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                <text>"Lumenité" premier and "The Moray Opposite the Bathroom" selected at the &lt;a title="RISC 2016" href="http://www.pollymaggoo.org/" target="_self"&gt;&lt;em&gt;10e Rencontres Internationales Sciences et Cinemas&lt;/em&gt;&lt;/a&gt;, Marseille</text>
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                <text>&lt;img src="http://pierreyvesclouin.fr/files/original/52d034e73e41e6c2a490df38c0ce8b66.jpg" alt=" width=" /&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
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&lt;li&gt;&lt;a title="&amp;quot;The Moray eel Opposite The Bathroom&amp;quot; by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1065" target="_self"&gt;"The Moray Eel Opposite the Bathroom"&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;/a&gt;screened on November 20 at 2Pm at&amp;nbsp;Cinéma Les Variétés, Marseille&lt;/li&gt;&#13;
&lt;li&gt;&lt;a title="&amp;quot;Lumenité&amp;quot; by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1087" target="_self"&gt;"&lt;em&gt;Lumenité&lt;/em&gt;"&lt;/a&gt;&amp;nbsp;screened on November 25 &amp;nbsp;at 8:30Pm at the&amp;nbsp;&lt;em&gt;Muséum d'Histoire Naturelle de Marseille&lt;/em&gt;&lt;/li&gt;&#13;
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&lt;br /&gt;&lt;a title="interview RISC 2016" href="http://festivalrisc.org/interview-du-realisateur-pierre-yves-clouin/" target="_self"&gt;Interview durant RISC Marseille 2016&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;hr /&gt;&lt;header class="header"&gt;&#13;
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&lt;p&gt;&lt;strong&gt;Interview du réalisateur Pierre Yves Clouin&lt;/strong&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;strong&gt;&lt;span class="author-name fn"&gt;par Alexandre BOERO,&amp;nbsp;&lt;a href="https://festivalrisc.org/author/virgifau-0916/" title="Articles par Festival RISC" rel="author"&gt;Festival RISC, Marseille France, &lt;/a&gt;&lt;/span&gt;&lt;time class="entry-date published" datetime="2016-11-18T22:08:19+01:00" content="2016-11-18"&gt;18 novembre 2016&lt;/time&gt;&lt;/strong&gt;&lt;/p&gt;&#13;
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&lt;p&gt;Pour les 10ème RISC, Pierre Yves Clouin est en lice pour le Prix Jeune public avec&lt;br /&gt;« La Murène devant la salle de bain », et celui du meilleur Court-métrage avec&lt;br /&gt;« Luménité ». Le parisien se confie sur ses deux films en compétition et revient sur ce qui l’a poussé à devenir réalisateur.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Votre art est très atypique, et il s’exprime pleinement dans « La Murène » :&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;C’est une paréidolie en mouvement. Quand on voit une prise électrique, on voit deux yeux et une bouche. On la regarde, et on voit une tête. C’est ça la paréidolie. Dans « La Murène devant la salle de bain », on regarde un jogging posé sur un rebord, et on voit une murène. C’est le moment de l’intrigue. C’est le fait de tourner autour qui provoque notre surprise. Une photo n’est pas suffisante. La vidéo permet d’exprimer plus de choses. Je fais en sorte que le spectateur puisse se mettre à ma place.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Comment vous est venue l’idée de faire « La Murène » ?&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;On ne peut pas dire que l’idée m’est venue. Je n’écris pas ce que je fais avant. Je suis tout le temps en train de filmer. Je vais à la découverte de choses qui peuvent m’intriguer, me surprendre. En général, ce sont des choses assez simples, de mon entourage, du quotidien, ou là où je vis.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Vous êtes un adepte des films de ce type ?&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;C’est quelque chose que je fais depuis 20 ans maintenant. Le fait qu’on regarde quelque chose et qu’on voit autre chose, ça me travaille beaucoup. Les plans séquences comme ça, d’une, deux ou trois minutes, c’est ce que je préfère.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Comment vous est venue l’envie, le désir de faire de la vidéo ?