two verses of Cher’s song Strong enough kick in. Relief. Cher is basically saying that you can be strong and rule your life and make the choices you want to make. Then Cher stops... We wait for the climax. But there is no climax, there is no turning point in the plot. Remco Vlaanderen</p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
WorldWide Video Festival
Description
An account of the resource
A text by program director Remco Vlaanderen about <a title="THÉ AU RIZ" href="http://pierreyvesclouin.fr/items/show/72" target="_self">Thé au riz</a> & <a title="STRONG ENOUGH" href="http://pierreyvesclouin.fr/items/show/75" target="_self">Strong Enough</a>
Date
A point or period of time associated with an event in the lifecycle of the resource
2003-0-03
Relation
A related resource
<a title="THÉ AU RIZ" href="http://pierreyvesclouin.fr/items/show/72" target="_self">Thé au riz</a> & <a title="STRONG ENOUGH" href="http://pierreyvesclouin.fr/items/show/75" target="_self">Strong Enough</a>
Type
The nature or genre of the resource
Text
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Amsterdam
WorldWideVideo Festival
-
https://pierreyvesclouin.fr/files/original/9325e412d5ee6aa41a860d1d3ceb6f22.pdf
d8a1da2cf1a17012d1e8d860f0dae651
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
2003-05-28 to 2003-07-05
Event Type
festival
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Workman, Kangaroo and Mon Lapin bleu in Vue sur court, short film festival, La Rochelle
Date
A point or period of time associated with an event in the lifecycle of the resource
2003-05-28 to 2003-07-05
Relation
A related resource
<ul>
<li><a title="workman" href="http://pierreyvesclouin.fr/items/show/99" target="_self">Workman</a></li>
<li><a title="Kangaroo" href="http://pierreyvesclouin.fr/items/show/96" target="_self">Kangaroo</a></li>
<li><a title="mon lapin bleu" href="https://pierreyvesclouin.fr/items/show/1352"><em>Mon lapin bleu</em></a></li>
</ul>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
La Rochelle
Festival
-
https://pierreyvesclouin.fr/files/original/8bc2dc8cc31378980eb488d4696c7ca0.pdf
7bd69d5a046cdbec035c59d98fdaf04b
https://pierreyvesclouin.fr/files/original/46a5246ab3d36324f6b3ccf5318c952b.pdf
101eb249db5aead2bba8dfc10a979373
https://pierreyvesclouin.fr/files/original/0d6d310fe69c3fb0b4be675c2d39867c.jpg
63053a60f235f01d984b132fccf79616
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
379
Width
287
https://pierreyvesclouin.fr/files/original/88cb41eeb3742214b0ac229e49eea6a0.JPG
f785c100537512b4302404d91a7bb88c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1999-04- 22 to 1999-05-06
Event Type
festival
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Workman wins a Silver Spire Award at the San Francisco International Film Festival
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/774f1ff0701923697f8a8862edacd25e.jpg" alt="" width="400px" />
<p><a title="workman" href="http://pierreyvesclouin.fr/items/show/99" target="_self"><span style="color: #000000;">Golden Gate Award Competition, New Visions Video</span></a></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
1999-04- 22 to 1999-05-06
Relation
A related resource
<a title="workman" href="http://pierreyvesclouin.fr/items/show/99" target="_self">Workman</a>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
San Francisco
Festival
-
https://pierreyvesclouin.fr/files/original/4f327a164b547b5878fc2a86524fadcc.pdf
832db4bbf3f1d8c5fcda89ce0c1d9b9f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1998-10-16 to 1998-11-29
Event Type
biennal
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Workman in Pandaemonium, the London Festival of Moving Images 1998
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/12b9aae6d4a76431b885e0dc469a3927.jpg" alt="" width="400px" />
<p>London electronic Arts, Lux, London</p>
Relation
A related resource
