17 20 831 https://pierreyvesclouin.fr/files/original/24732008bc693af7470eb6ac6d432184.mov 3482143048bb9e0bdc95374ec40cd84a Omeka Video File The metadata element set that was included in the `files_videos` table in previous versions of Omeka. These elements are common to all video files. Bitrate 3991142 Codec H.264 Duration 62 Height 288 Width 352 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mailings (1994 - 1998) Description An account of the resource Pierre Yves Clouin & Tony Frank Paschall worked on mailings sent to a selected list of art critics and artists around the world (1994-1998). 1. "Il ne vous le fait pas dire" (1995, tiré à 200 ex) référence à une une installation photo sur les vitres de l'atelier 19, 19 allée Marc chagall 75013 Paris, visible depuis le jardin Joan Miro, en face 2. "faites comme chez vous" (1995, tiré à 150 ex) cassette pour répondeur téléphonique sur laquelle est enregistré notre message (de Tony Paschall et Pierre Yves Clouin) à installer sur son propre répondeur 3. gant en latex(1995, tiré à 150 ex) 4. entendre (1996, tiré à 150 ex) 5. ça (1996, tiré à 150 ex) 6. Carte de membre (d'après le dessin de Leonard de Vinci d'un anus) (1997, tiré à 200 ex) 7. If you use ecstazy (1996, tiré à 150 ex) 8. In memoriam (1996, tiré à 200 ex) lettre relative à la chapelle Ste Rita de Fontenay aux roses 9. Bien rentrée (1996, tiré à 1500 ex) 10. Party Wear (1996, tiré à 250 ex) 11. Leur planche à repasser (1997, tiré à 250 ex) 12. et demain est un autre jour (cassette vhs PAL tiré à 150 ex) 13. Fist le décor (1997, tiré à 250 ex) 14. NUL (1997, tiré à 250 ex) 15. commande public (1997, tiré à 250 ex) 16. pensez à un chiffre... (1997, tiré illimité) 17. calendrier 1998 (1997, tiré à 200 ex) Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data vhs cassette Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource et demain est un autre jour Description An account of the resource <img src="http://pierreyvesclouin.fr/files/original/4f1bc68e88fd4786b6d938038ae2f59f.jpg" alt="" width="400px" /> et demain est un autre jour (cassette vhs PAL tiré à 150 ex) (and tomorow is an other day) Date A point or period of time associated with an event in the lifecycle of the resource 1997-03-07 Type The nature or genre of the resource PhysicalObject Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Paris Rights Information about rights held in and over the resource © Pierre Yves Clouin & Tony Frank Paschall https://pierreyvesclouin.fr/files/original/941e881f11a0ae5114d6bf029853b7b3.pdf c24c4c41aada53270806aac78268c126 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Event Type festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Festival International du Cinéma Francophone en Acadie 2001 Description An account of the resource <img src="http://pierreyvesclouin.fr/files/original/a0dacc311aa2c3c3ebda5956c25e2b98.jpg" alt="" width="400px" /> <a title=""Flying Sculpture"" href="http://pierreyvesclouin.fr/items/show/85" target="_self">"Flying Sculpture"</a> (2000) and <a title=""Built to Survive"" href="http://pierreyvesclouin.fr/items/show/81" target="_self">"Built to Survive"</a> (2001) were screened at the 15th Festival International du Cinéma Francophone en Acadie in Moncton, Canada, September 21-27. Date A point or period of time associated with an event in the lifecycle of the resource 2001-09-21 to 2001-09-27 Relation A related resource <a title=""Flying Sculpture"" href="http://pierreyvesclouin.fr/items/show/85" target="_self">"Flying Sculpture"</a> , <a title=""Built to Survive"" href="http://pierreyvesclouin.fr/items/show/81" target="_self">"Built to Survive"</a> Type The nature or genre of the resource event Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Moncton Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mailings (1994 - 1998) Description An account of the resource Pierre Yves Clouin & Tony Frank Paschall worked on mailings sent to a selected list of art critics and artists around the world (1994-1998). 1. "Il ne vous le fait pas dire" (1995, tiré à 200 ex) référence à une une installation photo sur les vitres de l'atelier 19, 19 allée Marc chagall 75013 Paris, visible depuis le jardin Joan Miro, en face 2. "faites comme chez vous" (1995, tiré à 150 ex) cassette pour répondeur téléphonique sur laquelle est enregistré notre message (de Tony Paschall et Pierre Yves Clouin) à installer sur son propre répondeur 3. gant en latex(1995, tiré à 150 ex) 4. entendre (1996, tiré à 150 ex) 5. ça (1996, tiré à 150 ex) 6. Carte de membre (d'après le dessin de Leonard de Vinci d'un anus) (1997, tiré à 200 ex) 7. If you use ecstazy (1996, tiré à 150 ex) 8. In memoriam (1996, tiré à 200 ex) lettre relative à la chapelle Ste Rita de Fontenay aux roses 9. Bien rentrée (1996, tiré à 1500 ex) 10. Party Wear (1996, tiré à 250 ex) 11. Leur planche à repasser (1997, tiré à 250 ex) 12. et demain est un autre jour (cassette vhs PAL tiré à 150 ex) 13. Fist le décor (1997, tiré à 250 ex) 14. NUL (1997, tiré à 250 ex) 15. commande public (1997, tiré à 250 ex) 16. pensez à un chiffre... (1997, tiré illimité) 17. calendrier 1998 (1997, tiré à 200 ex) Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 29 x 21 cm Physical Dimensions The actual physical size of the original image. 