"faites comme chez vous"
description: "faites comme chez vous" (1995, tiré à 150 ex) cassette pour répondeur téléphonique sur laquelle est enregistré notre message (de Tony Paschall et Pierre Yves Clouin) à installer sur son propre répondeur
date: 1995-10-25
rights: © Pierre Yves Clouin & Tony Frank Paschall
relation: poste restante
format: 3,7 x 5,4 x 1,1 cm
type: Text
coverage: Paris

J'ai des bouches partout (I’ve Got Mouths All Over)
description: Click here or on the photo to see the film or you can see the movie at the bottom of the page exhibitions and screenings of "J’ai des bouches partout": 2005 San Francisco Cinematheque presents "We Cannot exhibit It: The Videos of Pierre Yves Clouin", Yerba Buena Center for the Arts, San Francisco, USA 2000 "Corps Accords," program curated by Patrice Allain, Vidéoz'Arts, Nantes, France MIX NYC, The New York Lesbian & Gay Experimental Film and Video Festival, New York City, New York, USA Reeling 2000, The Chicago Lesbian & Gay International Film Festival Chicago, Illinois, USA Vidéoformes 2000, 15ème Festival International d'Arts Vidéo et Multimédia, Clermont-Ferrand, France Marc Siegel, "My Levitating Butt and Other Queer Abstractions," 2020 Differenz und Affirmation. queer/feministische Positionen zur Medialität, ed. Julia Bee and Nicole Kandioler. Berlin: b_books, 2020. 133-155. White letters on a black background form the enigmatic erotically tinged title: CUL EN L'AIR.1 Cut to the first and only shot of this three and a half minute video. We are positioned on the ground looking between the legs of a white man lying on his back wearing little more than sneakers and a white jockstrap. His right foot is briefly on view in the left fore-ground of the image. As it moves out of frame, the body repositions itself slightly so that a part of the man's shaven head is visible in the left background. He is apparently wearing a blue sweatshirt but, clued in by the title and the unusual and unchanging camera position, we know that it is his lower body.specifically his "cul " which will be our main object of attention.The man's hand reaches down the back of his right thigh, tentatively scratches his butt cheek. flicks the elastic strap on the jockstrap and eventually retreats out of frame.The low quality video recording captures the thick location sound of empty room noise. punctuated by occasional sounds of the body’s slight movements (fingernails scratching skin, butt-checks …
date: 1999-09-14
rights: © Pierre Yves Clouin
type: MovingImage
coverage: Paris

Commande public the Public Commissions
description: commande public (1997, tiré à 250 ex) the Public Commissions
date: 1997-12-22
rights: © Pierre Yves Clouin & Tony Frank Paschall
relation: poste restante
type: Text
coverage: Paris

Je suis un indien Pontiac (I'm a Pontiac Indian)
description: you can see the movie at the bottom of the page This film was shot during a Institut français, Hors les Murs Program (section film, video, cinema), arts residency in Montreal, Canada, in the summer of 2010. The project is a chronological record, each scene engendering the next. Working without written notes of what I shot, I recorded over 10 hours of video merely keeping in mind that the order in which everything was filmed had provoked what I was currently shooting. Returning to Paris for editing, I sorted my footage in repeated viewings. I had to find an atmosphere, a rhythm, a current, from scene to scene, that seemed compelling, a flow that underlied the shooting. This binding element is like an arc that was built up slowly, as the project progressed. It is an arc that brings together two images that are strictly unrelated, and makes one follow naturally on the other — a group of men, for example, casting a sidelong glance at a passing police car on a bridge at night, followed by a human foot that seems to emerge from a tree trunk in broad daylight and kick in rhythm. With each viewing, I preserved only those scenes that seemed most closely to fit this arc and eliminated everything else, all the while preserving the exact chronology of the shooting sequence. What remans is 39 minutes of video in 73 scenes. J’ai fait ce film durant une résidence Institut Français programme Hors les murs section Film vidéo cinéma, à Montréal l’été 2010. Le projet est un enregistrement chronologique, chaque scène ayant engendré la suivante. Sans avoir de note sur ce que j’avais filmé, j’ai tourné une dizaine d’heures avec à l’esprit l’idée que l’ordre dans lequel tout était filmé provoquait ce que j’étais en train de filmer. Au montage en rentrant à Paris, j’ai fait un tri par passages successifs. Il a fallu retrouver une atmosphère, un rythme ou un flux qui semble s’imposer de lui même entre les images, flux qui était sous tendu au tournage. Ce liant, c’est comme une courbe qui s’…
date: 2010-10-10
rights: © Pierre Yves Clouin
type: MovingImage
coverage: Montréal