<a title="workman" href="http://pierreyvesclouin.fr/items/show/99" target="_self">Workman</a>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
London
biennal
-
https://pierreyvesclouin.fr/files/original/2c30e33bab6ccf40d0b420b1682d0e46.pdf
1a231d75282965dca27bb8bc514c3fa4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1999-04-22 to 1999-05-01
Event Type
festival
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Workman in Images Festival 99
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/64a0a6a8f88dd404b46c1877e6bade22.jpg" alt="" width="400px" />
Relation
A related resource
<a title="Workman" href="http://pierreyvesclouin.fr/items/show/99" target="_self">Workman</a>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Toronto
Festival
-
https://pierreyvesclouin.fr/files/original/8d7b079cc8959f35f4a1f407044c050f.pdf
850ec2813531a51f3d4cdce62ff53427
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1999-09-22 to 1999-09-26
Event Type
festival
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Workman in 4th Cinematexas
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/ae6f211566b129e88421a4bf35c6748e.jpg" alt="" width="400px" />
Relation
A related resource
<a title="workman" href="http://pierreyvesclouin.fr/items/show/99" target="_self">Workman</a>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Austin
Festival
-
https://pierreyvesclouin.fr/files/original/30bdb4e6848b57955ba357462dcdac9f.pdf
74d43e4bb095ea2cffd15c264fc5d3e9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1998-11-18 to 1998-11-21
Event Type
festival
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Workman in <em>12eme Rencontre Video Art Plastique</em>
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/f0d865b080c4ece1ca92ff53d35e9990.jpg" alt="" width="400px" /><br />in <em>Centre d'art contemporain de Basse Normandie</em>
Relation
A related resource
<a title="Workman" href="http://pierreyvesclouin.fr/items/show/99" target="_self">Workman</a>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Hérouville St Clair, FR
Festival
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Event Type
festival
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Vinokino 2003
Description
An account of the resource
<p class="paragraph_style_1"><span class="style_1"><a title="Lunch" href="http://pierreyvesclouin.fr/items/show/68" target="_self">"Lunch" </a>(2002) was presented at the <a title="http://www.tuseta.fi/vinokino" href="http://www.tuseta.fi/vinokino">Vinokino Lesbo- ja Homoelukuvan Festivaali</a> lesbian and gay film festival held in Turku, Finland, November 6-11. "Lunch" was screened in the program "Whole Meal" on November 9.</span></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
2003-11-06 to 2003-11-11
Relation
A related resource
<a title="Lunch" href="http://pierreyvesclouin.fr/items/show/68" target="_self">"Lunch" </a>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Turku
Festival
-
https://pierreyvesclouin.fr/files/original/0adbf14fc8add99b0f5e523cb2510bd6.pdf
a1b032298a76f33dd3304a8353c4982c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Event Type
Biennale
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Videonale 7
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/251923dad79ca9befffcf89babce5c9c.jpg" alt="" width="400px" />
<p>Biennal of video </p>
Relation
A related resource
<a title="C'est le veau qui bêle" href="http://pierreyvesclouin.fr/items/show/107" target="_self">C'est le veau qui bêle</a>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Bonn
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
2001-02-10
Event Type
screening
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Vancouver : "Drag" reprised
Description
An account of the resource
"Dragged Out: A Studied Glance at Current Radical Drag," a program curated by Ger Zielinski for Toronto's Pleasure Dome in July 1999 that includes Clouin's “Cowboy” and " “Diana Texas”was screened February 10 at Video In Studios, Vancouver.