29 x 21 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fist le décor Description An account of the resource <img src="http://pierreyvesclouin.fr/files/original/74f470edfdca85179665c26a8f7ade26.jpg" alt="" width="400px" /> Fist le décor (1997, tiré à 250 ex) Date A point or period of time associated with an event in the lifecycle of the resource 1997-07-07 Relation A related resource <a title="poste restante" href="http://pierreyvesclouin.fr/items/show/417" target="_self">poste restante</a> Type The nature or genre of the resource StillImage Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Paris Rights Information about rights held in and over the resource © Pierre Yves Clouin & Tony Frank Paschall https://pierreyvesclouin.fr/files/original/8ee476bb8bb11a4c5e1eac9e1d8be107.pdf efff44bd5a0121e80965238f82dd5822 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 2000-06-16 Event Type screening Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource forcément contemporain 2000 Description An account of the resource <a title="front room" href="http://pierreyvesclouin.fr/items/show/105" target="_self">Front Room</a>, <a title="Workman" href="http://pierreyvesclouin.fr/items/show/99" target="_self">Workman</a>, <a title="Kangaroo" href="http://pierreyvesclouin.fr/items/show/96" target="_self">Kangaroo</a>, <a title="pneumatic flight" href="http://pierreyvesclouin.fr/items/show/92" target="_self">Pneumatic Flight</a>, <a title="Diana Texas" href="http://pierreyvesclouin.fr/items/show/90" target="_self">Diana Texas</a>, Pinch & Push, <a title="Insert" href="http://pierreyvesclouin.fr/items/show/87" target="_self">Insert</a> in a screening organized by videoformes with works by Reynald Drouhin at Chapelle des Cordeliers, Clermont Ferrand Forcement contemporain three days of contemporary music Co-produced by the Comédie de Clermont-Ferrand & the Ensemble InterContemporain Clermont-Ferrand, France Original music composed for works by video artists Pierre-Yves Clouin and Reynald Drouhin. With guitar improvisation by Patrick Brun of "Musiques à voir." June 16, Chapelle des Cordeliers, 7:30 pm Relation A related resource <ul> <li><a title="front room" href="http://pierreyvesclouin.fr/items/show/105" target="_self">Front Room</a></li> <li> <a title="Workman" href="http://pierreyvesclouin.fr/items/show/99" target="_self">Workman</a></li> <li> <a title="Kangaroo" href="http://pierreyvesclouin.fr/items/show/96" target="_self">Kangaroo</a></li> <li> <a title="pneumatic flight" href="http://pierreyvesclouin.fr/items/show/92" target="_self">Pneumatic Flight</a></li> <li> <a title="Diana Texas" href="http://pierreyvesclouin.fr/items/show/90" target="_self">Diana Texas</a></li> <li>  <a title="Insert" href="http://pierreyvesclouin.fr/items/show/87" target="_self">Insert</a></li> </ul> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clermont Ferrand Screening https://pierreyvesclouin.fr/files/original/4d641d4b70014b19e6b031085dd0d42d.mov bc315e80c14ab13c8a43cb55380acc8b Omeka Video File The metadata element set that was included in the `files_videos` table in previous versions of Omeka. These elements are common to all video files. Bitrate 185034 Codec H.264 Duration 79 Height 240 Width 320 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Films (1995 - ) Description An account of the resource Pierre Yves Clouin has been working exclusively in film since 1995 Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data dv Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 00:01:20 Director Name (or names) of the person who produced the video. Pierre Yves Clouin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource fumée Description An account of the resource <iframe width="420" height="315" src="//www.youtube.com/embed/fN45Gks9z2Q" frameborder="0"></iframe> extract from <a title="crossing" href="http://pierreyvesclouin.fr/items/show/35" target="_self">crossing</a> exhibitions and screenings of ” fumée”: 2010 <a title="Extraordinary Men" href="http://pierreyvesclouin.fr/items/show/12" target="_self">. “Extraordinary Men” </a>program curated by Stefan St Laurent, <a title="http://www.galeriesawgallery.com/admin/uploads/files/Art_Star_4.pdf" href="http://www.galeriesawgallery.com/admin/uploads/files/Art_Star_4.pdf">Art Star video Biennal</a>, Galerie Saw Gallery, Ottawa, On, Canada 2009 <a title="Bref" href="http://www.brefmagazine.com/pages/lpl.php?id_film=14" target="_self">. “Bref”</a> short film magazine on ligne . apexart program, Pocket Film festival, Forum des Images, Paris, France <a title="apexart" href="http://www.apexart.org/events/phone_screening.htm" target="_self">. apexart public program</a>, apexart, NYC, New York, USA <a href="https://pierreyvesclouin.fr/items/show/12">Extra Ordinary Men</a> Pierre Yves Clouin est un vidéaste excentrique et curieux, et probablement le premier vidéaste avec lequel j’ai travaillé, autour de 1995. Je l’ai rencontré pour la première fois en personne à Paris, sa ville, il y a une dizaine d’années, alors que j’effectuais des recherches à titre de commissaire; il m’a montré un aspect de la ville que peu de jeunes commissaires ont la chance de voir et d’expérimenter. J’y ai été confronté à plein de nouvelles idées et je me suis posé des questions sur mon compte. Son travail m’a éclairé comme je n’avais jamais imaginé que des videos lo-fi, à petit budget, pouvaient le faire.  Clouin vivait en périphérie de Paris dans une cité conçue par Le Corbusier et habitée par des artistes. Nous nous y sommes rendus à pied; c’était assez loin, à partir du Marais jusqu’à la Seine du côté de la bibliothèque Mitterrand, et nous nous sommes arrêtés dans une zone de drague gaie tellement extravagante que Paris a commencé à me sembler irréelle, comme dans un film. Si vous demandiez à des cinéastes hétéros d’essayer d’imaginer à quoi ressemblerait une scène de drague gaie, probablement qu’ils en arriveraient exactement à ce que j’ai vu. Cette réalité était exagérée: j’ai compris sur le champ que je me trouvais, en fait dans cet espace extrêmement chargé et sexualisé qui, depuis toujours, fascine Clouin. Nous avons traversé un passage souterrain qui est vite devenu très sombre, même si nous étions au beau milieu du jour. On pouvait voir des figures en mouvement, des silhouettes qui se profilaient devant la petite entrée à l’autre bout d’où émanait un peu de lumière. Je lui ai dit que j’avais peur, et il a ri. En connaissance de cause, il m’a dit: « Attends de voir l’autre côté.» Là, des hommes, soi-disant vêtus comme des ouvriers de la construction, étaient assis à califourchon sur des machines gigantesques, les scrotums sortant de leurs jeans par des échancrures comme de la cire fondue, et ils s’adonnaient frénétiquement à des activités sexuelles orales et anales. Dans plusieurs de ses dernières  œuvres, Clouin explore cet espace précaire où cohabitent public et privé.  