15 20 831 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mailings (1994 - 1998) Description An account of the resource Pierre Yves Clouin & Tony Frank Paschall worked on mailings sent to a selected list of art critics and artists around the world (1994-1998). 1. "Il ne vous le fait pas dire" (1995, tiré à 200 ex) référence à une une installation photo sur les vitres de l'atelier 19, 19 allée Marc chagall 75013 Paris, visible depuis le jardin Joan Miro, en face 2. "faites comme chez vous" (1995, tiré à 150 ex) cassette pour répondeur téléphonique sur laquelle est enregistré notre message (de Tony Paschall et Pierre Yves Clouin) à installer sur son propre répondeur 3. gant en latex(1995, tiré à 150 ex) 4. entendre (1996, tiré à 150 ex) 5. ça (1996, tiré à 150 ex) 6. Carte de membre (d'après le dessin de Leonard de Vinci d'un anus) (1997, tiré à 200 ex) 7. If you use ecstazy (1996, tiré à 150 ex) 8. In memoriam (1996, tiré à 200 ex) lettre relative à la chapelle Ste Rita de Fontenay aux roses 9. Bien rentrée (1996, tiré à 1500 ex) 10. Party Wear (1996, tiré à 250 ex) 11. Leur planche à repasser (1997, tiré à 250 ex) 12. et demain est un autre jour (cassette vhs PAL tiré à 150 ex) 13. Fist le décor (1997, tiré à 250 ex) 14. NUL (1997, tiré à 250 ex) 15. commande public (1997, tiré à 250 ex) 16. pensez à un chiffre... (1997, tiré illimité) 17. calendrier 1998 (1997, tiré à 200 ex) Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. ça n'arrange rien Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ça Description An account of the resource <img src="http://pierreyvesclouin.fr/files/original/4cfb1917fd2784efc226d3ff1da3dcf1.jpg" alt="" width="400px" /> ça (1996, tiré à 150 ex) Date A point or period of time associated with an event in the lifecycle of the resource 1996-01-02 Type The nature or genre of the resource Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Paris Rights Information about rights held in and over the resource © Pierre Yves Clouin & Tony Frank Paschall Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Films (1995 - ) Description An account of the resource Pierre Yves Clouin has been working exclusively in film since 1995 Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4k Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 00:01:23 Director Name (or names) of the person who produced the video. Pierre Yves Clouin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cibles (cibles) Date A point or period of time associated with an event in the lifecycle of the resource 2019-05-26 Rights Information about rights held in and over the resource © PY Clouin Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Paris Description An account of the resource <iframe width="640" height="360" title="vimeo-player" src="https://player.vimeo.com/video/459979506?h=a1d69a27c7" frameborder="0" allowfullscreen="allowfullscreen"></iframe>des ronds dans l'eau ripples expositions et projections de Cibles (Targets)  2021 <ul> <li><a href="https://pierreyvesclouin.fr/items/show/1258">34ème Instants Vidéo - Rencontres Internationales, La Friche Belle de Mai, </a> Marseille, France</li> <li><a href="https://pierreyvesclouin.fr/items/show/1251">Rencontre Internacional de Cineastas 2021 à El Expendio ,</a> Monterrey, Nuevo Leon, Mexique</li> <li><a href="https://pierreyvesclouin.fr/items/show/1241">13ème édition des Rencontres Internationales Sciences et Cinémas (RISC)</a> , Marseille, France</li> <li><a href="https://pierreyvesclouin.fr/items/show/1229">Rencontres Internacional de Cineastas 2021, Esto Es Para Esto,</a> Monterrey, Nuevo Leon, Mexique</li> </ul> 2020 <ul> <li><a href="https://www.soanywaymagazine.org/issue-seven">Magazine Soanyway (octobre 2020, numéro 7)</a> , Leeds, Royaume-Uni</li> <li><a href="https://pierreyvesclouin.fr/items/show/1222">Festival international du court-métrage « One Shot »</a> , Centre arménien d'art expérimental contemporain/NPAK, Erevan, Arménie</li> <li><a href="https://pierreyvesclouin.fr/items/show/1711">Festival international du court-métrage Alter-Native</a> , Targu Mures, Roumanie</li> <li><a href="https://pierreyvesclouin.fr/items/show/1202">Criblage des grumes de septembre</a> , Édimbourg, Écosse, Royaume-Uni</li> <li><a