Relation
A related resource
<a title=""Cowboy" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/97" target="_self">Cowboy</a>, <a title=""Diana Texas" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/90" target="_self">Diana Texas</a>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Vancouver
Screening
-
https://pierreyvesclouin.fr/files/original/030a0660f5711906c9d774b14feb9d01.pdf
8ef0fe6d0b05bd4bde379ab75a0dc93b
https://pierreyvesclouin.fr/files/original/3764ff9d41e2b4cae9d8ccbffd0b1ec0.pdf
671ced625b2e0713179560954c290486
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Une femme, (A Woman,) selected by The Lift-Off Sessions, London
Description
An account of the resource
<img title="Lift.Off" src="http://pierreyvesclouin.fr/files/original/04d19884a9848b548dbf6bc8406a6c6b.PNG" alt="" width="400px" /><a title="Lift.Off" href="https://www.soanywaymagazine.org/" target="_self"><br /></a><em><br /></em><em><a title="une femme," href="http://pierreyvesclouin.fr/items/show/1138" target="_self">Une femme,</a> </em>(A Woman,) selected by <a title="Lift.Off" href="https://liftoff.network/london-lift-off-film-festival/" target="_self">The Lift-Off Sessions</a> online programme 4, (June-August), London, UK
Relation
A related resource
<a title="une femme," href="http://pierreyvesclouin.fr/items/show/1138" target="_self"><em>Une femme,</em></a>
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
London
-
https://pierreyvesclouin.fr/files/original/04dfc3f1e37ad3c9438342a78b444e0f.pdf
fbae0493a0a8784d5d96f590e4810f74
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
13-19/10/2018
Event Type
festival
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Une femme, (A Woman, ) selected at Un festival c'est trop court, Nice
Description
An account of the resource
<img title="Femme, at un festival c'est trop court" src="http://pierreyvesclouin.fr/files/original/93351f2abeb5ac9850ab232d3fff6f52.jpg" alt="" width="400px" /><br /> Une femme, (A Woman, ) selected in competition <em>Experience</em> at <a title="Un festival c'est trop court 2018" href="https://nicefilmfestival.wixsite.com/2018" target="_self"><em>Un festival c'est trop court </em>(October 13-19)</a> screened Monday October 15, 4:30pm at Cinema Mercury and October 17, 6pm at la <em>Villa Arson,</em> Nice, France
Relation
A related resource
<a title=""Une femme," by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1138" target="_self">Une femme,</a>
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Nice
-
https://pierreyvesclouin.fr/files/original/b2f6e71bb18c092c0844ab1f7a85298e.pdf
78c06e0dc13cd7f760d7eccc5f04660f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
7:30pm to 9:30pm
Event Type
svreening
Participants
Names of individuals or groups participating in the event.
Dominic Angerame, Alfred Guzzetti, Pierre Yves Clouin, Mahnaz Afzali
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Truths of Consequence
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/a19e0f36d1e8e9d2e68c15124352bfbd.jpg" alt="" width=""400ps" />
<p>screening at San Francisco Cinematheque<br />Sunday, March 6 at 7:30pm<br />California College of the Arts<br />1111 Eighth Street (near Sixteenth)</p>
<p><strong>Truths of Consequence<br /></strong>Program 6, A Sense of Site: <br />From Calcutta to Afghanistan toTeheran<br />Four eclectic videos explore what is typically thought of as non-place, whether urban intersections, bombing sites, or public bathrooms. Nevertheless, these are sites where things happen, the kind of things we donít usually discuss. Dominic Angerame's<br /><strong>Anaconda Targets</strong> appropriates aerial video of a bombing run in Afghanistan while soldiers' voices reveal a horrifying callousness towards their "targets." Alfred Guzzetti's <strong>Calcutta Intersection<br /></strong>finds suspense in his single-take observation of life on the run.<br />Pierre-Yves Clouin discovers a new use for airplanes in <strong><a title="flying sculpture" href="http://pierreyvesclouin.fr/items/show/85" target="_self">Flying</a> </strong><a title="flying sculpture" href="http://pierreyvesclouin.fr/items/show/85" target="_self"><strong>Sculpture</strong></a>. Finally, Mahnaz Afzali's hour-long documentary <br /><strong><em>T</em>he </strong><strong>Ladies Room</strong> explores the lives of several marginalized women whose paths cross in the public bathroom of a Teheran park. curated by Irina Leimbacher</p>
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2005-03-06