Je me suis confronté à une pruderie à l’intérieur de moi même dont j’ignorais l’existence. Pendant des années, j’avais pensé m’être affranchi tout simplement en proclamant «je suis gai »; je ne savais pas alors à quel point la vision que j’avais de ma propre sexualité était expurgée et passait par un filtre hétérosexuel et culturel. L’actrice rebelle Marlène Dietrich affirmait : «Le sexe. En amérique, une obsession. Dans d’autres parties du monde, un fait.» On ne peut s’empêcher de penser qu’elle évoquait Paris, où elle a passé les dernières années de sa vie. Empreinte de sexualité et d’humour, l’œuvre de Clouin nous montre une facette de la vie gaie qui, sans être nécessairement flatteuse est touchante et qui, tout en étant crue, est spectaculairement sublime.  Examiner la teneur philosophique des travaux de Clouin sans renvoyer à Michel Foucault équivaudrait à occulter le cœur même de sa pratique. Le corpus de ses vidéos est constitué de moments vécus ou documents intimes d’un être en relation avec d’autres, captés par le petit œil de sa caméra portable. En 1982, Foucault aurait pu parler du travail de Clouin lorsqu’il déclarait en entrevue: « La sexualité fait partie de nos comportements. elle fait partie de notre liberté mondiale. La sexualité est quelque chose que nous inventons nous-mêmes. Elle est notre propre création, et elle est beaucoup plus que la découverte d’une face cachée de notre désir. Nous devons comprendre que nos désirs s’accompagnent de nouvelles formes de relation, de nouvelles formes d’amour, de nouvelles formes de création. Le sexe n’est pas une fatalité; c’est un potentiel de vie crétive. Il ne suffit pas d’affirmer que nous sommes gais; nous devons également créer une existence gaie1.» Ethnographie homosexuelle destinée à la consommation populaire, l’œuvre vidéo de Clouin révèle la matière extraordinaire dont est faite la culture gaie contemporaine. Le jeu qui consiste à montrer et à cacher est très significatif, et il me rappelle le paradoxe de la vie gaie: vouloir la visibilité et la liberté, tout en cherchant l’invisibilité par peur de la violence et de l’humiliation. Bien que le voyeur, en général, n’entre pas en contact ou n‘échange pas directement avec le sujet de son observation, plusieurs critiques et programmeurs réfèrent souvent au côté voyeur du travail de Clouin.  J’établirais plutôt des parallèles avec la photographie secrète, apparue à la fin du XIXe siècle avec l’avènement de l’appareil photo d’espion et depuis popularisée grâce à la miniaturisation des dispositifs d’enregistrement d’images. Et bien que la France ait maintenant adopté des lois très strictes interdisant la publication de toute photographie sans le consentement exprès du sujet, Clouin accepte l’illégalité de ce qu’il produit et accomplit dans la sphère publique. Bien sûr, sa démarche n’est pas nouvelle et elle nous rappelle la technique de Paul Strand : « Strand partait pour le district Five Points, le cœur des taudis d’immigrants dans le Lower East Side, avec son appareil photo équipé d’un faux objectif pour détourner l’attention. Strand s’approchait d’un sujet potentiel, faisait un tour de 90 degrés sur lui-même et pointait le faux objectif dans cette direction. Le vrai objectif, situé au bout d’un soufflet, émergeait de son aisselle et visait le sujet désiré2.» Clouin nous fait voir son monde sous un jour remarquable de réalité et de proximité, comblant ainsi la séparation entre écran et spectateur. Nous regardons en quelque sorte à travers l’objectif de sa caméra, comme si celle-ci était entre nos propres mains. Même lorsqu’il la retourne vers lui-même, dans le cadre intime de son studio, nous avons encore l’impression de manipuler la caméra, découvrant son corps gai, étrange et ce sans la sensation désagréable de fouiner dans sa vie privée. Parfois narrées, les œuvres prennent alors le ton d’un journal intime tout en ayant une échelle cartographique: nous vivons ces moments en compagnie de Clouin, au fil de ses errances dans les rues de Paris et du monde, jamais tout à fait flâneur, jamais tout à fait voyeur. Sura Wood, journaliste à Hollywood, dit de son travail qu’il « (séduit) le public avec ses gros plans intimes de courbes et d’orifices de son propre corps bien modelé. Au moment où l’on pense reconnaître ce qui apparaît à l’écran, le corps se déplie et on réalise avoir été excité par le creux d’une épaule ou un lobe d’oreille particulierement sexy3». avec une économie de moyens, Clouin est capable de se montrer, de montrer son corps et ceux d’autres hommes sous un éclairage extraordinaire.  La mise en lumière de la vie homosexuelle ordinaire et d’une masculinité tangible est un antidote nécessaire aux images stéréotypées, exagérées, d’homosexuels que véhiculent constamment les médias. Clouin offre des images de la sexualité masculine gaie crûment honnêtes et qui baignent dans une lumière régénératrice et libératrice. Je remercie Pierre Yves Clouin de m’avoir montré que mon identité est résolument gaie et que ma vie, dans tout ce qu’elle a d’ordinaire, demeure toujours fascinante. Stefan St-Laurent, commissaire Traduit de l’anglais par Colette Tougas Notes <ol class="ol1"> <li class="li1">Bob Gallager et Alexander Wilson, « Michel Foucault. An Interview: Sex, Power and the Politics of Identity», Advocate (7 août 1984).(Notre traduction.)