href="https://pierreyvesclouin.fr/items/show/1213">Les Inattendus</a> , Biennale, Lyon, France</li> <li><a href="https://pierreyvesclouin.fr/items/show/1202">Exposition d'images animées SSA/Cutlog Artist</a> , Royal Scottish Academy, Édimbourg, Écosse, Royaume-Uni</li> </ul> <a href="https://www.soanywaymagazine.org/issue-seven" title="soanyway numéro 7"></a> https://pierreyvesclouin.fr/files/original/ba3703f989546918fea11c1a7f4caa3d.mov d518f1d41a0e4c8efdda0134c5d1b9a5 Omeka Video File The metadata element set that was included in the `files_videos` table in previous versions of Omeka. These elements are common to all video files. Bitrate 199104 Codec H.264 Duration 305 Height 240 Width 320 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Films (1995 - ) Description An account of the resource Pierre Yves Clouin has been working exclusively in film since 1995 Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data dv Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 00:05:04 Director Name (or names) of the person who produced the video. Pierre Yves Clouin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource à bicyclette Date A point or period of time associated with an event in the lifecycle of the resource 2005-08-26 Rights Information about rights held in and over the resource © Pierre Yves Clouin Type The nature or genre of the resource MovingImage Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Paris Description An account of the resource <img title="BleuParis" src="https://pierreyvesclouin.fr/files/original/8928bbd8a619d50b9a7393f31c38a914.jpeg" alt="" width="400px" /> you can see the movie at the bottom of the page garden green Paris sleeper sun tree Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Films (1995 - ) Description An account of the resource Pierre Yves Clouin has been working exclusively in film since 1995 Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5K Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 00:02:09 Director Name (or names) of the person who produced the video. Pierre Yves Clouin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aller et venir Description An account of the resource <a href="https://dai.ly/k61QZ79kwEFiUFyVwAj"><img title="aller et venir" src="https://pierreyvesclouin.fr/files/original/0b9c3d3b177ca2709b6137a00333b163.jpeg" alt="" width="400px" /></a>cliquez <a href="https://dai.ly/k61QZ79kwEFiUFyVwAj">ici</a> ou sur la <a href="https://dai.ly/k61QZ79kwEFiUFyVwAj">photo</a> pour voir le film click <a href="https://dai.ly/k61QZ79kwEFiUFyVwAj">here</a> or on the <a href="https://dai.ly/k61QZ79kwEFiUFyVwAj">photo</a> to see the film Date A point or period of time associated with an event in the lifecycle of the resource 2021 https://pierreyvesclouin.fr/files/original/91805e54a1b96f611a2cb5010f95158b.jpeg ba06b5ede0669270ec551607aade642c https://pierreyvesclouin.fr/files/original/ed11210f1ae7e2ead52d0f33e362dce6.jpeg 3cafa605fd01f2fb27f62096aac1fa57 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 2024-11-1 2024-11-3 2024-12-6 2024-12-7 Event Type festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Assis (Seated) selected by Light Matter Film Festival, Alfred Description An account of the resource <img title="FDCDDP" src="https://pierreyvesclouin.fr/files/original/83776a4dc40a89b20045cc627799926c.webp " alt="" width="400px" /> Assis (Seated) selected by <a href="https://www.lightmatterfilmfestival.com/">Light Matter Film Festival (Experimental Film & Media Art)</a>, Holmes Auditorium, Alfred, NY, USA / Buenos Aires, Argentina Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Alfred Buenos Aires Relation A related resource <a href="https://pierreyvesclouin.fr/items/show/1495">Assis (Seated)</a> https://pierreyvesclouin.fr/files/original/00b806e957c958209006d8500869135a.pdf a807c1bd0f07d38c36a9b5ce62d2f511 https://pierreyvesclouin.fr/files/original/d4fb92001528366ff5c6cddc880dc943.jpeg 4129be626653304935dab5766965ecca https://pierreyvesclouin.fr/files/original/977e8ff34ab31fe387869e1cb991274b.jpeg 2f080c9a090f4b1c3fd40743f66c1c33 https://pierreyvesclouin.fr/files/original/f6e09b0a91880ae2658f51ccc3d6b7c4.jpeg e7b4b1d8b233fc53726c6427577206ed