18
20
831
-
https://pierreyvesclouin.fr/files/original/a1cbc8111f729a8c7d06e48bb5a792ab.mov
f23c241f9cac15f6e64556c6da03b82a
Omeka Video File
The metadata element set that was included in the `files_videos` table in previous versions of Omeka. These elements are common to all video files.
Bitrate
193627
Codec
H.264
Duration
28
Height
240
Width
320
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Films (1995 - )
Description
An account of the resource
Pierre Yves Clouin has been working exclusively in film since 1995
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
dv
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
00:0029
Director
Name (or names) of the person who produced the video.
Pierre Yves Clouin
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>La robe</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
1999-07-18
Rights
Information about rights held in and over the resource
© Pierre Yves Clouin
Type
The nature or genre of the resource
MovingImage
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Paris
Description
An account of the resource
<img title="LaRobe" src="https://pierreyvesclouin.fr/files/original/3465248e45e4c11447e3e513b7063f89.jpeg" alt="" width="400px" /><br /><br /><strong>you can see the movie at the bottom of the page</strong>
studio
-
https://pierreyvesclouin.fr/files/original/9dc287de50d8c2a48736522a50f7c02e.mov
67333cc41d28fa668c0053af2af7cba8
Omeka Video File
The metadata element set that was included in the `files_videos` table in previous versions of Omeka. These elements are common to all video files.
Bitrate
345919
Codec
H.264
Duration
109
Height
288
Width
352
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Films (1995 - )
Description
An account of the resource
Pierre Yves Clouin has been working exclusively in film since 1995
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
dv
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
00:01:44
Director
Name (or names) of the person who produced the video.
Pierre Yves Clouin
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>La vie en rose</em>
Description
An account of the resource
<img title="La vie en rose" src="https://pierreyvesclouin.fr/files/original/1f2666414623b4cbee0922c01201e86e.jpeg" alt="" width="400px" /><br />
<p><strong><br />you can see the movie at the bottom of the page<br /><br />exhibitions and screenings of ” La vie en rose”:</strong></p>
<p><strong>2008</strong></p>
<p><a title="Instants video à Nice 2008" href="http://pierreyvesclouin.fr/items/show/38" target="_self"><strong><span class="style_3">. </span></strong>10eme rencontres Cinéma et video</a>, Nice, France</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-06-14
Rights
Information about rights held in and over the resource
© Pierre Yves Clouin
Type
The nature or genre of the resource
MovingImage
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Paris
jugglers
Palais de Tokyo
Paris
song
-
https://pierreyvesclouin.fr/files/original/f850bb843e77ca0b3f337810652a96d1.mov
5f00f0d2906f9c90b3982a307794ea68
Omeka Video File
The metadata element set that was included in the `files_videos` table in previous versions of Omeka. These elements are common to all video files.
Bitrate
183402
Codec
H.264
Duration
123
Height
240
Width
320
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Films (1995 - )
Description
An account of the resource
Pierre Yves Clouin has been working exclusively in film since 1995
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
dv
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
00:02:00
Director
Name (or names) of the person who produced the video.
Pierre Yves Clouin
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Le boudoir</em>
Description
An account of the resource
<img title="Le boudoir" src="http://pierreyvesclouin.fr/files/original/08645405ea0b0168bfc5c2165c71e2cd.jpg" alt="" width="400px" /><br />
<h6 class="paragraph_style"><span class="style_1">You can see "<em>Le boudoir</em>" </span><span lang="en">at the bottom of the page</span></h6>
<p class="paragraph_style"><span class="style_1">« I like both»<br /></span><em><span class="style_1">« J’aime bien les deux»<br /></span></em><em><span class="style_1">Avec la vocale contribution d'Yves St Laurent</span></em></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
2005-04-012
Rights
Information about rights held in and over the resource
© Pierre Yves Clouin
Type
The nature or genre of the resource
MovingImage
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Paris
fashion
Yves St. Laurent
-
https://pierreyvesclouin.fr/files/original/e97d499509cfe51f4a936c8738d967fe.mov
1f1d37fe2e61b7e89718d58cf5c9f026
Omeka Video File
The metadata element set that was included in the `files_videos` table in previous versions of Omeka. These elements are common to all video files.
Bitrate
351370
Codec
H.264
Duration
181
Height
288
Width
352
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Films (1995 - )
Description
An account of the resource
Pierre Yves Clouin has been working exclusively in film since 1995
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
dv
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
00:03:00
Director
Name (or names) of the person who produced the video.