</li> <li class="li1">Department of Photographs, «Paul Strand (1890 - 1976) «, Heilbrunn Timeline of Art History, New York, The Metropolitan Museum of Art, 2000-, <a href="http://metmuseum.org/toah/hd/pstd/hd_pstd.htm">http://metmuseum.org/toah/hd/pstd/hd_pstd.htm</a> (visité le 20 octobre 2010).(Notre traduction.</li> <li class="li1">Sura Wood, «Exploring the Offbeat World of Experimental Film» San Francisco Arts Monthly, avril 2005. (Notre traduction.)</li> </ol>  Artiste multidisciplinaire et commissaire, Stefan St-Laurent est né à Moncton au Nouveau-Brunswick en 1974. Il est détenteur d’un baccalauréat en arts médiatiques de l’université Ryerson de Toronto. Son travail performatif et vidéographique a été présenté dans de nombreuses galeries et institutions muséales au Canada (YYZ - Toronto, La Galerie d’art d’Ottawa, Western Front - Vancouver, Art Gallery of Nova Scotia - Halifax) et en Europe ( Centre national de la photographie de Paris - France, Centre d’art contemporain de Basse-Normandie, Edsvik Konst och Kultr - Suède). En 2008, il était invité de la Biennale d’art perfomatif de Rouyn-Noranda. Il a également été invité comme commissaire du Symposium international d’art contemporain de Baie-Saint-Paul de 2010 et 2011. Il agit présentement à titre de commissaire de la Galerie SAW Gallery d’Ottawa. <a href="https://pierreyvesclouin.fr/items/show/12">Extra Ordinary Men </a> Pierre Yves Clouin is an eccentric and transgressively curious video artist from Paris, and possibly the first video artist I worked with in my life, circa 1995. I met him in person for the first time about a decade ago in his hometown while doing curatorial research, and he showed me a side of this city few budding curators get to see and experience. I was confronted with a slew of new ideas, and even self-questioning. His work iluminated me in ways I didn’t think lo-fi, low budget video could. Clouin lived on the outskirts of Paris in a Le Corbusier - designed artists’ housing project. We walked there, quite far, from the Marais district to the Seine river on the Mitterand library side, stopping at a gay cruising area that was so over-the-top, Paris started to look unreal, like in the movies. If you asked a group of straight filmmakers to try to imagine what a gay cruising scene would look like, they would probably imagine exactly what I saw. It was an exaggerated reality: I realized right then and there that I was actually in that hyper-charged, sexualized space Clouin has been eternally fascinated with. In broad daylight, we walked through an underpass that became extremely dark. Moving figures could be seen briefly as silhouettes from the small door at the other end which emitted a little bit of light. I told him I was scared, and he just laughed. He knowingly said to me, «Wait until you see the other side.» There, men theoretically dressed as construction workers sat spread-eagle on colossal machines, scrotums oozing out of jeans holes like melting candles, with everyone eventually engaging in frenetic outdoor oral and anal sex. Many of Clouin’s later works indulge in this tenuous space where the public and the private cohabit. I was confronted with a prudeness inside me I didn’t know was there. For years, I thought I had gained my freedom by only having pronounced the words «I’m gay,» obivious back then to how heterosexualized or culturally sanitized my view was of my own sexuality. Renegade actor Marlene Dietrich proclaimed, «Sex. In America an obsession. In other parts of the world a fact», and one can’t help but imagine she was speaking latterly of Paris, where she spent the final years of her life. Drenched in sexuality and humour, Clouin œuvre shows us a facet of queer life that may be unflattering but still endearing, raw but spectacularly sublime. Examining Clouin’s philosophical side without referencing Michel Foucault would overlook what is at the heart of his practice. The corpus of his video are lived moments, or intimate recordings of the self in relation with others, captured by the tiny eye of a hand-held video camera. In a interview in 1982, Foucault could have been speaking of Clouin’s work: «Sexuality is a part of our behaviour. It’s part of our world freedom. Sexuality is something that we ourselves create. It is our own creation, and much more than the dicovery of a secret side of our desire. We have to understand that with our desires go new forms of relationships, new forms of love, new forms of creation. Sex is not a fatality; it’s a possibility for creative life. It’s not enough to affirm that we are gay but we also create a gay life.» A queer ethnography for popular consumption, his video work reveals the extraordinary and ordinary stuff found in contemporary queer culture. The game of hiding and revealing is quite significant, and reminds me of the paradox of gay life: seeking visibility and freedom all the while seeking invisibility for fear of violence and humiliation. While a voyeur does not typically relate or directly exchange with the subject he or she is observing, many critics and programmers refer often to the voyeuristic nature of Clouin’s work. I would rather make comparisons with secret photography, introduced in the late 1800s with the advent of spy cameras and popularized ever since by miniaturization of image-recording devices. And although France has now adopted quite strict laws prohibiting the publication of any photograph of a person without their express consent, Clouin embraces the lawlessness of what he is making and doing in the public sphere. His approach is certainly not new, and reminds us of Paul Strand’s technique: «Strand set out for Five Points, the heart of the immigrant slums on the Lower East Side, with his camera rigged with a false lens to distract attention. Approaching a potential subject, Strand turned ninety degrees away and aimed the false lens in the direction he was facing. The real lens, on an