https://pierreyvesclouin.fr/files/original/8fb10013aa1e1b57b1592112b34e04b8.jpeg 41cd06be8a7979e8886d4ff179baa59e https://pierreyvesclouin.fr/files/original/8854cbc5f2610219b688e1a3b1ebff37.jpeg b4d6a06942accdc207eb994f8fc5041b https://pierreyvesclouin.fr/files/original/0a59d197a1f3107efed646ed0b64ea04.jpeg 0198e1377e7e53620213bfa922ff74f2 https://pierreyvesclouin.fr/files/original/7dbcc7e99d39f66b0c7e347590052f41.pdf e57447f192a5b1945c98fd8d1d97873b https://pierreyvesclouin.fr/files/original/cec21dabf40ab438776609a887f50870.jpeg 467b1dc66b86611810090386d326d968 Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 2023-07-29 Event Type exhibition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Assis (Seated) selected in moving images are still images, Los Angeles Description An account of the resource <img title="NewartFondation2023" src="https://pierreyvesclouin.fr/files/original/856af99fe99dbed882f1d84cec6a69ad.jpeg" alt="" width="400px" /> <a href="https://pierreyvesclouin.fr/items/show/1495">Assis (Seated)</a> selected in "moving images are still images", curated by Greg Jenkins Saturday, July 29 Heavy Manners Library Produced by <a href="https://www.new-arts.us/miasi">The New Arts Foundation</a> Part of the Gallery Association of Los Angeles' LA Art Week Los Angeles, CA, USA "Pierre Yves Clouin's films are delicate, patient, and private. He finds frames that withhold everything that is. An imagination activation." - Greg Jenkins, The New Arts Foundation "Les films de Pierre Yves Clouin sont délicats, patients et privés. Il trouve des cadres qui retiennent tout ce qui est. Une activation de l’imagination." - Greg Jenkins, The New Arts Foundation <div> "and so, now, in 2023, there's a feeling that we’re actually in the constant present. We'd be closer only if it were literally us, ourselves, in the content we consume (and, in the algorithmic sense, increasingly: It is). (Note: there's a difference between living « in the constant present" and something like being "in the moment." When you're in the moment, you're here- the senses are on, time expands. When you're in the constant present, though, you're just not there. Time collapses.) The constant present is bolstered by things like daily tedium, hyper-specialization, professionalization of play, predictive models, predatory advertising, "superior orders," institutional deference, and bureaucratic dogma. No matter how we feel about these things, we can't really resist them. That's history. Even if we could, we're greatly outpaced: today's resistance is tomorrow's data. Really what we're after, then, is a fissure. A way to evade the constant present. A way to turn things on. In moving images are still images, the artists find that fissure with active and intentional absence. In fact, many of them physically construct absence - or at least the conditions that produce it - to open channels for poetry, romance,surprise, and critique… all whose salience has been eroded by the irresistibility fothe constant present. Quickly and incompletely: there is precedent for this type of work... work that engages absence as a concept. We've seen it in Art with David Hammons, Lee Lozano, Bas Jan Ader, and Tehching Hseih; and in Film with Apichatpong Weerasethakul, Chantal Akerman, TsaI Ming-Liang, and Pedro Costa. There are more, of course. These names are familiar, and they are old. They also take a markedly different tack than some artists today who can be seen making a re-turn toward absence. What distinguishes the two approaches to absence is naturalism. Though there are certainly exceptions, artists like Hammons, Lozano, and Costa trade in an absence that tells us, "something happened here, it just didn't happen now" or "something happened here, you just can't see what it is." In other words, naturally, once something's over (or withheld) it’s absent. This is a staid and real absence, documentary-like in its presentation (see the realism of Hammons Bliz-aard Ball Sale documentation... Akerman's fixed frame in Jeanne Dielman...). Almost always, these works occur in the "natural world." They are typified by being Serious, structurally sound, conceptually precise, formal artworks. In cinema, one aim of this type of