&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;J’étais peintre avant. A l’époque, j’avais considéré que mon « travail » de peintre était terminé. J’avais ce rêve de gamin de faire du film et du cinéma. Alors j’ai pris une caméra et j’ai fait des choses très simples, très brutes.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Autre film en compétition, « Luménité ». Que proposez-vous au public avec celui-ci ?&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;C’est la première fois qu’il sera montré dans un festival. Là aussi, c’est une surprise. On est dans un univers très familier. C’est quelque chose de très quotidien. Pour tourner, il faut que je connaisse l’endroit.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Ces deux films sont destinés à tous les publics et peuvent titiller la curiosité des plus jeunes ? Votre film va vraiment à la rencontre des sciences…&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ce qui arrive dans le film, ce sont des choses qui peuvent arriver à tout le monde. Ce qui m’a attiré, c’est ce moment où on arrive à douter de ce qu’on voit, on doute de notre propre perception alors qu’on sait parfaitement ce qu’on voit.&lt;/p&gt;&#13;
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&lt;p&gt;&lt;strong&gt;Est-ce que vous seriez tenté un jour de faire des films plus longs ?&lt;/strong&gt;&lt;/p&gt;&#13;
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&lt;p&gt;Je ne me donne pas de contrainte de ce genre. Je ne fais pas ça aujourd’hui pour faire du moyen ou long-métrage plus tard. Mon objectif est que ce que je filme soit vivant et tendu. Si je dois faire un film de trente minutes mais avec des trous, ça ne me tente pas.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Vous avez cette volonté de filmer en instantané. Du coup pour vous, il n’est pas question d’utiliser un matériel de professionnel, caméras lourdes etc ?&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;Tout à fait oui. Mais il y a une évolution énorme par rapport à il y a dix ans. On peut faire des films de qualité avec du matériel très léger aujourd’hui, mais qui reste encore trop lourd pour être utilisé tout le temps et partout.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Vous avez participé à de nombreux festivals, dont les RISC bien entendu ?&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;Oui, je suis très heureux d’être présenté ici à Marseille, avec deux films qui plus est ! Également, en cette fin d’année, l’une de mes premières vidéos, qui date de 1996, sera présentée de nouveau dans un Festival en Finlande au mois de décembre.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Merci beaucoup Pierre Yves, et bonne chance pour vos deux films en compétition, « La Murène dans la salle de bain », dimanche 20 novembre à 14h00 aux Variétés, et « Luménité », vendredi 25 novembre à 20h30 au Muséum d’histoire naturelle de Marseille.&lt;/strong&gt;&lt;/p&gt;&#13;
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&lt;p&gt;Merci à vous. A bientôt !&lt;/p&gt;&#13;
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&lt;p&gt;&lt;strong&gt;Alexandre BOERO&lt;/strong&gt;&lt;/p&gt;&#13;
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&lt;li&gt;&lt;a title="&amp;quot;The Moray eel Opposite The Bathroom&amp;quot; by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1065" target="_self"&gt;"The Moray Eel Opposite the Bathroom"&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a title="&amp;quot;Lumenité&amp;quot; by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1087" target="_self"&gt;"&lt;em&gt;Lumenité&lt;/em&gt;"&lt;/a&gt;&lt;/li&gt;&#13;
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                <text>&lt;a href="https://dai.ly/k5OE6UxLNjqCCjyV9az"&gt;&lt;img title="Lumenité" src="https://pierreyvesclouin.fr/files/original/a26d9be22b24c9c2bb3c296ef62f9de2.jpeg" alt="" width="400px" /&gt;&lt;/a&gt;&lt;br p="" /&gt;&lt;em&gt;cliquez &lt;a href="https://dai.ly/k5OE6UxLNjqCCjyV9az"&gt;ici&lt;/a&gt; ou sur la&lt;a href="https://dai.ly/k5OE6UxLNjqCCjyV9az"&gt; photo&lt;/a&gt; pour voir le film&lt;br /&gt;&lt;/em&gt;click &lt;a href="https://dai.ly/k5OE6UxLNjqCCjyV9az"&gt;here&lt;/a&gt; or on the &lt;a href="https://dai.ly/k5OE6UxLNjqCCjyV9az"&gt;photo&lt;/a&gt; to see the film&lt;br /&gt;&lt;em&gt;&lt;br /&gt;En mission, &lt;br /&gt;&lt;/em&gt;On mission&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;exhibitions and screenings of "Lumenité":&lt;br /&gt;&lt;span&gt;2022&lt;/span&gt;&lt;br /&gt;&lt;/strong&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="http://www.festivaldominuto.com.br/en/contents/51075"&gt;&lt;/a&gt;&lt;a href="https://pierreyvesclouin.fr/items/show/1283"&gt;1 Minuto&lt;/a&gt;,&amp;nbsp;&lt;span&gt;São&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;Paulo, Brazil&lt;/li&gt;&#13;