extended bellows, stuck out under his arm toward the person.»2 Clouin shows us his world with spectacular realness and proximity, closing the divide between screen and viewer. We are somewhat looking through Clouin’s camera lens, as if we were holding the camera ourselves. Even when he turns the camera onto himself, in the intimate setting of the studio, we feel like we are manipulating the camera once again, discovering his strange, queer body without that nagging feeling of snooping into his private life. Sometimes narrated, the works become diaristic in tone, and cartographic in scale - we are living the moments with Clouin, as he wanders the streets of Paris and the world, never quite flâneur, never quite a voyeur. Holywood reporter Sura Wood states that his work «(seduces) audiences with intimate close-ups of curves and orifices on his own well-sculpted body. Just when you think you recognize what’s on-screen, the body unfolds and you realize you just got turned on by shoulder cleavage or by a particularly sexy earlobe.»3 With an economy of means, Clouin is able to show himself, his body, and the bodies of other men, in an extraordinary light. This illumination of ordinary queer life, of tangible masculinity, is a necessary antidote to the stereotypical, exaggerated images of homosexuals we constantly encounter in the media. He portrays an image of queer male sexuality that is brutally honest, and basked in a light that is regenerating and liberating. I thank Pierre Yves Clouin for showing me that my identity is determinately queer, and that my life, in all its ordinariness, is somehow fascinating still.  - Stefan St-Laurent, Curator Notes <ol class="ol1"> <li class="li1">Bob Gallager et Alexander Wilson, « Michel Foucault. An Interview: Sex, Power and the Politics of Identity», Advocate, August 7, 1984.</li> <li class="li1">Department of Photographs, «Paul Strand (1890 - 1976), « in Heilbrunn Timeline of Art History, New York, The Metropolitan Museum of Art, 2000-, <a href="http://metmuseum.org/toah/hd/pstd/hd_pstd.htm">http://metmuseum.org/toah/hd/pstd/hd_pstd.htm</a> (accessed October 20, 2010)</li> <li class="li1">Sura Wood, «Exploring the Offbeat World of Experimental Film» San Francisco Arts Monthly, April 2005.</li> </ol>  Stefan St-Laurent, a multidisciplinaryartist and curator, was born in Moncton, New Brunswick, in 1974. He holds a Bachelor of Media Arts from Ryerson University in Toronto. His performative and video works have shown extensively in Canada and Europe, including at YYZ in Toronto, the Ottawa Art Gallery in Ottawa, Western Front  in Vancouver, the Art Gallery of Nova Scotia in Halifax, the Centre national de la photographie in Paris and  Edsvik Konst och Kultur in Sweden. In 2008, he was the guest curator of the Biennale d’art perfomatif de Rouyn-Noranda. He was also invited to serve as the guest curator of Baie-Saint-Paul’s International Symposium of Contemporary Art in 2010 and 2011. He is currently Curator of Galerie SAW Gallery in Ottawa. Date A point or period of time associated with an event in the lifecycle of the resource 2008-11-12 Rights Information about rights held in and over the resource © Pierre Yves Clouin Type The nature or genre of the resource MovingImage Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York City, NY cars day New York City People street Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mailings (1994 - 1998) Description An account of the resource Pierre Yves Clouin & Tony Frank Paschall worked on mailings sent to a selected list of art critics and artists around the world (1994-1998). 1. "Il ne vous le fait pas dire" (1995, tiré à 200 ex) référence à une une installation photo sur les vitres de l'atelier 19, 19 allée Marc chagall 75013 Paris, visible depuis le jardin Joan Miro, en face 2. "faites comme chez vous" (1995, tiré à 150 ex) cassette pour répondeur téléphonique sur laquelle est enregistré notre message (de Tony Paschall et Pierre Yves Clouin) à installer sur son propre répondeur 3. gant en latex(1995, tiré à 150 ex) 4. entendre (1996, tiré à 150 ex) 5. ça (1996, tiré à 150 ex) 6. Carte de membre (d'après le dessin de Leonard de Vinci d'un anus) (1997, tiré à 200 ex) 7. If you use ecstazy (1996, tiré à 150 ex) 8. In memoriam (1996, tiré à 200 ex) lettre relative à la chapelle Ste Rita de Fontenay aux roses 9. Bien rentrée (1996, tiré à 1500 ex) 10. Party Wear (1996, tiré à 250 ex) 11. Leur planche à repasser (1997, tiré à 250 ex) 12. et demain est un autre jour (cassette vhs PAL tiré à 150 ex) 13. Fist le décor (1997, tiré à 250 ex) 14. NUL (1997, tiré à 250 ex) 15. commande public (1997, tiré à 250 ex) 16. pensez à un chiffre... (1997, tiré illimité) 17. calendrier 1998 (1997, tiré à 200 ex) Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. "tiré à 150 exemplaires" Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data gant en latex Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource gant en latex Description An account of the resource gant en latex (1995, tiré à 150 ex) Date A point or period of time associated with an event in the lifecycle of the resource 1995-12-07 Relation A related resource <a title="poste restante" href="http://pierreyvesclouin.fr/items/show/417" target="_self">poste restante</a> Format The file format, physical medium, or dimensions of the resource latex Type The nature or genre of the resource PhysicalObject Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Paris Rights Information about rights held in and over the resource © Pierre Yves Clouin & Tony Frank Paschall https://pierreyvesclouin.fr/files/original/3001db67f1ea1bcf1c1e2dff59df08d7.mov a0c622bcac36d0ae24d3b826a4f14518 Omeka Video File The metadata element set that was included in the `files_videos` table in previous versions of Omeka. These elements are common to all video files. Bitrate 3983034 