Pierre Yves Clouin
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Le château <br /></em>
Description
An account of the resource
<img title="Le chateau" src="https://pierreyvesclouin.fr/files/original/988bf03cef680eb018eb765da2f96c8a.jpeg" alt="" width="400px" /><br /><span class="style_1"><br /><strong>you can see the movie at the bottom of the page</strong><br /><br />« Forgive me, gentlemen,I’m sorry to tell you that I have no time to see you at present. I do apologize, but I have to go out on urgent business and must leave the building at once. You have seen for yourselves how long I have been held up by my last caller. » The Trial, Franz Kafka<br /></span><span class="style_1"><em>« Excusez-moi, Messieurs, je le regrette beaucoup, je n’ai pas le temps de vous recevoir en ce moment. Je vous en demande pardon, mais j’ai à règler en ville des affaires de la dernière urgence et je suis obligé de partir sur le champ. Vous avez vu vous-mêmes combien je viens d’être pris.» Le Procès, F.Kafka</em></span>
<div class="style_SkipStroke flowDefining">
<div class="text-content style_External_318_153">
<div class="style">
<p class="paragraph_style"><strong><span class="style_2">exhibitions and screenings of "Le château":</span></strong></p>
</div>
</div>
</div>
<div id="id2" class="style_SkipStroke_2">
<div class="text-content graphic_textbox_layout_style_default_External_702_152">
<div class="graphic_textbox_layout_style_default">
<p class="paragraph_style"><strong><span class="style_4">2005 </span></strong><span class="style_3"><br /></span></p>
<p class="paragraph_style"><span class="style_4"><strong>. </strong>San Francisco Cinematheque presents </span><a class="style_4" title="http://www.sfcinematheque.org/#/archive/200504070/" href="http://www.sfcinematheque.org/#/archive/200504070/">"We Cannot exhibit It: The Videos of Pierre Yves Clouin"</a><span class="style_4">, Yerba Buena Center for </span><span class="style_4">the Arts, San Francisco, USA</span></p>
<p class="paragraph_style"><strong><span class="style_4">2004</span></strong><span class="style_3"><br /></span></p>
<p class="paragraph_style"><span class="style_4"><strong>. </strong>ARTRONICA Muestra Internacional de Artes Electrónicas in Bogota, Colombia </span></p>
<p class="paragraph_style"><strong><span class="style_4">2002</span></strong><span class="style_3"><br /></span></p>
<p class="paragraph_style"><span class="style_4"><strong>. </strong>MIX NYC, Anthology Film Archives NYC, New York, USA</span></p>
</div>
</div>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
2002-07-23
Rights
Information about rights held in and over the resource
© Pierre Yves Clouin
Type
The nature or genre of the resource
MovingImage
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Paris
cruising
Paris
-
https://pierreyvesclouin.fr/files/original/e0fac02e4d3fda95dc785f248528479b.mov
9aa5b4e15b2e2d31b2310350e43ac3bd
Omeka Video File
The metadata element set that was included in the `files_videos` table in previous versions of Omeka. These elements are common to all video files.
Bitrate
131737
Codec
H.264
Duration
715
Height
240
Width
320
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Films (1995 - )
Description
An account of the resource
Pierre Yves Clouin has been working exclusively in film since 1995
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
dv
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
00:11:55
Director
Name (or names) of the person who produced the video.
Pierre Yves Clouin
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Le droit à l'image</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2008-11-20
Rights
Information about rights held in and over the resource
© Pierre Yves Clouin
Language
A language of the resource
en
Type
The nature or genre of the resource
MovingImage
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York City
Description
An account of the resource
<img title="Le droit à l'image" src="https://pierreyvesclouin.fr/files/original/64da80e80c9c08212f1d89d607b83f79.jpeg" alt="" width="400px" /><br /><br /><strong>you can see the movie at the bottom of the page</strong>
boat
New York City
People
Photo
river
sea
-
https://pierreyvesclouin.fr/files/original/cb64a847bb25703bdc3752b4c5f0aa79.mov
e02f31b6c962dfce697388cb18db2879
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Films (1995 - )
Description
An account of the resource
Pierre Yves Clouin has been working exclusively in film since 1995
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
4k
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
00:03:50
Director
Name (or names) of the person who produced the video.