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<p><strong><a title="flying sculpture" href="http://pierreyvesclouin.fr/items/show/85" target="_self">Flying</a> </strong><a title="flying sculpture" href="http://pierreyvesclouin.fr/items/show/85" target="_self"><strong>Sculpture</strong></a></p>
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event
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San Francisco
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https://pierreyvesclouin.fr/files/original/612dece47fa7b1cbdab48e52be1b104a.pdf
c2c8058c52898ccfa920abb7a7f17fd9
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Exhibitions, screenings, festival selections & documents
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<p>“Why Are You So Wet” by Pierre Yves Clouin looks closely at the things<span> </span>you see everyday.</p>
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web
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Time to Mix 2003
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about <a title="Mais pourquoi t'es tout mouillé?" href="http://pierreyvesclouin.fr/items/show/65" target="_self">Mais pourquoi t'es tout mouillé?</a> Time to Mix 2003<br />by JAMES CARSEY
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<a title="mais pourquoi t'es tout mouillé?" href="http://pierreyvesclouin.fr/items/show/65">Mais pourquoi t'es tout mouillé?</a>
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Text
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New York City
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2003-11-13
MIX
New York City
-
https://pierreyvesclouin.fr/files/original/266022a949c3bd0622377e522c239ad5.PDF
9d9a46aa44447b5cc7e7b90d55264d01
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Exhibitions, screenings, festival selections & documents
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Therhi Génévrier-Tausti, "L'envol d'Yves Klein: l'origine d'une légende"
Description
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<img title="L'envol d'Yves Klein: l'origine d'une légende" src="http://pierreyvesclouin.fr/files/original/a9351cbe74c9cf66966a7263374714a4.JPG" alt="" width="400px" /><br /><br />Therhi Génévrier-Tausti, "L'envol d'Yves Klein: l'origine d'une légende"<em>,</em><span> Area revues, 2006, p.106, Paris, France</span>
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https://pierreyvesclouin.fr/files/original/f1b62a0e34690c2d99a452055a1e2fd0.pdf
15a8db21f08312f28599ea364ea8f08d
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Exhibitions, screenings, festival selections & documents
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2023-06-21
2023-06-25
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Festival
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The Very Big Boy, <em>Assis</em> and <em>L'automne</em> are selected by MISTER VORKY, International Festival of Cinema Art, Ruma
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<img title="MisterVorky2023" src="https://pierreyvesclouin.fr/files/original/3440116673000ce616a49ca473ab9bf3.jpg" alt="" width="400px" /><br /><strong><a href="https://pierreyvesclouin.fr/items/show/1510">The Very Big Boy (<em>Le très grand garçon</em>)</a></strong>, <strong><a href="https://pierreyvesclouin.fr/items/show/1495"><em>Assis</em> (Seated)</a></strong> and <strong><a href="https://pierreyvesclouin.fr/items/show/1462"><em>L'automne</em> (Autumn)</a></strong> are selected by <a href="https://vorkyteam.rs/en/">MISTER VORKY</a>, International Festival of Cinema Art (June 21-25) Ruma, Serbia
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<strong><a href="https://pierreyvesclouin.fr/items/show/1510">The Very Big Boy</a><br /><br /></strong><strong><a href="https://pierreyvesclouin.fr/items/show/1495">Assis (Seated)</a><br /><br /></strong><strong><a href="https://pierreyvesclouin.fr/items/show/1462">L'automne (Autumn)</a></strong>
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Ruma
-
https://pierreyvesclouin.fr/files/original/45b2ec657970a8e8f8ebfb45230ab735.pdf
8fe00d07536209c05ad47b23e556c3ab
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Exhibitions, screenings, festival selections & documents
