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ENGLAND&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/ewan-john--scotland.html"&gt;Ewan John : SCOTLAND&lt;/a&gt;.&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/gabor-toro--hungary.html"&gt;Gabor Toro : HUNGARY&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/gemma-travers--scotland.html"&gt;Gemma Travers : SCOTLAND&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/georgi-stamenov--england.html"&gt;Georgi Stamenov : ENGLAND&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/gregory-marshall--usa.html"&gt;Gregory Marshall : USA&amp;nbsp;&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/grzegorz-stefanski--poland.html"&gt;Grzegorz Stefanski : POLAND&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/guli-silberstein--england.html"&gt;Guli Silberstein : ENGLAND&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/holger-mohaupt--scotland.html"&gt;Holger Mohaupt : SCOTLAND&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/ingrid-stobbe--usa.html"&gt;Ingrid Stobbe : USA&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/james-murphy--ireland.html"&gt;James Murphy : IRELAND&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/jason-moyes--scotland.html"&gt;Jason Moyes : SCOTLAND&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/jeppe-lange--denmark.html"&gt;Jeppe Lange : DENMARK&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/john-butler--scotland.html"&gt;John Butler : SCOTLAND&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/john-woodman--england.html"&gt;John Woodman : ENGLAND&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/john-woodman--england.html"&gt;Jon Ratigan : WALES&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/jonathan-johnson--thailand.html"&gt;Jonathan Johnson : THAILAND&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/karel-doing--england.html"&gt;Karel Doing : ENGLAND&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/katrina-mcpherson--scotland.html"&gt;Katrina McPherson : SCOTLAND&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/kaya-fraser--scotland.html"&gt;Kaya Fraser : SCOTLAND&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/kerry-jones--scotland.html"&gt;Kerry Jones : SCOTLAND&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/lana-z-caplan--usa.html"&gt;Lana Z Caplan : USA&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/laurel-beckman--usa.html"&gt;Laurel Beckman : USA&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/liina-siib--estonia.html"&gt;Liina Siib : ESTONIA&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/lin-li--scotland.html"&gt;Lin Li : SCOTLAND&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/luis-grane--usa.html"&gt;Luis Grane : USA&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;a class="nonblock" href="http://www.cutlog.co.uk/mairead-mcclean---england.html"&gt;Mairead McClean :&amp;nbsp; 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&lt;p&gt;&lt;a title="cibles" href="http://pierreyvesclouin.fr/items/show/1200" target="_self"&gt;&lt;em&gt;Cibles&lt;/em&gt;&amp;nbsp;(Targets)&lt;/a&gt;&amp;nbsp;has been selected for this years&lt;a title="ssa 2020" href="https://www.s-s-a.org/ssavas-open/" target="_self"&gt;&amp;nbsp;Society Scottish Artists&lt;/a&gt;&lt;a title="ssa" href="http://www.s-s-a.org/" target="_self"&gt;&amp;nbsp;&lt;/a&gt;/&lt;a title="cutlog" href="http://cutlog.co.uk/" target="_self"&gt;CutLog&amp;nbsp;&lt;/a&gt;artists moving image screening, and will be screened everyday (in screening VII, around 14:09) 22 December 2019- 30 January 2020, at the Royal Scottish Academy&amp;nbsp;in Edinburgh, Scotland, UK&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;&#13;
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&lt;p class="p1"&gt;&lt;span class="s1"&gt;&lt;strong&gt;W&lt;/strong&gt;orking together for the first time the Society of Scottish Artists and CutLog are delighted to present a dedicated space for artist moving image within SSA | VAS OPEN, showcasing the work of 67 artists from the UK, USA, Ireland, France, Sweden, Denmark, Italy, The Netherlands, Thailand, Norway, Hungary, Israel, Finland, Germany, Estonia, Brazil, Japan, Poland and New Zealand.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="p1"&gt;&lt;span class="s1"&gt;CutLog is a group of artists who have recently come together to create new opportunities for artists whose practice spans moving image.