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&lt;p&gt;&lt;strong&gt;2020&lt;/strong&gt;&lt;em&gt;&lt;a title="Lumenité at Les Inattendus" href="http://pierreyvesclouin.fr/items/show/1107" target="_self"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;span&gt;&lt;em&gt;"&lt;a href="http://www.filmcourtangouleme.com/cave-a-films/"&gt;La cave à films"&lt;/a&gt;&lt;/em&gt; at the &lt;/span&gt;&lt;em&gt;&lt;a href="http://www.filmcourtangouleme.com/"&gt;Festival International du Film Court d’Angoulême (FIFCA)&lt;/a&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;&lt;span&gt;Angoulême, France&lt;/span&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;p&gt;&lt;strong&gt;2019&lt;/strong&gt;&lt;em&gt;&lt;a title="Lumenité at Les Inattendus" href="http://pierreyvesclouin.fr/items/show/1107" target="_self"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a title="Lumenité at Rencontres Traverse video 2019" href="http://pierreyvesclouin.fr/items/show/1154" target="_self"&gt;&lt;em&gt;Rencontres Traverse Vidéo&lt;/em&gt;,&lt;/a&gt; &lt;span class="s1"&gt;&lt;em&gt;&lt;a&gt;Musée Les Abattoirs - Frac Occitanie&lt;/a&gt;,&amp;nbsp;&lt;/em&gt;&lt;/span&gt;Toulouse, France&lt;/li&gt;&#13;
&lt;li&gt;&lt;a title="exploding cinema at the others" href="http://pierreyvesclouin.fr/items/show/1167" target="_self"&gt;Exploding Cinema&lt;/a&gt; at the others, London, UK&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;p&gt;&lt;strong&gt;2018&lt;/strong&gt;&lt;em&gt;&lt;a title="Lumenité at Les Inattendus" href="http://pierreyvesclouin.fr/items/show/1107" target="_self"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a title="Wndx 2018" href="http://pierreyvesclouin.fr/items/show/1127" target="_self"&gt;WNDX, Festival of Moving Image&lt;/a&gt;,&lt;em&gt;&amp;nbsp;Carte Blanche Les Inattendus&lt;/em&gt;, Winnipeg, Man, Canada&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;/li&gt;&#13;
&lt;li&gt;&#13;
&lt;p&gt;&lt;em&gt;&lt;a title="Lumenité at Les Inattendus" href="http://pierreyvesclouin.fr/items/show/1107" target="_self"&gt;Les Inattendus&lt;/a&gt;, Lyon, France&lt;/em&gt;&lt;/p&gt;&#13;
&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;p&gt;&lt;strong&gt;&lt;strong&gt;2017&lt;br /&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a title="&amp;quot;Lumenité&amp;quot; by Pierre Yves Clouin at Angoulême" href="http://pierreyvesclouin.fr/items/show/1094" target="_self"&gt;&lt;em&gt;Festival du Film Court d'Angoulême&lt;/em&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;/a&gt;, Angoulême, France&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;p&gt;&lt;strong&gt;2016&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a title="RISC 2016" href="http://pierreyvesclouin.fr/items/show/1088" target="_self"&gt;&lt;em&gt;Rencontres Internationales Sciences et Cinemas&lt;/em&gt;&lt;/a&gt;, RISC 2016 Marseille, France&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;br /&gt;&lt;em&gt;"La lumière, c'était le lumen en latin; lumen/lumenis, de là, la cohorte des termes désignant son champ lexical, ainsi lumineux et luminosité et luminaire et déormais comme unité de mesure de la lumière, LM, pour les ampoules LED, le lumen... Pierre Yves Clouin y agrège la luminosité comme capacité du Lumen, la quantité totale de lumière émise dans un faisceau un angle défini... et il en joue en traquant dans la nuit noire, de petits points brillants et mouvants allant jusqu'à former une farandole... ils s'avèrent les lumières de lampes de poches portées par des coureurs à pied pour on ne sait quelle course ou marathon nocturnes: la luménité convergente ne suffit que pour cette révélation -&amp;nbsp; éphéùère par définition dans son apparition et ne laissant d'elle que son nom."&lt;/em&gt;&lt;br /&gt;&lt;span&gt;Simone Dompeyre&lt;/span&gt;&lt;br /&gt;&lt;a href="https://pierreyvesclouin.fr/items/show/1154"&gt;&lt;em&gt;Catalogue des Rencontres Traverse Vidéo 2019&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;a title="interview RISC 2016" href="http://festivalrisc.org/interview-du-realisateur-pierre-yves-clouin/" target="_self"&gt;Interview durant RISC Marseille 2016&lt;/a&gt;&lt;/em&gt;</text>