Codec H.264 Duration 26 Height 288 Width 352 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Films (1995 - ) Description An account of the resource Pierre Yves Clouin has been working exclusively in film since 1995 Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Iphone cam Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 00:00:27 Director Name (or names) of the person who produced the video. Pierre Yves Clouin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gisant de taies d'oreillers(Recumbent Effigy of Pillow Cases)   Date A point or period of time associated with an event in the lifecycle of the resource 2013-08-04 Rights Information about rights held in and over the resource © Pierre Yves Clouin Type The nature or genre of the resource MovingImage Description An account of the resource <img title="GisantDeTaies" src="https://pierreyvesclouin.fr/files/original/71edba61ec0ecaedb6b4482bf4919ef2.jpeg" alt="" width="400px" /> you can see the movie at the bottom of the page Paris studio https://pierreyvesclouin.fr/files/original/3de00ec216dbaf7ef6fb59b115667308.mov 4b39f24b0de5b3e3077a755aa4cc3d4b Omeka Video File The metadata element set that was included in the `files_videos` table in previous versions of Omeka. These elements are common to all video files. Bitrate 3724595 Codec H.264 Duration 28 Height 288 Width 352 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Films (1995 - ) Description An account of the resource Pierre Yves Clouin has been working exclusively in film since 1995 Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Iphone cam Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 00:00:28 Director Name (or names) of the person who produced the video. Pierre Yves Clouin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il y a un très petit cochon dans ma poêle à frire (There Is A Tiny Little Pig in My Frying Pan) Date A point or period of time associated with an event in the lifecycle of the resource 2013-09-24 Rights Information about rights held in and over the resource © Pierre Yves Clouin Type The nature or genre of the resource MovingImage Description An account of the resource <img title="IlYAUntrèsPetitcochonDansMaPoeleAFrire" src="https://pierreyvesclouin.fr/files/original/b8446239d35096f02a14e2f43a134cd0.jpeg" alt="" width="400px" /> you can see the movie at the bottom of the page Paris studio https://pierreyvesclouin.fr/files/original/a252720dac53c13f3eaeb607dd4e38df.pdf 0616adc0bad1747401f8dffcce19df58 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Institut français program Hors les murs residency in Montreal, Quebec 2010 Description An account of the resource Pierre Yves Clouin won an Hors les murs <a title="Institut Français" href="http://ifmapp.institutfrancais.com/residences#f2_6247" target="_self">residency in Montreal, Quebec</a>, Canada, in 2010, in the section Film video, Cinema from <a title="Institut français" href="http://ifmapp.institutfrancais.com/residences#f2_6247" target="_self">Institut français</a> for his video project, a film without a scenario; the sequence in which events were filmed would, itself, engender the scenario. <a title="JE SUIS UN INDIEN PONTIAC" href="http://pierreyvesclouin.fr/items/show/26" target="_self">"I'm a Pontiac Indian" (Je suis un indien Pontiac,)</a> was shot in the summer of 2010 during this residency. <a title="Institut français" href="http://ifmapp.institutfrancais.com/residences#f2_6247" target="_self">Institut français</a> is the international cultural exchange agency run by the French Ministry of Foreign Affairs and the Ministry of Culture and Communication. The Hors les murs residency program was, until 2009, known as Villa Médicis Hors les murs. Date A point or period of time associated with an event in the lifecycle of the resource 2010 Relation A related resource <a title="Institut français" href="http://ifmapp.institutfrancais.com/residences#f2_6247" target="_self">Institut français</a> Type The nature or genre of the resource event Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montréal art residency https://pierreyvesclouin.fr/files/original/d8ed5efc05d36eecbe4ab8034cd7c7d0.pdf cd16d25dbd25f5ef416841838bfcfbfe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 2000-11-15 to 2000-11-19 Event Type festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J'ai des bouches partout in MIX NYC 2000 Description An account of the resource <img src="http://pierreyvesclouin.fr/files/original/5816b5628c62b8df1e502e9397d62d45.jpg" alt="" width="400px" /> In the Opening Night program "Rocket Fuel"Screening Wednesday, November 15, 9 pm Courthouse Theater, Anthology Film Archives Relation A related resource <a title="J'AI DES BOUCHES PARTOUT " href="http://pierreyvesclouin.fr/items/show/88" target="_self">I've Got Mouths All Over</a> Type The nature or genre of the resource event Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York City https://pierreyvesclouin.fr/files/original/69b77e91bdbdd9c5b85a37bbe346256d.mov 993c06dcc21cec2687a812b6908e69ba Omeka Video File The metadata element set that was included in the `files_videos` table in previous versions of Omeka. These elements are common to all video files. Bitrate 201546 Codec H.264 Duration 39 Height 240 Width 320 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Films (1995 - ) Description An account of the resource Pierre Yves Clouin has been working exclusively in film since 1995 Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data dv Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 00:00:42 Director Name (or names) of the person who produced the video. Pierre Yves Clouin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J'aime les de chez Date A point or period of time associated with an event in the lifecycle of the resource 2005-12-03 Rights Information about rights held in and over