Le poisson (Fish)
description: you can see the movie at the bottom of the page Cellophane, St Jacques Street Paris, July 2012 Cellophane, rue St Jacques Paris, Juillet 2012 exhibitions and screenings of ”Le poisson”: 2013 . Exploding Cinema at Stubnitz , Ship of Fools and Monsters, Wood Wharf - Canary Wharf, London, UK 2012 . ExperiMENTAL, Catalyst Arts, Belfast, UK
date: 2012-07-02
rights: © Pierre Yves Clouin
type: MovingImage

Mais pourquoi t'es tout mouillé? (But Why Are You So Wet ?)
description: click Here or on the photo to see the film or you can see "Mais pourquoi t'es tout mouillé" at the bottom of the page « Are you sure? No, I don’t » « Vous êtes sûr ? Non, je l’ fais pas » Television broadcast: ADD-TV, NYC, New York, USA, 2007 exhibitions and screenings of "Mais pourquoi t’es tout mouillé?": 2007 ADD-TV, NYC, New York, USA 2004 Mix Brazil, Sao Paulo, Brazil Cinematexas 04, Austin, Texas, USA Athens International Film and Video Festival,, Athens, Ohio, USA 2003 MIX NYC 17, Anthology Film Archives, NYC, New York, USA about Mais pourquoi t'es tout mouillé? Time to Mix 2003 by JAMES CARSEY: “Why Are You So Wet” by Pierre Yves Clouin looks closely at the things you see everyday.
date: 2003-10-05
rights: © Pierre Yves Clouin
type: MovingImage
coverage: Paris, London, Amsterdam

Reflexion faite (On Reflection)
description: you can see the movie at the bottom of the page L’intérieur est à l’extérieur Inside is outside
date: 2012-04-10
rights: © Pierre Yves Clouin
type: MovingImage
coverage: Paris

Une fois Mars colonisée (Once Mars Is Colonized)
description: you can see the movie at the bottom of the page Once Mars is colonized, we must go to Alpha Centauri. - Ray Bradbury une fois mars colonisée, nous devons aller sur Alpha du Centaure. - Ray Bradbury exhibitions and screenings of ” Une fois Mars colonisée”: 2012 Project Green Screening, organized by Nomad Films , Althinsalen Theater at Tekniska Museet, Stockholm, Sweden 2011 23rd Onion City Film and Video Festival, Chicago, Illinois, USA 2010 “The Nomad Project," Access & Paradox Open Art Fair, Paris, France / Souvenirs From the Earth (TV), France Antimatter Film Festival, Victoria, Canada
date: 2010-04-04
rights: © Pierre Yves Clouin 2010
type: MovingImage
coverage: Paris

"Jack O’Lantern" in Exploding Cinema's Phone Made Film Show at Cinema Museum, London
description: "Jack O’Lantern" in Exploding Cinema's Phone Made Film Show at Cinema Museum, London
date: 2013-07-13
relation: Jack O’Lantern Exploding Cinema's Phone Made Film Show at Cinema Museum
type: event
coverage: London

Coming In from the Cold
description: you can see the movie at the bottom of the page 5 November, 3pm, 3°C, Ottawa
date: 2010-11-05
rights: © Pierre Yves Clouin
type: MovingImage
coverage: Ottawa