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                <text>&lt;img src="http://pierreyvesclouin.fr/files/original/e517fb98300f9093bd1ec00f54ef178a.jpg" alt="" width="400px" /&gt;&#13;
&lt;p&gt;&lt;a title="&amp;quot;Le feu de l'eau&amp;quot; by Pierre Yves Clouin in competition Experience" href="http://www.nicefilmfestival.com/ufctc2016/courts-metrages/188-le-feu-de-l'eau-"&gt;&lt;em&gt;"Le feu de l'eau"&lt;/em&gt;&lt;/a&gt;&amp;nbsp;in &lt;a title="competition experience Nice 2016" href="http://www.nicefilmfestival.com/ufctc2016/competitions/competition-experience" target="_self"&gt;Competition Experience&lt;/a&gt;&amp;nbsp;screnned at Villa Arson, October 18 and Cinema Merkury, October 20 at&amp;nbsp;7:30pm in&amp;nbsp;&lt;a title="un festival c'est trop court 2016" href="http://www.nicefilmfestival.com/ufctc2016/" target="_self"&gt;&lt;em&gt;Un festival c'est trop court!&lt;/em&gt;,&lt;/a&gt;&amp;nbsp;&lt;em&gt;Festival Europeen de court métrage de Nice (&lt;/em&gt;October 14 to 21) Nice, France&lt;/p&gt;&#13;
&lt;iframe width="480" height="270" src="//www.dailymotion.com/embed/video/x4v8o6s" frameborder="0"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;a href="http://www.dailymotion.com/video/x4v8o6s_trailer-competition-experience-un-festival-c-est-trop-court-2016_shortfilms" target="_blank" rel="noopener"&gt;Trailer Compétition Expérience // Un festival c...&lt;/a&gt; &lt;em&gt;par &lt;a href="http://www.dailymotion.com/NiceFilmFestival" target="_blank" rel="noopener"&gt;NiceFilmFestival&lt;/a&gt;&lt;/em&gt;</text>
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2016- 10 - 21</text>
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                <text>&lt;a title="&amp;quot;Le feu de l'eau&amp;quot; by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/1082" target="_self"&gt;Le feu de l'eau&lt;/a&gt;</text>
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                <text>&lt;em&gt;Le feu de l'eau&lt;/em&gt; (The Fire of Water)</text>
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                <text>&lt;iframe width="640" height="360" title="vimeo-player" src="https://player.vimeo.com/video/281945152?h=e69f0e6ab3" frameborder="0" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;&#13;
&lt;p&gt;&lt;em&gt;Les enfants mettent le doigt sur les flammes que le vent attise&lt;br /&gt;&lt;span&gt;The children put their finger on the flames stirred up by the wind&lt;/span&gt;&lt;br /&gt;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p class="paragraph_style_1"&gt;&lt;strong&gt;exhibitions and screenings of ”&lt;em&gt;Le feu de l'eau&lt;/em&gt;”:&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p class="paragraph_style_1"&gt;&lt;strong&gt;&lt;span class="style_4"&gt;&lt;strong&gt;2016&amp;nbsp;&lt;span&gt;&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;em&gt;&lt;a title="&amp;quot;Le feu de l'eau&amp;quot; by Pierre Yves Clouin in Un festival c'est trop court 2016" href="http://pierreyvesclouin.fr/items/show/1084" target="_self"&gt;Un festival c'est trop court&lt;/a&gt;&lt;/em&gt;, Nice, France&lt;/li&gt;&#13;
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&lt;ul&gt;&#13;
&lt;li&gt;&lt;em&gt;&amp;nbsp;&lt;a href="https://cjcinema.org/agenda/2024/octobre/lanimal-anime/"&gt;"L'animal anime"&lt;/a&gt;&lt;/em&gt;&lt;span&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;a program curated by Maxime Hot for the&amp;nbsp;&lt;/span&gt;&lt;em&gt;Festival des cinemas différents de Paris, Le grand Action,&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;&lt;span&gt;Paris, France&lt;/span&gt;&lt;/li&gt;&#13;