work is to achieve some sort of transcendence. Paul Schrader wrotea whole book on it in 1972. More recently, Weerasethakul argued - albeit aspirationally - in favor of a cinema of nothing: no plot, no movement, no cuts... making cinema "closerto real life, in real time... [with] no fillers nor destination. » So, that's the aim of their absence. For the sake of this essay, we can call ti "Old Absence." Old Absence wants the natural nothing, undisturbed by our presence. There is a "New Absence" though, and it builds off the Old. Or, in fact, it builds in the wake of the Old. And this absence wants something. Imagine a car speeding along a dusty road. Hollywood would make a movie about that car. Old Absence would make a movie about the dust that car left behind - slow, patient, formal. New Absence would do it a bit differently, though. New Absence would wait and, then, when the time is right, jump into the dust, playing and creating with it. In that way - using the world as a sort of readymade- New Absence tells us "something happened here, andit's actually still happening, and if you look at it juuuuust right, you can see it right here... and here... and right there... oh, and over there, too." Just like that, our imaginations make time a bit more elastic, a bit less constant present. Each film in moving images are still images has elements of New Absence in it. Some engage with absence through a sort of reanimated inanimacy (Silvester's You Won't Ever Get Me On That Plane); some activate absence by physically, virtually, or sonically building worlds within our natural world (Meyer’s Scenic Jogging, Goldner’s Swimming Lesson, Harper’s DOGS pt. 1 Otradek), or even by scavenging ournatural world (Zhao's Om); and others completely manufacture spaces absent of almost all natural referents (Shavers' Summerscents, Wilcox's Nobody Wants to Fix Things Anymore, Finkelstein's A Collection of Eccentricities). No matter, each filmmaker takes a step into the absence to play, to imagine, to explore. Ultimately, it connects. And it's a tragic impulse right from the start. In creating with/in absence, the maker tacitly acknowledges to themselves and to the audience that they are, in fact, in nothing. The jump, then, to create with that nothing is a gesture of optimism and hope, but also one that's prone to fail, pronet o futility. What else can be done with nothing, especially when it's all gone? Much of that play, too, is "Unnatural » - it involves projections, manmade objects, artificial intelligence, mannequins, and ghosts. This "Unnatural" isn't so much uncanny as it is simply removed from the Natural. And it's not just one step removed either. It's two or even three steps removed from the Platonic ideal, creating at once a hyper-familiarity with and an overwhelming distance from the object we desire. This is the crux of romance, of tragedy, of empathy. It is very affective. These films, and others, are important because they actively build within absence instead of passively observing it. In doing so, they tap into rich wells of sincerity and surprise in places where many other artists see (and regenerate) chaos, pessimism, and plain old "nothing. » moving images are still images is not a catalogue, or even an exemplary sample. There are others doing similar work, and through more mainstream channels. Most notably, Leos Carax's Annette (2021) is shot entirely and apparently on sound stages, and features a marionette doll as the main character. Lowery's A Ghost Story(2017), Anderson's Asteroid City (2023), and Weerasethakul's own Memoria (2021) also come to mind. There are elements from the cinéma du look movement in the' 80s and '90s that mesh well with some of the ideas about New Absence, as does Coppola's One From the Heart (1981). These are al films that linger in the residue of inanimacy, that point to absence through construction. For these works, and many others, and even us: nothing matters. But not in the nihilist sense, and hot even in the observational sense. For us, nothing matters in the positive, affirmative, even desperate sense: "Nothing does matter!" Our entire lives we've been fed fedfed more more more- a surplus of everything- over-booked, overstimmed, overwrought. Nothing