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<p><strong>The Venus Flytrap<br /></strong>by Rajendra Roy<br />The first time I saw Pierre-Yves Clouin’s video work, I remember feeling a little naughty. I was looking at what I thought was a dying calf, weak and vulnerable, and yet it was a scintillating experience. The image was a bit out of focus; just enough to invite imagination, but not so much as to dissuade belief. When my eyes finally focused on what was actually taking place on the screen, and I realized that bare skin and labored moans belonged not to a weak calf, but rather to a wily Frenchman, I was enamored. It is perhaps the naked vulnerability of Clouin’s subject/self that makes his careful mastery of the video trompe l’oeil so beguiling. In each of the minute-or-so long works he produces, the viewer is presented with soft crevices on sculpted male bodies, hush moans and false orifices via voyeuristic electronic glances. In the end, it is always the viewer who is left exposed. Exposed that is, to the invented reality of the recorded image. At once anti-documentarian and a redefining of the visual autobiography, Clouin’s work succeeds precisely because he fully expects us to trust the camera: “Seeing is Believing.” Melding a Venus flytrap’s knack for seduction with a contortionist’s sense of mise-en-scène, Pierre-Yves Clouin is the quintessential video “top.”<br />Rajendra Roy<br /><br /><strong>L’attrape-mouche<br /></strong><em>par Rajendra Roy<br /></em>La première fois que j’ai vu le travail vidéo de Pierre Yves Clouin, je me souviens de m’être senti un peu coupable. Je regardais ce qui me semblait être un veau en train de mourir, faible et vulnérable, et c’était pourtant une étincelante expérience. L’image était un peu floue ; juste assez pour inviter à l’imagination, mais pas suffisamment pour nous dissuader d’y croire. Quand, finalement, mes yeux se concentrèrent sur ce qu’en fait il y avait à l’écran, et que je réalisais que cette peau dénudée et que ces difficiles gémissements n’étaient pas ceux d'un veau sans défense, mais plutôt d'un astucieux français, j'ai été épris.<br />C’est peut-être la vulnérabilité nue du sujet-moi de Clouin qui rend sa soigneuse maîtrise de la vidéo trompe-l’œil si captivante. Dans chacun de ses travaux d’une minute, ou des plus longs, qu’il a produit, le spectateur se trouve devant de douces fentes sur des corps masculins sculptés, de secrets gémissements et de faux orifices via de voyeuristes coups d’œil électroniques. À la fin, c’est toujours le spectateur qui reste mis à nu, exposé en fait à la réalité inventée de l’image enregistrée.<br />À la fois anti-documentaire et redéfinition de l’autobiographie visuelle, le travail de Clouin réussit précisément parce qu’il attend entièrement de nous, d’avoir confiance en la caméra : "Voir, c’est croire".<br />En fusionnant la stratégie de séduction de l’attrape-mouche de Vénus et un sens contorsionniste de la mise en scène, Clouin est le "top" quintessenciel de la vidéo.<br /><strong>Rajendra Roy<br /></strong>Chief curator, Department of Film, Museum of Modern Art;<br />Competition Selection Committee, Berlinale Internationale<br />Filmfestspiele Berlin; Formerly, programmer, artistic director,<br />Hamptons International Film Festival; executive director, MIX<br />Gay/Lesbian Film Festival; Film and Media Arts Program Manager, Solomon R. Guggenheim Museum<br /><strong>Education:</strong> BA, University of California, San Diego<br /><strong>Co-founder:</strong> Rising Stars program<br /><strong>Publications include:</strong> "Making Choices," <em>Moving Pictures; </em>"The New<br />'Old' World," <em>IndieWIRE</em>; "Naked Eye: Pierre-Yves Clouin," <em>Empire,<br /></em>no. 7; "The Knickian Doctrine: A Metaphor for the Future of the Media<br />Arts," <em>MAIN</em>; "The Truth and the Need: Jim Hubbard as Curator" in<br /><em>Jim Hubbard, Filmmaker</em>, exh. cat. <em>Brooklyn: Dumba Arts Center</em>;<br />"Films and Videos for a Synthetic Society" with Anie Stanley, in <em>Next<br /></em><em>Sex</em>; "L'Attrape Mouche (Venus Flytrap)" in <em>Turbulences Video #29.</em></p>
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The Venus Flytrap
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<img src="http://pierreyvesclouin.fr/files/original/0f3750640c4a7dccd77d6c48e0cff454.jpg" alt="" width="400px" /><br />Rajendra Roy publishes a review on videos by Pierre Yves Clouin in Turbulences (Videoformes)
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2000-10-02
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<a title="C'EST LE VEAU QUI BÊLE" href="http://pierreyvesclouin.fr/items/show/107" target="_self"><em>C'est le veau qui bêle</em> (The bleating calf)</a>
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Text
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Clermont Ferrand