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&lt;p&gt;&lt;strong&gt;2017&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a title="artsciences online" href="http://pierreyvesclouin.fr/items/show/1099" target="_self"&gt;"Artsciences&amp;nbsp;the new and &amp;nbsp;history",&lt;/a&gt; program curated by RISC,&amp;nbsp;&lt;em&gt;Sala Conferenze "Marco Biagi"&lt;/em&gt;, &lt;em&gt;Complesso del Baraccano,&lt;/em&gt; Bologna, Italy&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;em&gt;Cinésciences&lt;/em&gt; curated by RISC, &lt;em&gt;College Clair Soleil,&lt;/em&gt; Marseille, France&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;p&gt;&lt;strong&gt;2016&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a title="RISC 2016" href="http://pierreyvesclouin.fr/items/show/1088" target="_self"&gt;&lt;em&gt;Rencontres Internationales Sciences et Cinemas&lt;/em&gt;&lt;/a&gt;, RISC 2016 Marseille, France&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a title="WUFF4" href="http://pierreyvesclouin.fr/items/show/1070" target="_self"&gt;Winnipeg Underground Film Festival&lt;/a&gt;,&amp;nbsp;Winnipeg, Manitoba, Canada&lt;/li&gt;&#13;
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&lt;p&gt;&lt;strong&gt;you can see the movie at the bottom of the page&lt;/strong&gt;&lt;em&gt;&lt;br /&gt;&lt;br /&gt;Dérangé&lt;/em&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;em&gt;Cette étoile est filante parce que je la filme &lt;/em&gt;&lt;br /&gt;It is because I’m shooting this star that this star is a shooting star&lt;br /&gt;&lt;br /&gt;&lt;span class="style_1"&gt;-&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;a title="&amp;quot;Shooting Star&amp;quot; by Pierre Yves Clouin prix du jury Loeii d'Oodaaq" href="http://pierreyvesclouin.fr/items/show/1145" target="_self"&gt;&lt;em&gt;"Prix du Jury L’Œil d’Oodaaq&amp;nbsp;"&amp;nbsp;&lt;/em&gt;&lt;/a&gt;&lt;em&gt;Videobars 2018&lt;/em&gt;, Nantes&lt;/span&gt;&lt;span class="style_1"&gt;, France&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;exhibitions and screenings of "Shooting Star":&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2019&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;span class="s1"&gt;&lt;span class="s2"&gt;&lt;a href="http://pierreyvesclouin.fr/items/show/1123"&gt;&lt;em&gt;Paesaggi Concettuali&lt;/em&gt;,&lt;/a&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;em&gt;Ospizio Giovani Artisti&lt;/em&gt;, Rome, Italy&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;p&gt;&lt;strong&gt;2018&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;span&gt;&lt;span&gt;&lt;a title="Video/Bars 2018" href="http://pierreyvesclouin.fr/items/show/1145" target="_self"&gt;&lt;em&gt;Vidéo/Bars,&lt;/em&gt;&lt;/a&gt;&amp;nbsp;curated by Le Oodaaq, Nantes France&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a title="exploding april18" href="http://pierreyvesclouin.fr/items/show/1126" target="_self"&gt;Oh Neigh! Exploding Cinema&amp;nbsp;&lt;/a&gt;,&amp;nbsp;the Horse Hospital, London, UK&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a title="eurovideo 2018" href="http://pierreyvesclouin.fr/items/show/1119" target="_self"&gt;EUROVIDEO&amp;nbsp;&lt;em&gt;Festival Européen des Arts Videos&lt;/em&gt;&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;p class="p1"&gt;&lt;span class="s1"&gt;&lt;em&gt;- Théatre de Liège&lt;/em&gt;&lt;span&gt;, Belgium &lt;br /&gt;-&amp;nbsp;&lt;span class="s2"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="s3"&gt;&lt;em&gt;Le Manège, Scène Nationale,&amp;nbsp;&lt;/em&gt;Maubeuge,&amp;nbsp;&lt;/span&gt;&lt;span&gt;&amp;nbsp;France &lt;br /&gt;-&amp;nbsp;&lt;em&gt;Le Casino,&lt;/em&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Forum d’art contemporain&lt;/em&gt;&lt;span&gt;, Luxembourg &lt;br /&gt;-&amp;nbsp;&lt;span&gt;CEZAM,&amp;nbsp;&lt;em&gt;Centar za multimedijalnu produkcuju,&lt;/em&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;Podgorica, Montenegro &lt;br /&gt;-&amp;nbsp;&lt;em&gt;La Nuova Pesa,&lt;/em&gt;&lt;span&gt;&amp;nbsp;&lt;em&gt;Centro Arte Contemporanea a Roma,&amp;nbsp;&lt;/em&gt;Rome, Italy&lt;br /&gt;-&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="s1"&gt;Cinema Zuid, Antwerp, Belgium&lt;/span&gt;&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a title="Traverse video 2018" href="http://pierreyvesclouin.fr/items/show/1111" target="_self"&gt;&lt;em&gt;Rencontres