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&lt;div class="paragraph paragraph_style_2"&gt;Featured in the international competition program 6 entitled All About My Other , "But Why are You so Wet?" screened on September 23 and 26.&lt;/div&gt;&#13;
&lt;div class="paragraph paragraph_style_2"&gt;&lt;a title="&amp;quot;But Why are You so Wet?&amp;quot; (Mais pourquoi t'es tout mouill&amp;eacute;?" href="http://pierreyvesclouin.fr/items/show/65" target="_self"&gt;"But Why are You so Wet?" (Mais pourquoi t'es tout mouill&amp;eacute;?&lt;/a&gt;&amp;nbsp;&amp;nbsp;Clouin takes us on a tour of mundane city spaces and peeks his camera around corners, under beds, and out of windows to disclose what was there all along. It's shaky, fuzzy, and off to the side. Keep it safe in your peripheral vision. Or turn your head and see the show full-frontal.&lt;br /&gt;- Jason Cortlund, Cinematexas &amp;copy; 2004&lt;/div&gt;</text>
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                <text>&lt;p class="paragraph_style_3"&gt;&lt;a title="&amp;quot;The Castle&amp;quot; " href="http://pierreyvesclouin.fr/items/show/71" target="_self"&gt;"The Castle" &lt;/a&gt;(Le Ch&amp;acirc;teau, 2002) was presented by &lt;a title="http://www.exquise.org/actualites_liste.php?l=uk" href="http://www.exquise.org/actualites_liste.php?l=uk"&gt;Heure Exquise!&lt;/a&gt; during the second ARTRONICA Muestra Internacional de Artes Electr&amp;oacute;nicas in Bogota, Colombia. &lt;br /&gt;Organized by the Cultural Office of the French Embassy, the festival ran from September 30 to October 10.&lt;/p&gt;</text>
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&lt;p class="paragraph_style_1"&gt;&lt;span class="style_1"&gt;"Reworked" selected for 19th London Lesbian &amp;amp; Gay Film Festival&lt;br /&gt;&lt;/span&gt;See Tom of Finland's famous still drawings stir miraculously into life. &amp;mdash; Brian Robinson, British Film Institute&lt;br /&gt;&lt;a title=" &amp;quot;Reworked&amp;quot; " href="http://pierreyvesclouin.fr/items/show/63" target="_self"&gt;"Reworked" &lt;/a&gt;(2004) will be premiering at the &lt;a title="http://www.llgff.org.uk/" href="http://www.llgff.org.uk/"&gt;19th London Lesbian &amp;amp; Gay Film Festival&lt;/a&gt; to be held at the British Film Institute from March 30 to April 13. Featured in the festival's "Fetish" program "Reworked" will be showing before and after "That Man: Peter Berlin," directed by Jim Tushinski, in National Film Theatre 1, on Thursday, March 31 at 6:30 pm.&lt;/p&gt;</text>
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              <text>&lt;p class="paragraph_style_2"&gt;&lt;span class="style_1"&gt;Exploring the Offbeat World of Experimental Film&lt;br /&gt;&lt;/span&gt;Even the most ardent movie buffs often stop short of embracing experimental film. Although this neglected stepchild of independent cinema conjures images of gritty film stock, atonal music and non-linear or non-existent plot, it is a category of filmmaking in which many innovations start and creativity blooms, unfettered by commercial pressures or the glare of publicity. Its practitioners, obscure to all but a few devotees, are often defiantly individualistic and oblivious to audience appeal, which can pose a problem for exhibitors.&lt;br /&gt;"I'm not sure if I could claim to know the public's attitude toward experimental film or whether 'resistance' would be an appropriate word to use," says Steve Polta, administrative director of San Francisco Cinematheque, a leading proponent and presenter of experimental, personally expressive film, video and cutting-edge media. "I would venture that much of the work we screen, be it historical or contemporary, documentary, narrative or experimental, differs from most mainstream media in that it is not necessarily easy… Much of the work we present is complex and encourages — and rewards — active engagement on the viewer's part." …&lt;br /&gt;The controversial, award-winning French video artist Pierre-Yves Clouin has been called, among other things, "the master of innuendo and metamorphosis." Part renegade philosopher, part exhibitionist, Clouin uses his body as battleground and movie set. He is the subject of &lt;a title="SAN FRANCISCO CINEMATHEQUE    PRESENTS “WE CANNOT EXHIBIT IT: THE VIDEOS OF PIERRE YVES CLOUIN&amp;quot;" href="http://pierreyvesclouin.fr/items/show/159" target="_self"&gt;"We Cannot Exhibit It: The Videos of Pierre-Yves Clouin,"&lt;/a&gt;… [presented by the San Francisco Cinematheque in April 2005, see below].&lt;br /&gt;"As both director and star of his growing body of work, Clouin focuses his lens on [unexpected] parts of the male body … like armpits and shoulders, the small of the back and the top of the head," wrote Rajendra Roy in 2001 on the website C-x-P. (Roy is the former manager of the Solomon R. Guggenheim Museum's Film and Media Arts Program.) "Clouin works like a video Venus Flytrap, seducing audiences with intimate close-ups of curves and orifices on his own well-sculpted body. Just when you think you recognize what's on-screen, the body unfolds and you realize you just got turned on by shoulder cleavage or by a particularly sexy earlobe… Clouin has some sexy advice for the body-obsessed among us: 'Accept pleasure whatever it may be and whenever it strikes.'" …&lt;br /&gt;- Sura Wood, &lt;a title="http://www.sfarts.org/" href="http://www.sfarts.org/"&gt;San Francisco Arts Monthly&lt;/a&gt;, April 2005&lt;/p&gt;</text>
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