matters not because we've never known it, but because we’ve neverhad it to enjoy. The slight shift, then, comes into view: Old Absence (slow cinema) might've let us look at the world, but New Absence lets us live in it.The former created a point in space to notice nothing (we are external, separate... nothing is over there), the latter is an expansion of that point into a three-dimensional playground (we are inside of what isn't there). In Spielberg's Hook, Peter Pan sits with the Lost Boys at a table full of seemingly empty plates, empty bowls, and empty glasses. Tinkerbell tells him to eat, to which Pan says, "Eat what? There's nothing here, Gandhi ate more than this." Everyone seems to see the food- and be eating it - except for Peter. It isn't until he’s challenged by the Lost Boys, and flicks a spoonful of nothing at Rufio, that Peter can see the colorful feast in front of him. "You're doing it," onekid says to him. "Doing what?" asks Peter.Another boyreplies: « Using your imagination…" Maybe this is the secret ingredient that's laid bare in this pattern of New Absence. Imagination is on display. The films explode with it.This is how we evadethe constant present." - Greg Jenkins, The New Arts Foundation </div> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles Relation A related resource <a href="https://pierreyvesclouin.fr/items/show/1495">Assis (Seated)</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Assis (Seated), The Very Big Boy (Le très grand garçon), L'automne (Autumn) and Une femme, (a woman,) selected in 1 Minuto Festival, Sao Paulo Description An account of the resource <img title="1Minuto" src="https://pierreyvesclouin.fr/files/original/e47bc630537081f667a826b194849460.png" alt="" width="400px" /> Assis (Seated), The Very Big Boy (Le très grand garçon), L'automne (Àutumn) and Une femme, (A Woman,) selected in 1 Minuto Festival, Sao Paulo, Brazil Une femme, (A Woman,) featured Date A point or period of time associated with an event in the lifecycle of the resource 01/02-2023 Relation A related resource <a href="https://pierreyvesclouin.fr/items/show/1495">Assis (Seated)</a> <a href="https://pierreyvesclouin.fr/items/show/1510">The Very Big Boy (Le très grand garçon)</a> <a href="https://pierreyvesclouin.fr/items/show/1462">L'Automne (Autumn)</a> <a href="https://pierreyvesclouin.fr/items/show/1138">Une femme, (A Woman,)</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant São Paulo, https://pierreyvesclouin.fr/files/original/b08d4194776169500ac65e46bf674eac.png c1bedac71cba111cae851d81251b5da5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 2024-10-18 Event Type festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Assis (Seated): Honorable Mention, Bordeaux Short Biennale, Bordeaux Description An account of the resource <img title="EstoesParaEsto2024" src="https://pierreyvesclouin.fr/files/original/b2303ee1a24d6909bfe1abd7495b1853.jpeg " alt="" width="400px" /> <a href="https://pierreyvesclouin.fr/items/show/1495">Assis (Seated)</a>: Honorable Mention, <a href="https://www.bordeauxshorts.fr/">Bordeaux Short Biennale</a>, Bordeaux, France Relation A related resource <a href="https://pierreyvesclouin.fr/items/show/1495">Assis (Seated)</a> https://pierreyvesclouin.fr/files/original/a052d2202153812764f06b97174e1657.pdf 56af024df4a63f34e6202e993946a843 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 2023-03-27 Event Type festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Assis (Seated): Nominee for Best Experimental and Best Cinematography, Ultra Short Category, Alternative Film Festival, Toronto Description An account of the resource <img title="BleuParis" src="https://pierreyvesclouin.fr/files/original/4a130237a0407531b289549b070dcb99.png" alt="" width="400px" /> <a href="https://pierreyvesclouin.fr/items/show/1495">Assis (Seated)</a>: <a href="https://www.altff.org/onewebmedia/Ultra%20Short%20AltFF%20Spring%2023.pdf">Nominee for Best Experimental and Best Cinematography, Ultra Short Category, Alternative Film Festival</a>, spring edition, Toronto, Canada Relation A related resource <a href="https://pierreyvesclouin.fr/items/show/1495">Assis (Seated)</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toronto https://pierreyvesclouin.fr/files/original/b8f668c89849939d07a2041f026193ea.jpeg 110baa33737f8ae1685ddb473e67a721 https://pierreyvesclouin.fr/files/original/90d012d2920900034cbbcdedb692b366.jpeg bede25dc4259e31765f8ac8574ef15cb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 2023-03-28 Event Type festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Assis (Seated): Nominee for Best Experimental International (1:00-5:00 Minutes Category), Couch Film Festival, Toronto Description An account of the resource <img title="couchff" src="https://pierreyvesclouin.fr/files/original/7dad4d8742482af9f5038bf1d19578f2.jpg" alt="" width="400px" /> <a href="https://pierreyvesclouin.fr/items/show/1495">Assis (Seated)</a>: Nominee for <a href="http://www.couchfilmfestival.com/">Best Experimental International (1:00-5:00 Minutes Category), Couch Film Festival, Toronto</a> Relation A related resource <a href="https://pierreyvesclouin.fr/items/show/1495">Assis (Seated)</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant toronto https://pierreyvesclouin.fr/files/original/6c778ce24187a087ab1411b65904d3cb.mov a62a9eef9329b76e1f4c5da3b6c345c0 Omeka Video File The metadata element set that was included in the `files_videos` table in previous versions of Omeka. These elements are common to all video files. Bitrate 2761086 Codec H.264 Duration 36 Height 288 Width 352 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Films (1995 - ) Description An account of the resource Pierre Yves Clouin has been working exclusively in film since 1995 Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Iphone cam Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 00:00:37 Director Name (or names) of the person who produced the video. Pierre Yves Clouin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Avion de bord de table (Table Plane) Date A point or period of time associated with an event in the lifecycle of the resource 2013-01-02 Rights Information about rights held in and over the resource © Pierre Yves Clouin Type The nature or genre of the resource MovingImage Description An account of the resource <img title="aviondeBorddeTable" src="https://pierreyvesclouin.fr/files/original/c834d2534478c603b83b5f4e61cee17e.jpeg" alt="" width="400px" /> you can see the movie at the bottom of the page Paris plane studio https://pierreyvesclouin.fr/files/original/9db1576217286a4884e8207ac152fb10.PDF 087af296d9fbd1cc1d0133449dbe7a95 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mailings (1994 - 1998) Description An account of the resource Pierre Yves Clouin & Tony Frank Paschall worked on mailings sent to a selected list of art critics and artists around the world (1994-1998). 1. "Il ne vous le fait pas dire" (1995, tiré à 200 ex) référence à une une installation photo sur les vitres de l'atelier 19, 19 allée Marc chagall 75013 Paris, visible depuis le jardin Joan Miro, en face 2. "faites comme chez vous" (1995, tiré à 150 ex) cassette pour répondeur téléphonique sur laquelle est enregistré notre message (de Tony Paschall et Pierre Yves Clouin) à installer sur son propre répondeur 3. gant en latex(1995, tiré à 150 ex) 4. entendre (1996, tiré à 150 ex) 5. ça (1996, tiré à 150 ex) 6. Carte de membre (d'après le dessin de Leonard de Vinci d'un anus) (1997, tiré à 200 ex) 7. If you use ecstazy (1996, tiré à 150 ex) 8. In memoriam (1996, tiré à 200 ex) lettre relative à la chapelle Ste Rita de Fontenay aux roses 9. Bien rentrée (1996, tiré à 1500 ex) 10. Party Wear (1996, tiré à 250 ex) 11. Leur planche à repasser (1997, tiré à 250 ex) 12. et demain est un autre jour (cassette vhs PAL tiré à 150 ex) 13. Fist le décor (1997, tiré à 250 ex) 14. NUL (1997, tiré à 250 ex) 15. commande public (1997, tiré à 250 ex) 16. pensez à un chiffre... (1997, tiré illimité) 17. calendrier 1998 (1997, tiré à 200 ex) Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 14,1 x 10,5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bien rentrée Description An account of the resource <img src="http://pierreyvesclouin.fr/files/original/965e50b70fadd28da609d118043f20af.jpg" alt="" width="400px" /> Bien rentrée (1996, tiré à 1500 ex) Postal Card Date A point or