Traverse Video&lt;/em&gt;&lt;/a&gt;, Toulouse, France&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;p&gt;&lt;strong&gt;2017&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a title="&amp;quot;Shooting Star&amp;quot;at San Diego UFF" href="http://pierreyvesclouin.fr/items/show/1100" target="_self"&gt;San Diego Underground Film Festival&lt;/a&gt;, San Diego, CA, USA&amp;nbsp;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a title="aDifferent Festival" href="http://pierreyvesclouin.fr/items/show/1092" target="_self"&gt;aDifferent Festival,&lt;/a&gt;&amp;nbsp;curated by aCinema, Milwaukee, WI, USA&amp;nbsp;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;div style="text-align: left;"&gt;&lt;strong&gt;2016&lt;br /&gt;&lt;/strong&gt;&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;em&gt;L'observatoire du Livre&lt;/em&gt;,&amp;nbsp;&lt;span&gt;program curated by&amp;nbsp;&lt;/span&gt;&lt;a title="polly maggoo" href="http://www.pollymaggoo.org/" target="_self"&gt;Polly Maggoo&lt;/a&gt;&amp;nbsp;via&amp;nbsp;&lt;a title="Punto de Fuga program" href="http://pierreyvesclouin.fr/items/show/1080" target="_self"&gt;Punto de Fuga &lt;/a&gt;at&amp;nbsp;&lt;span class="s1"&gt;the&amp;nbsp;&lt;em&gt;Observatoire de Haute-Provence,&amp;nbsp;&lt;/em&gt;&lt;em&gt;France&lt;/em&gt;&lt;/span&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;span class="s1"&gt;&lt;a title="Hidden Door" href="http://www.alchemyfilmfestival.org.uk/2016/hidden-door-31-may-2016-7pm/" target="_self"&gt;Hidden Door&lt;/a&gt;, Alchemy screening, Edimburgh, Scotland, UK&lt;/span&gt;&lt;/li&gt;&#13;
&lt;li&gt;&#13;
&lt;div style="text-align: left;"&gt;&lt;a title="&amp;quot;sooting Star&amp;quot; by Pierre Yves Clouin at Crossroads" href="http://pierreyvesclouin.fr/items/show/699"&gt;Crossroads,&lt;/a&gt;&amp;nbsp;San Francisco Cinematheque,&amp;nbsp;&amp;nbsp;San Francisco, CA, USA&lt;/div&gt;&#13;
&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;strong&gt;2015&lt;/strong&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;em&gt;&lt;em&gt;&lt;a title="Upset &amp;amp; shooting star by Pierre Yves Clouin at RISC" href="http://pierreyvesclouin.fr/items/show/697"&gt;Rencontres Internationales Sciences &amp;amp; Cinemas (RISC)&lt;/a&gt;&lt;/em&gt;, &lt;/em&gt;Marseille, France&lt;/li&gt;&#13;
&lt;li&gt;&lt;em&gt;&lt;a title="&amp;quot;shooting Star&amp;quot; by Pierre Yves Clouin in Un festival c'est trop court" href="http://pierreyvesclouin.fr/items/show/694"&gt;Un festival c'est trop court&lt;/a&gt;&lt;/em&gt;, Nice, France&lt;/li&gt;&#13;
&lt;li&gt;&lt;a title="&amp;quot;Shooting Star&amp;quot; at Split Film Festival" href="http://pierreyvesclouin.fr/items/show/692"&gt;Split Film Festival&lt;/a&gt;, Split, Croatia&amp;nbsp;&lt;/li&gt;&#13;
&lt;li&gt;&lt;em&gt;&lt;a title="&amp;quot;Shooting Star&amp;quot; in festival du Peu" href="http://pierreyvesclouin.fr/items/show/691"&gt;Festival du Peu&lt;/a&gt;&lt;/em&gt;, curated by &lt;a title="Heliotrope" href="http://www.nicefilmfestival.com/court-metrage/"&gt;Heliotrope&lt;/a&gt;&amp;nbsp;(short film festival Nice), Bonson, France&lt;/li&gt;&#13;
&lt;li&gt;&lt;a title="&amp;quot;shooting star&amp;quot; in Wuff3" href="http://pierreyvesclouin.fr/items/show/689"&gt;Winnipeg Underground Film Festival&lt;/a&gt;, Winnipeg, Manitoba, Canada&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Thomas Carratu,&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;&lt;a title="Thomas Carratu&amp;quot;Entretien avec Pierre Yves Clouin-RISC2015&amp;quot;" href="https://festivalrisc2015.wordpress.com/2015/11/26/entretien-avec-pierre-yves-clouin/" target="_self"&gt;"Au cœur du Festival, entretien avec Pierre Yves Clouin/Festival RISC 2015"&lt;/a&gt;,&amp;nbsp;Blog des étudiant-e-s de l'Ecole de Journalisme et Communication d'Aix-Marseille&lt;/em&gt;, November 26, 2015, Marseille, France&#13;
&lt;p class="p1"&gt;&lt;/p&gt;&#13;