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="p1"&gt;&lt;span class="s1"&gt;Following an invitation from the SSA to collaborate, CutLog set out with two main aims: first, to offer artists a genuine chance that their work would be selected in an open call (no works were preselected); and, secondly, to illustrate the wide range of ways artists use the medium of moving image.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="p1"&gt;&lt;span class="s1"&gt;While the panel selected works without reference to country of origin, the medium of moving image does allow works from many countries to be easily shown together and opens exhibitions to a wider international representation.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="p1"&gt;&lt;span class="s1"&gt;The works selected range from mobile phone to 4k video recordings, from digitised 8 and 16mm film to animation, and from computer-generated imagery to extreme slow motion. In duration, they range from 17 seconds to 20 minutes. Subjects include the natural world, human conflict and sociopolitical events and involve both individual and group performances. They make use of the written and the spoken word, they harness the power of memory and fantasy, and they invoke identity and absurdity.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="p1"&gt;&lt;span class="s1"&gt;Artists working with moving image come from many disciplines, which shifts the focus on to concepts, ideas and aesthetics and the limits of the technology used are explored and expanded. In this exhibition the selected artists have taken their own personal routes through the complexity of life.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;Exhibition:&amp;nbsp;&amp;nbsp;&amp;nbsp; OPEN SSA/VAS, Royal Academy Building building,&amp;nbsp; Princes St Edinburgh. 22 Dec. to 30 January.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;em&gt;&lt;img title="Issue3" src="https://pierreyvesclouin.fr/files/original/8c610949415b69ddc93c0e9627f8af06.jpg" alt="" width="400px" /&gt;&lt;/em&gt;&lt;/em&gt;&lt;em&gt;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;And in the September&lt;a href="https://vimeo.com/user105771242?fbclid=IwAR1pMGYS-T36x95OGiUCFBEbMOOy1GBe_dmk74By9BOilKkSL8iCbF8ZMz0"&gt; Cutlog Screening&lt;/a&gt; (September 7-28 2020)&lt;/p&gt;</text>
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&#13;
1. "Il ne vous le fait pas dire" (1995, tiré à 200 ex) référence à une une installation photo sur les vitres de l'atelier 19, 19 allée Marc chagall 75013 Paris, visible depuis le jardin Joan Miro, en face&#13;
&#13;
2. "faites comme chez vous"  (1995, tiré à 150 ex)&#13;
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&#13;
3. gant en latex(1995, tiré à 150 ex)&#13;
&#13;
4. entendre (1996, tiré à 150 ex)&#13;
&#13;
5. ça (1996, tiré à 150 ex)&#13;
&#13;
6. Carte de membre (d'après le dessin de Leonard de Vinci d'un anus) (1997, tiré à 200 ex)&#13;
&#13;
7. If you use ecstazy (1996, tiré à 150 ex)&#13;
&#13;
8. In memoriam (1996, tiré à 200 ex)&#13;
lettre relative à la chapelle Ste Rita de Fontenay aux roses&#13;
&#13;
9. Bien rentrée (1996, tiré à 1500 ex)&#13;
&#13;
10. Party Wear (1996, tiré à 250 ex)&#13;
&#13;
11. Leur planche à repasser (1997, tiré à 250 ex)&#13;
&#13;
12. et demain est un autre jour (cassette vhs PAL tiré à 150 ex)&#13;
&#13;
13. Fist le décor (1997, tiré à 250 ex)&#13;
&#13;
14. NUL (1997, tiré à 250 ex)&#13;
&#13;
15. commande public (1997, tiré à 250 ex)&#13;
&#13;
16. pensez à un chiffre... (1997, tiré illimité)&#13;
&#13;
17. calendrier 1998 (1997, tiré à 200 ex)</text>
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                <text>&lt;em&gt;"S'apprendre à dire non"&lt;/em&gt; in the Retrospective 95 at São Paulo Festival do Minuto</text>
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                <text>&lt;em&gt;&lt;em&gt;&lt;img title="1Minuto1995" src="https://pierreyvesclouin.fr/files/original/483bbe4f57152665ef21d6c0d085d0ea.jpeg" alt="" width="400px" /&gt;&lt;/em&gt;&lt;br /&gt;"S'apprendre à dire non" (1995) &lt;/em&gt;was screened in a &lt;a title="http://www.centrocultural.sp.gov.br/anteriores/dezembro_2007.htm" href="http://www.centrocultural.sp.gov.br/anteriores/dezembro_2007.htm"&gt;Retrospectiva 95&lt;/a&gt; of the São Paulo Festival do Minuto, at the Festival permanente do minuto 2007 held at the Centro Cultural de São Paulo, in São Paulo, Brazil, December 4 to 9.</text>
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