Rajendra Roy
-
https://pierreyvesclouin.fr/files/original/4933b9e24f7bf69aa8a4796270234186.pdf
696112262b386c11a60d47e882cda66c
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Exhibitions, screenings, festival selections & documents
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<p>Media Museum Virtual Theatre - Moscow Biennale of Contemporary art Parallel Program 2<br />MediaArtLab Center for Art and Culture and the Theatre of Nations present Media Museum Virtual Theatre<br />WHAT IS THE MEDIA MUSEUM<br />In October 2007 MediaArtLab opens the Media Museum. This is an absolutely new kind of a museum — a laboratory to generate new creative ideas combined with a library, cinema and exhibition space. A contemporary artwork is a complex organism it is impossible to study through illustrations only. The audience has to watch it in movement and in space, to hear it work and to get an exhaustive commentary on its context.<br />MEDIA MUSEUM VIRTUAL THEATRE<br />Introducing media art works into museum space means not only their technical preservation but also work with the environment of their representation. In this aspect the theatre is media culture’s paradise. In the theatre media history has actually began for it is here that message virtualization technologies have developed for centuries. Afterwards these new reproduction technologies have made theatre itself virtual, turning it into cinema. As the final evolutionary stage cinematograph comes back to theatre to look at itself from a different perspective. During two nights at the Theatre of Nations the audience will be introduced to a range of films reflecting the process, and also contemporary plastic performances, a synthesis of dance and media context. These performances reduce media to stage props and decompose it using performative artistic strategies. The program researches contemporary post technological media history which is closely connected with contemporary methods of artistic, musical, plastic, visual and technological expression.<br />VIRTUAL THEATRE, TECHNOLOGY AND ARTIST<br />exhibition project. March 24th— 25th<br />On entering the theatre, the audience finds itself before Media Museum’s virtual portal. By using the touch activated stand you can navigate through various parts of the Museum or find and activate media art works to watch on the plasma panel. Further on, in the first floor lobby, the video art collection is presented for the viewer on several screens. The collection demonstrates various stages of evolution in both Western and Russian media culture and includes works by Nam June Paik, Richard Serra, Marina Abramovitz, Alexei Isaev, Giya Rigvava, Sinij Sup (the Blue Soup group), AES and many others. The exhibition also includes video installations such as Kyrill Chyolushkin’s work — a unique video sculpture made from a one—piece foam plastic block onto which 3D video images are projected. MEDIA MUSEUM VIRTUAL THEATRE VIDEO PROGRAMSThe programs present major works by the stars of video and media art — artists from Russia, Central and Eastern Europe, USA, Australia, Japan and China. The audience will be introduced to video art works combining ingeniously visual, plastic, conceptual and audio images into a whole. Works from MediaArtLab’s Mediatheque; Centre Pompidou, France; Montevideo/Time Based Arts Netherlands Media Art Institute; the Zentrum fur Kunst and Mediatechnologie, Karlsruhe, Germany; the Vasulka Archive, Santa Fe, USA; Electronic Arts Intermix, New York, USA; Anthology Film Archives, New York, USA; LUX, London, UK and 235 Media GmbH, Berlin, Germany will be shown. ATTRACTIONS PARKAt the beginning of the last century Sergei Eisenstein composed a manifesto based on his theatre work experience. This experience he realized in the cinema as the theory and practice of montage. It has since become an integral part of culture’s gene pool but nobody could expect this manifesto to be still relevant in the beginning of the 21st century. However it is at the moment realized in films, TV shows and interactive art projects. This program has collected an “attraction park” of contemporary technologies in experimental film, video art, theatre and interactive art.Works by Vito Acconchi, USA; Steve Dickson, UK; Steina and Woody Vasulka, USA; Berue, France; Evan Siebens, Canada; Nam June Paik, Charlotte Murman, USA; Joanne Greenfield, USA and Jeffrey Show, Germany. THE DIALOGUECommunication is just as vital as breathing — it is a basic necessity of life. It is as