&lt;br /&gt;&lt;br /&gt;&lt;em&gt;"&amp;nbsp;&lt;a title="&amp;quot;Shooting Star&amp;quot; by PY Clouin" href="http://pierreyvesclouin.fr/items/show/687" target="_self"&gt;Shooting Star&lt;/a&gt;&lt;/em&gt;&lt;span&gt;&amp;nbsp;:&lt;em&gt; étoile filante ou étoile que l’on a filmée, la double traduction amorce le propos de Pierre Yves Clouin qui n’a jamais abandonné cette possibilité de double lecture. Qu’il filme en ses débuts, son corps en « contenu explicite » comme les catalogues qualifient ses œuvres, alors la vidéo s’intitule&amp;nbsp;&lt;/em&gt;&lt;/span&gt;&lt;em&gt;&lt;a title="&amp;quot;cowboy&amp;quot; by PY Clouin" href="http://pierreyvesclouin.fr/%20http://pierreyvesclouin.fr/items/show/1105" target="_self"&gt;Cow Boy&lt;/a&gt;, en accord avec le plan de bas du corps, jambes écartées, en position de duel, mais la main attouche le sexe. Le corps, nu encore, devient (&lt;a title="&amp;quot;c'est le veau qui bêle&amp;quot; by PY Clouin" href="http://pierreyvesclouin.fr/items/show/107" target="_self"&gt;c’est) le veau qui bêle&lt;/a&gt;&amp;nbsp;grâce au cadrage détournant le visage et se jouant des mouvements des membres, de même&amp;nbsp;&lt;a title="&amp;quot;Workman&amp;quot; by PY Clouin" href="http://pierreyvesclouin.fr/items/show/99" target="_self"&gt;Workman&lt;/a&gt;&amp;nbsp;transforme ce corps humain en être différent…&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Depuis ce sont les objets, les lieux, les éléments qui sont ainsi détournés pour seul exemple :&amp;nbsp;&lt;a title="&amp;quot;Rodin des bois&amp;quot; by PY Clouin" href="http://pierreyvesclouin.fr/items/show/654" target="_self"&gt;Rodin des bois&lt;/a&gt;&amp;nbsp;entraîne au versant de l’étrange, des troncs devenant chimères.&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;En un nouvel esprit des choses, Clouin sait créer des beautés cachées, dans l’immédiateté de leur rencontre au gré de ses déplacements. Il accepte l’invitation.&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Du quotidien, il trouve la tension, le moment où l’on se plaît à voir autre chose que ce qui est ; alors il déclenche l’appareil qu’il porte ; léger, il le tient près de son regard curieux cela peut être le téléphone désormais et précisément pour&amp;nbsp;&lt;a title="&amp;quot;Shooting Star&amp;quot; by PY Clouin" href="http://pierreyvesclouin.fr/items/show/687" target="_self"&gt;Shooting Star&lt;/a&gt;. Curieux, c’est prendre soin/cura en latin.&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Le film interstitiel s’évade de la reconnaissance quotidienne : ainsi un reflet du portable – allumé incidemment, explique PY Clouin, sur la fonction « lampe de poche » – devient l’étoile filante porteuse de vœu et ici porteuse du film.&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Les plans se saccadent, se succèdent selon l’itinéraire, les bruits urbains sont plus ou moins précis, la lumière varie ainsi que la couleur allant jusqu’au vert si éloigné de notre imagerie de la ville. En effet de travelling, le halo passe de vitrine à vitre de voiture, à fenêtres et baies d’appartement, de bureaux, de magasins… il glisse sur des grilles variées, des claustras, passe au plein ciel. La petite lumière s’accélère jusqu’au filage, le quotidien « s’expanse », l’autre est à portée de l’œil qui sait voir, il se prête à l’invention de filmer."&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Simone Dompeyre&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Avril 2018&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;a title="Rencontres Traverse Video 2018" href="http://traverse-video.org/" target="_self"&gt;Rencontres Traverse Vidéo&lt;/a&gt;&lt;/em&gt;&lt;span&gt;&lt;span&gt;&lt;em&gt;, Toulouse, France&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&#13;
&lt;p class="p1"&gt;&lt;span class="s1"&gt;"&lt;a title="&amp;quot;Shooting Star&amp;quot; by PY Clouin" href="http://pierreyvesclouin.fr/items/show/687" target="_self"&gt;Shooting Star&lt;/a&gt;&amp;nbsp;: a shooting star or a star shot on film, the double translation of this video’s title is an appropriate introduction to Pierre Yves Clouin whose work has never abandoned the possibility of dual readings.&amp;nbsp;&lt;/span&gt;&lt;span class="s1"&gt;In his early videos he filmed his body—‘’explicit content’’ as catalogues classified his works.