Cowboy
description: Click here or on the photo You can too see the film And you can see "Cowboy"at the bottom of the page Collection: Getty Research Institute, Long Beach Museum of Art Contemporary Video Archive, Los Angeles, California, USA exhibitions and screenings of "Cowboy": 2001 carte blanche à PY Clouin, La clef, Paris, France 1999 Media Non Grata, offline@online media art festival 2nd edition, E-Media Center, Estonian Academy of Arts, Tallinn, Estonia “Dragged Out, A Studied Glance at Current Radical Drag,” program curated by Ger J.Z. Zielinski, Pleasure Dome, Toronto, Ontario, Canada Videoarchaeology/ Sofia-Paris Video 1, International Exhibition of Video Art, Sofia, Bulgaria Reel Affirmations 9, Washington DC, USA MIX Mexico 999, Mexico City, Mexico 13th London LGBT Film Festival, British Film Institute, London, UK Mardi Gras Film Festival, Sydney, Australia "Life is Elsewhere," Verzaubert, Kino Im Schulz, Cologne, Germany 1998 6th MIX Brazil Festival of Sexual Diversity, São Paulo, Brazil Marc Siegel, "My Levitating Butt and Other Queer Abstractions," 2020 Differenz und Affirmation. queer/feministische Positionen zur Medialität, ed. Julia Bee and Nicole Kandioler. Berlin: b_books, 2020. 133-155. White letters on a black background form the enigmatic erotically tinged title: CUL EN L'AIR.1 Cut to the first and only shot of this three and a half minute video. We are positioned on the ground looking between the legs of a white man lying on his back wearing little more than sneakers and a white jockstrap. His right foot is briefly on view in the left fore-ground of the image. As it moves out of frame, the body repositions itself slightly so that a part of the man's shaven head is visible in the left background. He is apparently wearing a blue sweatshirt but, clued in by the title and the unusual and unchanging camera position, we know that it is his lower body.specifically his "cul " which will be our main object of attention.The man's hand reaches down the back of his right th…
date: 1998-07-20
rights: © Pierre Yves Clouin
type: MovingImage
coverage: Paris

Cul en lair (MY LEVITATING BUTT)
description: click here or on the photo to see the film or you can see the movie at the bottom of the page My levitating butt is a bit of a prick. En s’envolant, mon cul fait le gland Highlight Selection, Cinematexas 2002, Austin (USA) Collection: Getty Research Institute, Long Beach Museum of Art Contemporary Video Archive, Los Angeles, California, USA exhibitions and screenings of "Cul en l'air": 2025 Exquisite Corpse (September), curated by Abygai Peña & Jay Reinier, Millenium Film Workshop, Brooklyn, NYC, NY, USA 2023 performance : Cul en l'air (My Levitating Butt-1997) pirates the opening of the Palais de Tokyo-June 15 2016 Cheap curated by Vaginal Davis and Marc Siegel, Mezipatra Queer Film Festival, Prague, Czech Republic 2015 Commemorating the 20th edition of the Split Film Festival, Split, Croatia 2010 “Extraordinary Men” program curated by Stefan St Laurent, Art Star video Biennal, Galerie Saw Gallery, Ottawa, On, Canada Milwaukee Pride Fest, Milwaukee, Wis, USA 2008 "Let it Be" a program curated by Akram Zaatari, in Home Works IV: A Forum on Cultural Practices, Beirut, Lebanon 2005 San Francisco Cinematheque presents "We Cannot exhibit It: The Videos of Pierre Yves Clouin", Yerba Buena Center for the Arts, San Francisco, USA 2002 "Cheap" curated by Marc Siegel, Podewil Center for Contemprary Arts, Berlin, Germany Orgasmic Cinema, presented by Athina Rachel Tsangari and Spencer Parson, 43th International Thessaloniki Film Festival, Thessaloniki, Greece 2001 Rencontres Internationales Paris Berlin, L'entrepôt, Paris, France Rencontres Internationales Paris Berlin, Aroma & Brotfabrik, Berlin, Germany Carte blanche à PY Clouin, CJC, La clef, Paris, France 2000 Corps à corps, videozarts, Nantes, France 1999 Videoarchaeology/ Sofia Paris Video 1, Sofia, Bulgaria ImageOut, Rochester, New York, USA Milwaukee Gay and Lesbian Film and Video Festival, Milwaukee, Wisconsin, USA San Francisco International Lesbian and Gay Film Festival, San Francisco, California, USA Atlanta Film …
date: 1997-15-21
rights: © Pierre Yves Clouin
type: MovingImage
coverage: Paris

Guggenheim Museum Bilbao Vidéo/Je vois
description: For the 43rd Bilbao International Festival of Documentary and Short Film, the French Institute celebrated 15 years of French video art with a screening series entitled Vidéo/Je Vois at the Guggenheim Museum of Bilbao, November 27 through December 1. The program curated by Heure Exquise! featured 40 works, including Clouin's “Workman” 1998, photo), winner of the Golden Gate New Visions Silver Spire Award at the 42nd San Francisco International Film Festival.
relation: “Workman”
type: event
coverage: Bilbao