period of time associated with an event in the lifecycle of the resource 1996-11-04 Relation A related resource <a title="poste restante" href="http://pierreyvesclouin.fr/items/show/417" target="_self">poste restante</a> Type The nature or genre of the resource StillImage Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Paris Rights Information about rights held in and over the resource © Pierre Yves Clouin & Tony Frank Paschall Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Films (1995 - ) Description An account of the resource Pierre Yves Clouin has been working exclusively in film since 1995 Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 00:00:25 Director Name (or names) of the person who produced the video. Pierre Yves Clouin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource C dessiné Description An account of the resource <a href="https://dai.ly/k5ArBniBFxJ1fWyV8VH"><img title="BleuParis" src="https://pierreyvesclouin.fr/files/original/f59e598e76015c726685b1c1af8f4c3c.jpeg" alt="" width="400px" /></a> cliquez <a href="https://dai.ly/k5ArBniBFxJ1fWyV8VH">ici </a>ou sur la <a href="https://dai.ly/k5ArBniBFxJ1fWyV8VH">photo</a> pour voir le film click <a href="https://dai.ly/k5ArBniBFxJ1fWyV8VH">here</a> or on the<a href="https://dai.ly/k5ArBniBFxJ1fWyV8VH"> photo</a> to see the film a sheet of paper, a ball of string, tweeting birds papier, fils et gazouillis d’oiseaux exhibitions and screenings of C dessiné 2022: <a href="http://www.festivaldominuto.com.br/en/contents/51078" title="C dessiné at 1 Minuto">1</a><a href="http://www.festivaldominuto.com.br/en/contents/51078" title="C dessiné at 1 Minuto">Minuto SOS Cinemateca</a>, Sao Paulo, Brazil Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Paris Date A point or period of time associated with an event in the lifecycle of the resource 2012 https://pierreyvesclouin.fr/files/original/94c36d5a5cecfb1f0e07318a26bd508e.pdf 84d91d0efee8c98ce8400bf39cdd367f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1997-05-22 to 1997-05-25 Event Type festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource C'est le veau qui bêle and Front Room in Bandits Mages 97 Description An account of the resource <img src="http://pierreyvesclouin.fr/files/original/ef1c718d50f863d7d80eaf427cc8f97e.jpg" alt="" width="400px" /> Relation A related resource <a title="c'est le veau qui bêle" href="http://pierreyvesclouin.fr/items/show/107" target="_self">C'est le veau qui bêle</a> <a title="front room" href="http://pierreyvesclouin.fr/items/show/105" target="_self">Front Room</a> Type The nature or genre of the resource event Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Bourges, FR Festival https://pierreyvesclouin.fr/files/original/c4e980e015a642d82c943a53a1d06e66.pdf 21afbd10c3eacc7f5a91a9946afe797c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1997-11-19 Event Type screening Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource C'est le veau qui bêle and Front Room in Queer discord at Lux Description An account of the resource <img src="http://pierreyvesclouin.fr/files/original/5f09a5522f0209d8dfd460acbdc67373.jpg" alt="" width="400px" /> <a title="C'est le veau qui bêle" href="http://pierreyvesclouin.fr/items/show/107" target="_self">C'est le veau qui bêle</a> and <a title="front room" href="http://pierreyvesclouin.fr/items/show/105" target="_self">Front Room</a> in Queer discord at Lux, London, 1997 Relation A related resource <ul> <li><a title="C'est le veau qui bêle" href="http://pierreyvesclouin.fr/items/show/107" target="_self">C'est le veau qui bêle</a></li> <li><a style="font-style: italic;" title="front room" href="http://pierreyvesclouin.fr/items/show/105" target="_self">Front Room</a></li> </ul> Type The nature or genre of the resource event Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant London Screening https://pierreyvesclouin.fr/files/original/699185da0c7ceb7c8715f69645b082a0.pdf 7e7c27e3f7041c9639c03153bfbc02de https://pierreyvesclouin.fr/files/original/051fbf7b8d52d86314ae83f7890d24c5.pdf 9869031dc51a226dce4e12efc716416c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1998-02-16 Event Type festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource C'est le veau qui bêle and Front Room in Transmediale 98 Description An account of the resource <img src="http://pierreyvesclouin.fr/files/original/34286d6cfd2b1e1c810f559015658e2a.jpg" alt="" width="400px" /> in Bandits Mages program Relation A related resource <ul> <li><a title="C'est le veau qui bêle" href="http://pierreyvesclouin.fr/items/show/107">C'est le veau qui bêle</a></li> <li><a title="Front Room" href="http://pierreyvesclouin.fr/items/show/105" target="_self">Front Room</a></li> </ul> Type The nature or genre of the resource event Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Berlin Festival https://pierreyvesclouin.fr/files/original/b4d4dc5620bee0de0af05384dc6662a4.pdf 570ee47e1fe893f046876a9d8bb5929d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1997-04-10 to 1997-04-19 Event Type festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource C'est le veau qui bêle in Images Festival 97 Description An account of the resource <img src="http://pierreyvesclouin.fr/files/original/174c4145c913977f01299871cd8ef943.jpg" alt="" width="400px" /> Relation A related resource <a title="C'est le veau qui bêle in Images Festival 97" href="http://pierreyvesclouin.fr/items/show/107" target="_self">C'est le veau qui bêle</a> Type The nature or genre of the resource event Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toronto Festival https://pierreyvesclouin.fr/files/original/10d914cb132d1bd2d8252ef57889bfa5.pdf fef5488d2cc939c7042bad5137ff0424 https://pierreyvesclouin.fr/files/original/c84c682dd8b73a46f0a451f50dcae59f.pdf 8449486e623a39f76824b81313611c2e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1998-09-08 to 1998-10-04 Event Type biennale Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource C'est le veau qui bêle in LA Freewaves 98 Description An account of the resource <img src="http://pierreyvesclouin.fr/files/original/dd5f7401c8c4eb70f41100930180218f.jpg" alt="" width="400px" /> Relation A related resource <a title="C'est le veau qui bêle" href="http://pierreyvesclouin.fr/items/show/107" target="_self">C'est le veau qui bêle</a> Type The nature or genre of the resource event Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles biennal https://pierreyvesclouin.fr/files/original/01cb0b3044ebd2a859811df060492f62.pdf 18d3c36c9dd567f6be9ccbd9fb8886df Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 97-04-02 to 1997-10-26 Event Type festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource C'est le veau qui bêle in New Arts Program 97 Description An account of the resource <img src="http://pierreyvesclouin.fr/files/original/6d970a16e4c9c64948917da745770a3a.jpg" alt="" width="400px" /> screening Locations: <ul> <li>- Philadelphia - Museum of American Art, April 2, 16, 23, 30</li> <li>- Norman, Oklahoma - Fred Jones Art Center, B17, April 14 and 21</li> <li>- New York City -  TZ'Art & co, June 20th to July 19th</li> <li>- Reading, PA -  Freedman Gallery at Albright College, September 9th to October 12th</li> <li>- Easton, PA - Art Gallery at Lafayette College, October 6 through October 26th</li> </ul> Relation A related resource <a title="c'est le veau qui bêle" href="http://pierreyvesclouin.fr/items/show/103" target="_self">C'est le veau qui bêle</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Philadelphia, Norman, OK, New York City, Reading, PA, Easton, PA Festival https://pierreyvesclouin.fr/files/original/a99a3d7599773d16884fe2d49cb3203c.pdf 5b258e3351d06ae8c0322de15cea38c3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1997-01-09 to 1997-01-12 Event Type festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource C'est le veau qui bêle in Stuttgarter Filmwinter 97 Description An account of the resource <img src="http://pierreyvesclouin.fr/files/original/0ccd296196e19ca0c17b29428cdc45e8.jpg" alt="" width="400px" /> Date A point or period of time associated with an event in the lifecycle of the resource 1997-01-09 to 1997-01-12 Relation A related resource <a title="C'est le veau qui bêle " href="http://pierreyvesclouin.fr/items/show/107" target="_self">C'est le veau qui bêle</a> Type The nature or genre of the resource event Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Stuttgart Festival