unconditional as 21/04/08 20:57 Contemporary Arts Review » Media Museum Virtual Theatre - Moscow Biennale of Contemporary art Parallel Program 2 Page 2 sur 3 http://www.contemporaryartsreview.com/?p=133 nature’s laws: you place two people (or two animals) into a common space, they start a relationship. Human—to—human interaction as well as interaction between humans and animals has in reality developed into a close and complex automatism and we are all equipped with an ultra sensitive broadcast and reception organ for The Other. This video program is a diagram of sorts — it shows all manners and forms of relationships and interactions, a video collection to show us an enlarged image of our own behavior.Works by G. Wood, P. Harrison, UK; Mark Bane, USA; g: Jens Lien, Norway; Pieter Baan Muller, The Netherlands; Bart Dijkmen, the Netherlands; Alicia Framis, Spain/The Netherlands and Robert Arnold, The Czech Republic/USA. MOVING IMAGESOn retrospection, the moving images were last century’s most important invention. For a long time they belonged to the so called mass media. Moving pictures, having first appeared in the variety theatre and then in the cinema and on television became the visual images to confuse our perceptions. Is reality becoming fiction or is fiction turning into reality?Works by Isabel Martin, Spain; Pierre-Yves Clouin, France; Hartmut Jahan, Germany; Clodette Lemay, Canada; William Wegman, USA; Jozef Rotakovsky, Poland; Werther Germondari, Italy; Eric Olofsen, the Netherlands; Eliza Fernbach, UK and others. ALSO SHOWN ON MARCH 24TH, 2007 THE BRIDE’S GIFT Performed by the Ohne Zucker dance project. Production: Daria Busovkina, Taras Burnashev. We are waiting for the film to start, trying to guess what its title means. It will begin shortly and we’ll have to try on another reality at the other side of the screen. Shot after shot the plot develops, but we won’t be able to stop the film to reflect on the events even for a moment. We wait for the film to start and the chain of events cannot be broken or turned back. There will be no gifts but there will be love —a bit strange, a bit mad. It will divide life and death by a narrow line, like a knife’s edge. We are waiting for the film to start. The Ohne Zucker dance project was created by Daria Busovkina and Taras Burnashev — independent dancers and choreographers. In their performances various dance techniques are playfully mixed, well—known and new theatre devices used, the action includes video and elements of performance. A skillful combination of the ingredients creates a special style, distinguishing the theatre from many others. Performance by the SOUNDRAMA studio SOUNDRAMA is not just a studio uniting musicians, actors and artists, but a new school of theatre and music, based on synthesis of these two arts. MARCH 25TH 2007 LA MENTIRA a film by Wim Vandekeybus, Belgium, 1993. A film by the Belgian theatre director, who created one of the most important works in the field of video and dance synthesis. The action takes place partly in Antwerp, partly in a desolate landscape near Granada in Spain. Wim Vandekeybus evokes drama out of the aesthetic conflict between plastic, music and space. The performance of “What the Body Does Not Remember” according to the critics was characterized by “a brutal competition between the dance and the music, a militant aggressive landscape showing what the body does not, indeed, remember”. Together with Walter Verdin and Octavio Sturbe, Vandekeybus has produced “Roseland” — a video in which the dance was performed in an unusual but effective setting of a derelict Brussels cinema. In “Her Body Doesn’t Fit Her Soul” he used blind dancers. This performance, as well as other Vandekeybus’ works was given various awards at many European and international festivals. THE HEAVEN’S FOREST BYCAPONIAVinogradov & Aleksei Group. The folklore of Great Zakozye and Yasherovo performed by the aborigines of megapolis. A highly explosive mixture of antichristian Russian with nanotechnology, going to…The project reintroduces into contemporary culture an archaic phenomenon — a complete action of human behavior and sound extraction. Aleksei Bortnichuk — guitar (former of Zvuki Mu and Mamontov & Aleksei)German BYCAPO Vinogradov — everything else. THE THREE KOMARINSKIJS a film by Dmitry BulnyginThe first video art documentary on Russian contemporaryChoreographed by: Tatiana Baganova, Sasha Pepelyaev and Olga Pona. 21/04/08 20:57 Contemporary Arts Review » Media Museum Virtual Theatre - Moscow Biennale of Contemporary art Parallel Program 2 Page 3 sur 3 http://www.contemporaryartsreview.com/?p=133 THE SCHEDULE March 24th 19.30 – Virtual theatre, technology and artist exhibition 20.00 – “The Bride’s Gift” performed by the Ohne Zucker dance project. 