&amp;nbsp;&lt;a title="&amp;quot;cowboy&amp;quot; by PY Clouin" href="http://pierreyvesclouin.fr/%20http://pierreyvesclouin.fr/items/show/1105" target="_self"&gt;Cow Boy&lt;/a&gt;, as might be expected shows his lower body, legs spread, in position for a duel; but then his hand lightly touches his genitals. His body, again nude, becomes&amp;nbsp;&lt;a title="&amp;quot;C'est le veau qui bêle&amp;quot; by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/107" target="_self"&gt;The Bleating Calf&amp;nbsp;&lt;/a&gt;&amp;nbsp;thanks to the framing of his diverted face; similarly, playing on the movement of his limbs,&amp;nbsp;&lt;a title="&amp;quot;Workman&amp;quot; by PY Clouin" href="http://pierreyvesclouin.fr/items/show/99" target="_self"&gt;Workman&lt;/a&gt;&amp;nbsp;transforms his human body into a different sort of being…&amp;nbsp;&lt;/span&gt;&lt;span class="s1"&gt;Since these early works, Clouin has continued to subvert our reading of objects, places, and other elements. One example:&amp;nbsp;&lt;a title="&amp;quot;Rodin des bois&amp;quot; by PY Clouin" href="http://pierreyvesclouin.fr/items/show/654" target="_self"&gt;Rodin Wood&amp;nbsp;&lt;/a&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;draws the viewer into a strange universe where tree trunks become chimera.&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;span class="s1"&gt;With a fresh mindfulness of things, Clouin knows how to create hidden beauties in the immediacy of his daily encounters, and he accepts these invitations.&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;span class="s1"&gt;He finds tension in the quotidian, the moment when one enjoys seeing something for other than what it is. This is when he turns on the camera he’s carrying; it’s light so he can hold it near his curious gaze. It might even be a cellphone, as in the case of&amp;nbsp;&lt;a title="&amp;quot;Shooting Star&amp;quot; by PY Clouin" href="http://pierreyvesclouin.fr/items/show/687" target="_self"&gt;Shooting Star&lt;/a&gt;&amp;nbsp;. Curious means to take care, to be careful (&lt;em&gt;cura&lt;/em&gt;&amp;nbsp;in Latin).&lt;br /&gt;&lt;/span&gt;&lt;span class="s1"&gt;The interstitial film escapes ordinary detection. Thus a reflection of his cellphone—with the ‘’flashlight’’ function turned on, as Clouin explains—becomes a shooting star that brings luck and, here, carries the film. The shots jerk from one to the next, following on each other, dependent on his itinerary; the urban noises are more or less distinct, and the light varies, with the color occasionally veering to a green that is far from our image of the city. There’s the effect of the traveling shot, with the halo passing from shop window to the window of a rail car, bay windows of apartments, glass store fronts, and office windows… sliding across a variety of gates, grids, open brick- and iron-work, and shifts to the open sky. The little light accelerates until it’s spinning, the quotidian ‘’expands,’’ the other is within sight of anyone who knows how to see, it lends itself to the invention of filming.&lt;br /&gt;&lt;/span&gt;&lt;a&gt;Simone Dompeyre&lt;/a&gt;&lt;br /&gt;&lt;a&gt;April 2018&lt;/a&gt;&lt;em&gt;&lt;br /&gt;&lt;a title="catalogueTraverse2018" href="https://traverse-video.org/catalogue_2018/catalogue_2018.html#p=92" target="_self"&gt;Rencontres Traverse Vidéo, &lt;/a&gt;&lt;/em&gt;&lt;a title="catalogueTraverse2018" href="https://traverse-video.org/catalogue_2018/catalogue_2018.html#p=92" target="_self"&gt;Toulouse, France&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
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              <text>&lt;p&gt;"... All the works that were labelled "problematic" were screened in the office of the architecte Bernard Khoury in Karantina, where the space was transformed into a theatre with two hundred seats for one evening. Those works included Naufus Figueroa's Masturbation in the Fatherland, Pierre Yves Clouin's&lt;a title="&amp;quot;My Hands are shaking&amp;quot; by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/78" target="_self"&gt; My Hands Are Shaking&lt;/a&gt;, Jean Gabriel Periot's Lovers and Laetitia Bourget's &lt;em&gt;7121 images du sexe d'un autre&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p&gt;Akram Zaatari&lt;/p&gt;&#13;
&lt;p&gt;The thougt of sex.The problematic presentation of Let it Be in Beirut&lt;/p&gt;&#13;
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