the resource © Pierre Yves Clouin Type The nature or genre of the resource MovingImage Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Paris Description An account of the resource <img title="J'aime les de chez" src="https://pierreyvesclouin.fr/files/original/6788cfa088c202ae91bc126ef11b7243.jpeg" alt="" width="400px" /> you can see the movie at the bottom of the page café Paris https://pierreyvesclouin.fr/files/original/7ec62e59725d4939bf35f239fda7353e.mov d8877608462bd93c8cca12e41b5fd4f3 Omeka Video File The metadata element set that was included in the `files_videos` table in previous versions of Omeka. These elements are common to all video files. Bitrate 628143 Codec H.264 Duration 120 Height 288 Width 352 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Films (1995 - ) Description An account of the resource Pierre Yves Clouin has been working exclusively in film since 1995 Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data dv Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 00:01:58 Director Name (or names) of the person who produced the video. Pierre Yves Clouin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Je suis folle Date A point or period of time associated with an event in the lifecycle of the resource 2005-10-08 Rights Information about rights held in and over the resource © Pierre Yves Clouin Type The nature or genre of the resource MovingImage Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Paris Description An account of the resource <img src="http://pierreyvesclouin.fr/files/original/3446a34ec67708010289de45b5016df4.jpg" alt="" width="400px" /> you can see the movie at the bottom of the page Paris street woman https://pierreyvesclouin.fr/files/original/3835d21dbc9144ca31dcf284f807371d.mov 94e7ca0fda6e15ad99ac58aa0c372bba Omeka Video File The metadata element set that was included in the `files_videos` table in previous versions of Omeka. These elements are common to all video files. Bitrate 182549 Codec H.264 Duration 59 Height 240 Width 320 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Films (1995 - ) Description An account of the resource Pierre Yves Clouin has been working exclusively in film since 1995 Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data dv Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 00:01:00 Director Name (or names) of the person who produced the video. Pierre Yves Clouin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L'internationale Date A point or period of time associated with an event in the lifecycle of the resource 2005-09-09 Rights Information about rights held in and over the resource © Pierre Yves Clouin Type The nature or genre of the resource MovingImage Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Paris Description An account of the resource <img title="L'internationale" src="https://pierreyvesclouin.fr/files/original/c219066e8a1d8b46364f6bc1b3ef0336.jpeg" alt="" width="400px" /> you can see the movie at the bottom of the page duck river water https://pierreyvesclouin.fr/files/original/0c92ce888c1315a8e312d3e8691c5559.mov d28e38e9c64ab97ef14748b34c26b4e9 Omeka Video File The metadata element set that was included in the `files_videos` table in previous versions of Omeka. These elements are common to all video files. Bitrate 193705 Codec H.264 Duration 60 Height 240 Width 320 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Films (1995 - ) Description An account of the resource Pierre Yves Clouin has been working exclusively in film since 1995 Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data dv Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 00:01:00 Director Name (or names) of the person who produced the video. Pierre Yves Clouin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La baignoire Date A point or period of time associated with an event in the lifecycle of the resource 2010-10-15 Rights Information about rights held in and over the resource © Pierre Yves Clouin Type The nature or genre of the resource MovingImage Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montréal Description An account of the resource <img title="La baignoire" src="https://pierreyvesclouin.fr/files/original/a3e02a28db6c8add1cdd885a7829d6bc.jpeg" alt="" width="400px" /> you can see the movie at the bottom of the page extract from <a title=""Je suis un indien Pontiac" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/26" target="_self">Je suis un indien Pontiac</a> bathtub Montréal night People reflection street https://pierreyvesclouin.fr/files/original/96bbcd37e9854d603a6a340d50d75c98.mov 1cfa768d1d3006de21d6d26f9d46b315 Omeka Video File The metadata element set that was included in the `files_videos` table in previous versions of Omeka. These elements are common to all video files. Bitrate 4273239 Codec H.264 Duration 231 Height 288 Width 352 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Films (1995 - ) Description An account of the resource Pierre Yves Clouin has been working exclusively in film since 1995 Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Iphone cam Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 00:03:51 Director Name (or names) of the person who produced the video. Pierre Yves Clouin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Cité interdite (The Forbidden City) Date A point or period of time associated with an event in the lifecycle of the resource 2014-01-07 Rights Information about rights held in and over the resource © Pierre Yves Clouin Type The nature or genre of the resource MovingImage Description An account of the resource <img title="LacitéInterdite" src="https://pierreyvesclouin.fr/files/original/a93d2c3299eab75a05224331a1dd3f1f.jpeg" alt="" width="400px" /> you can see the movie at the bottom of the page fog Paris street Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Films (1995 - ) Description