21.00 –Media Museum Virtual Theatre video program 21.30 – Performance by the SOUNDRAMA studio March 25th19.30 – Virtual theatre, technology and artist exhibition20.00 – Media Museum Virtual Theatre video program20.45 - “The Heaven’s Forest Bycaponia” performed by Vinogradov & Aleksei Group21.15 – LA MENTIRA, Wim Vandekeybus, Belgium22.00 - THE THREE KOMARINSKIJS, Dmitry Bulnygin For more information please visit our website at: www.mediaartlab.ru</p>
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THE SECOND MOSCOW BIENNALE OF CONTEMPORARY ART - PARALLEL PROGRAM
Media Museum Virtual Theatre
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/4c105278cf4124ac9af7b2a63f921954.jpg" alt="" width="400px" /><br />
<p>Media Museum Virtual Theatre - Moscow Biennale of Contemporary art Parallel <br />Program 2 <br />Moscow Biennale of Contemporary art Parallel Program 2 MediaArtLab Center for Art and Culture and the Theatre of <br />Nations presentMedia Museum Virtual Theatre<br />with<br />Vito Acconchi, Steve Dickson, Steina and Woody Vasulka, Berue, Evan Siebens, Nam June Paik, Charlotte Murman, Joanne Greenfield, Jeffrey Show, G. Wood & P. Harrison, Mark Bane, g: Jens Lien, Pieter Baan Muller, Bart Dijkmen, Alicia Framis, Robert Arnold, Isabel Martin, Pierre-Yves Clouin, Hartmut Jahan, Clodette Lemay, William Wegman, Jozef Rotakovsky, Werther Germondari, Eric Olofsen, Eliza Fernbach</p>
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2007-03-24 to 2007-03-25
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<a title="Moscow biennale" href="http://pierreyvesclouin.fr/items/show/122" target="_self">THE SECOND MOSCOW BIENNALE OF CONTEMPORARY ART - PARALLEL PROGRAM</a>
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Text
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Moscow
Moscow
-
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Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
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2000-06-1 to 2000-06-11
Event Type
festival
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The New Festival New York City 2000
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<p>12th Annual New York Lesbian & Gay Film Festival<br />In "Unexploded: Experimental Gay Video" Screening New York University Cantor Film Center, June 3, 9 pm</p>
<p> </p>
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<p><a title="The Little Big" href="http://pierreyvesclouin.fr/items/show/11" target="_self">The Little Big</a>, <a title="Mon Lapin Bleu " href="https://pierreyvesclouin.fr/items/show/1352">Mon Lapin Bleu</a></p>
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event
Coverage
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New York City
Festival
-
https://pierreyvesclouin.fr/files/original/0d49ec4e03cd734a85d1bad5cf02b509.pdf
c5238d54e9bb58aee1efd4ac79fcf846
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Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
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2016 - 06 -03
2016 - 06 -05
Event Type
Festival
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The Moray Eel Opposite the Bathroom <em>(La murène devant la salle de bain)</em> selected at WUFF4
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/2768c882918bd7e56bc4e2299b6eed8a.jpg" alt="" width="400px" /> <br /><a title=""The Moray eel Opposite The Bathroom" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1065" target="_self">The Moray Eel Opposite the Bathroom (La murène devant la salle de bain)</a> selected in <a title="wuff4" href="http://www.winnipeguff.com/index.php/friday/11--the-90-second/" target="_self"><90 Second Film screening</a> at WUFF4, <a title="WUFF4" href="http://www.winnipeguff.com/" target="_self">Winnipeg Underground Film Festival</a>, screened June 3 at 7:30pm at <a title="Patform WUFF4" href="http://platformgallery.org/" target="_self">Platform Center,</a> Winnipeg, Manitoba, Canada
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<a title=""The Moray Eel Opposite the Bathroom (La murène devant la salle de bain)" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1065" target="_self">The Moray Eel Opposite the Bathroom</a>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Winnipeg