Magnifying Glass Loupe
description: you can see the movie at the bottom of the page You have an important message. To hear it, press the star key. Vous avez reçu un message important. Pour l’écouter, appuyer sur la touche étoile
date: 2012:04:27
rights: © Pierre Yves Clouin
type: MovingImage
coverage: Paris

San Francisco Cinematheque presents “We Cannot Exhibit It: The Videos of Pierre Yves Clouin"
description: San Francisco Cinematheque presents “We Cannot Exhibit It: The Videos of Pierre Yves Clouin,"curated by Maïa Cybelle Carpenter, Yerba Buena Center for the Arts, San Francisco, California, USA Presented in Association with Frameline From bursts of perspective trickery to homoerotic celebrations of the male body and philosophical musings on public versus private, the award-winning videos of Pierre-Yves Clouin never cease to delight. His witty examinations of the quotidian elements of life bring transcendental revelations combined with laughter. "Alone in front of the camera, and without a word, I spy on myself in the monitor during the action. I am double: seer and seen. As if freedom from surveillance meant inventing, within surveillance itself, an illusion that subverts the watching eye." (P-YC)) We'll screen My Levitating Butt and I've Got Mouths All Over, as well as the more recent Thé au Riz (RiceTea/ Theory), Flying Sculpture, Strong Enough, and US premieres of new work. (Maïa Cybelle Carpenter) The first time I saw Pierre Yves Clouin's video work was in 1997 when I was the programming coordinator for MIXNYC: The New York Experimental Lesbian and Gay Film Festival. I was immediately seduced by his work because of how he used the specificity of the video medium: it's intimacy and framing that lends itself so well to voyeurism. He also displayed a playful sensitivity in his depiction of masculinity. But most of all, I was impressed by the strong brevity of his statements. When someone can convey a multitude of ideas that some people use the feature length format for, in a 2-minute long video - that's pretty amazing. Sitting in the dark and watching Cul en l'air and The Final Touch I had a moment with myself. The type of moment where my thoughts were provoked by the representation of his body, the identification I had as a spectator with this intimate moment and then the surprise by how I was pleasantly manipulated to believe I was seeing one thing, when I was in f…
type: event
coverage: San Francisco

The Robinsons
description: You can see the robinsons on the bottom of the page
date: 2014-01-02
rights: © Pierre Yves Clouin
type: MovingImage

"Cibles (Targets)" and "Supply" selected at the 13è édition des Rencontres Internationales Sciences & Cinémas (RISC), Marseille
subject: "Cibles (Targets)" and "Supply" selected at the 13è édition des Rencontres Internationales Sciences & Cinémas (RISC), March 19 - 27, online, Marseille "Supply" screened in the program 4, Sunday March 21 at 4pm and in the program 11, Wednesday March 11 at 6pm "Cibles (Targets)" screened in the program 16, Saturday March 27 at 4pm
date: 2021 - 03 - 19/23
relation: "Supply" "Cibles (Targets)"
coverage: Marseille

Devour (Dévorer)
description: Des atomes très crochus Very personal chemistry
date: 2018-08-02
rights: © PY Clouin
type: Moving Image
coverage: Paris

1 Minute
description: cliquez ici ou sur la photo pour voir le film click here or on the photo to see the film in <a href="https://zoeken.beeldengeluid.nl/search/program?aliases.terms=(titles:the%20one%20minutes)&facet.asset.category@asset=dgtl&facet.nisv.collectionsgroup/collectionsgroup.dir@program=urn:vme:default:directory:collections-group:50000%20OR%20urn:vme:default:directory:collections-group:50001%20OR%20urn:vme:default:directory:collections-group:50002%20OR%20urn:vme:default:directory:collections-group:50003%20OR%20urn:vme:default:directory:collections-group:50004%20OR%20urn:vme:default:directory:collections-group:50005%20OR%20urn:vme:default:directory:collections-group:50006&limit=10&offset=0&q=clouin&sort=-nisv.sortdate&x=false">The One Minutes, The Netherlands Institute for Sound and Vision
date: 2014
rights: © Pierre Yves Clouin
type: Moving Image
coverage: Paris

11. Lesbisch-Schwule Filmtage
relation: Mon Lapin Bleu
type: event
coverage: Hamburg