An account of the resource Pierre Yves Clouin has been working exclusively in film since 1995 Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5K Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 00:02:18 Director Name (or names) of the person who produced the video. Pierre Yves Clouin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La fête est finie (The Party's Over) Description An account of the resource <a href="https://dai.ly/x8k1v5y"><img title="TheVerybigboy" src="https://pierreyvesclouin.fr/files/original/2d951644c50adf42db5aba8a8bac173b.jpeg" alt="" width="400px" /></a> cliquez<a href="https://dai.ly/x8k1v5y"> </a><a href="https://dai.ly/x8k1v5y">ici</a><a href="https://dai.ly/x8k1v5y"> </a>ou sur la <a href="https://dai.ly/x8k1v5y">photo</a><a href="https://dai.ly/x8k1v5y"> </a>pour voir le film click<a href="https://dai.ly/x8k1v5y"> here</a> or on the<a href="https://dai.ly/x8k1v5y"> </a><a href="https://dai.ly/x8k1v5y">photo</a> to see the film too late exhibitions and screenings of "La fête est finie ( (The Party's Over)": 2023 <a href="https://pierreyvesclouin.fr/items/show/1613">Triple Axel Competition, </a><a href="https://pierreyvesclouin.fr/items/show/1613">39th Kurzfilm Festival Hamburg</a>, Hamburg, Germany Date A point or period of time associated with an event in the lifecycle of the resource 2023-01-02 Type The nature or genre of the resource Moving Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Paris https://pierreyvesclouin.fr/files/original/3a16d0ef7d24df1675e340b3f19de435.pdf 63f042a612cab27874b74c19d9b809dc https://pierreyvesclouin.fr/files/original/17c734f43096c4e39c5cc1ba3dc3bb1c.jpeg 9c3b844c4af75c4133dc9c6e6e3df4f4 https://pierreyvesclouin.fr/files/original/3586db99d309283c8b98f61f5a061e1e.jpeg 91f2fabe46d46f0bbfcc280007709576 https://pierreyvesclouin.fr/files/original/db47a7a462577ca445ce1bbada6723ac.jpeg 0f9e6d638d092fb26511f4d6ebf2fd6b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 2023-06-06 2023-06-11 Event Type festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La fête est finie (The Party's Over) selected in Triple Axel Competition, 39th Kurzfilm Festival Hamburg Description An account of the resource <img title="HamburgKurz2023" src="https://pierreyvesclouin.fr/files/original/ae8510358466246c6999ab0f6c955128.jpeg" alt="" width="400px" /> <a href="https://pierreyvesclouin.fr/items/show/1611">La fête est finie (The Party's Over)</a> selected in <a la="" f="" te="" est="" finie="" the="" party="" s="" over="" selected="selected" in="" a="" href="https://festival.shortfilm.com/en">Triple Axel Competition, 39th Kurzfilm Festival HamburgTriple Axel Competition, 39th Kurzfilm Festival Hamburg</a>, Hamburg, Germany Screenings: <div class="default-style">Wednesday, 07/06 19:30</div> <div class="default-style">Friday, 09/06 22:15 (Open Air)</div> <div class="default-style">Saturday, 10/06 19:00</div> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Hamburg Relation A related resource <a href="https://pierreyvesclouin.fr/items/show/1611">La fête est finie (The Party's Over)</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paintings (1985 - 1993) Description An account of the resource Pierre Yves Clouin: paintings (1984 -1993) Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data painting Physical Dimensions The actual physical size of the original image. 70 x 50 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource la grotte Description An account of the resource <img src="http://pierreyvesclouin.fr/files/original/281df08e719f64ba04766c464e8b7c20.jpg" alt="" width="400px" /> Oil and oil pastel on canvas, 1987 private collection Date A point or period of time associated with an event in the lifecycle of the resource 1987-3-25 Type The nature or genre of the resource StillImage Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Films (1995 - ) Description An account of the resource Pierre Yves Clouin has been working exclusively in film since 1995 Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data vhs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 00:03:45 Director Name (or names) of the person who produced the video. Pierre Yves Clouin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La mort de Chris Burden (The Death of Chris Burden) Description An account of the resource One day Chris Burden want to see himself in ice exhibitions and screenings of La mort de Chris Burden :  1996 <ul> <li>Edinburgh's 11th Fringe Film and Video Festival, Scotland, UK</li> </ul> Date A point or period of time associated with an event in the lifecycle of the resource 1995-04-14 Type The nature or genre of the resource MovingImage Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Paris Rights Information about rights held in and over the resource © PY Clouin 1995 https://pierreyvesclouin.fr/files/original/8c0e04a50bfd516729b6f22d674bb91a.pdf 700ac29927fb52fc15b8afd84dded2e9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions, screenings, festival selections & documents Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1996-04-16 to 1996-04-21 Event Type festival Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La mort de Chris Burden and C'est le veau qui bêle in Edinburgh's Eleventh Fringe Film and Video Festival Description An account of the resource <img src="http://pierreyvesclouin.fr/files/original/cab1f510dc23774b2cc5b106b32bf295.jpg" alt="" width="400px" /> Relation A related resource <ul> <li><a title="C'est le veau qui bêle" href="http://pierreyvesclouin.fr/items/show/107" target="_self">C'est le veau qui bêle</a></li> <li><a title="la mort de chris burden" href="http://pierreyvesclouin.fr/items/show/587" target="_self">La mort de Chris Burden</a> </li> </ul> Type The nature or genre of the resource event Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edinburgh Festival