Pierre Yves Clouin
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Le feu de l'eau</em> (The Fire of Water)
Description
An account of the resource
<iframe width="640" height="360" title="vimeo-player" src="https://player.vimeo.com/video/281945152?h=e69f0e6ab3" frameborder="0" allowfullscreen="allowfullscreen"></iframe>
<p><em>Les enfants mettent le doigt sur les flammes que le vent attise<br /><span>The children put their finger on the flames stirred up by the wind</span><br /></em></p>
<p class="paragraph_style_1"><strong>exhibitions and screenings of ”<em>Le feu de l'eau</em>”:</strong></p>
<p class="paragraph_style_1"><strong><span class="style_4"><strong>2016 <span> <br /></span></strong></span></strong></p>
<ul>
<li><em><a title=""Le feu de l'eau" by Pierre Yves Clouin in Un festival c'est trop court 2016" href="http://pierreyvesclouin.fr/items/show/1084" target="_self">Un festival c'est trop court</a></em>, Nice, France</li>
</ul>
<p class="paragraph_style_1"><strong><span class="style_4"><strong><span> </span></strong></span></strong></p>
Rights
Information about rights held in and over the resource
© PY Clouin
Type
The nature or genre of the resource
Moving Image
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Paris
Date
A point or period of time associated with an event in the lifecycle of the resource
2016 - 04 -01
-
https://pierreyvesclouin.fr/files/original/e38579bcc83409638e617068c231bcc9.mov
cdaa24e92d351fd264d2e954f5a5b1c3
Omeka Video File
The metadata element set that was included in the `files_videos` table in previous versions of Omeka. These elements are common to all video files.
Bitrate
634206
Codec
H.264
Duration
365
Height
288
Width
352
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Films (1995 - )
Description
An account of the resource
Pierre Yves Clouin has been working exclusively in film since 1995
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
dv
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
00:06:14
Director
Name (or names) of the person who produced the video.
Pierre Yves Clouin
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Le lieu du crime<br /></em>
Description
An account of the resource
<img title="LeLieuducrime" src="https://pierreyvesclouin.fr/files/original/5c85ef9c8ed28feaa7000032c0c8063d.jpeg" alt="" width="400px" /><br />
<p class="paragraph_style_1"><strong><span class="style_3"><br />you can see the movie at the bottom of the page<br /><br />exhibitions and screenings of "Scene of the crime":</span><span class="style_4"> <br /></span></strong></p>
<p class="paragraph_style_1"><strong><span class="style_5">2002</span></strong><span class="style_4"><br /></span></p>
<p class="paragraph_style_1"><span class="style_5"><strong>. </strong>Thaw02, Festival of Film, Video and Digital Media, Institute for Cinema & Culture in Iowa City, Iowa,USA</span></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
2001-10-16
Rights
Information about rights held in and over the resource
© Pierre Yves Clouin
Type
The nature or genre of the resource
MovingImage
bicycle
crime
green
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
2013-04-20
Event Type
Screening
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Le poisson</em> in Exploding Cinema at Stubnitz, London
Description
An account of the resource
<p><em><a title="le poisson by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/2" target="_self">Le poisson</a></em> in <a title="exploding cinema at stubnitz" href="http://www.explodingcinema.org/nextshow.html" target="_self">Exploding Cinema at Stubnitz</a>, Ship of Fools and Monsters . Wood Wharf - Canary Wharf, London</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-04-20
Relation
A related resource
<em><a title="le poisson by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/2" target="_self"><em><em>Le poisson</em></em></a></em>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
London
London
Screening
-
https://pierreyvesclouin.fr/files/original/a4c6ee47c63b8a7f486779e2acaf3370.pdf
b17f4212d676e5a52a30bc658c464459
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
2005-06-22 to 2005-07-03
Event Type
festival
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Le saut dans le vide</em> in 1st Festival video macadamia 2005
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/ec496ca08ca191211ed59c8d0e48e510.jpg" alt="" width="400px" />
Relation
A related resource
<a title="macadamia 2005" href="http://pierreyvesclouin.fr/items/show/62" target="_self">Le saut dans le vide</a>
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Buenos Aires
-
https://pierreyvesclouin.fr/files/original/0f0e4315898d16eabbec6fd4622c8c0b.mov
f04c9ddcc338aa62688256455a907e3a
Omeka Video File
The metadata element set that was included in the `files_videos` table in previous versions of Omeka. These elements are common to all video files.
Bitrate
194366
Codec
H.264
Duration
84
Height
240
Width
320
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Films (1995 - )
Description
An account of the resource
Pierre Yves Clouin has been working exclusively in film since 1995
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
dv
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
00:01:20
Director
Name (or names) of the person who produced the video.
Pierre Yves Clouin
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Le saut dans le vide<br /></em>
Description
An account of the resource
<iframe width="420" height="315" src="//www.youtube.com/embed/oq19TkVZcRI" frameborder="0"></iframe>
<p class="paragraph_style"><span class="style_1">Now or never<br /></span><em><span class="style_1">C’est maintenant ou jamais</span></em></p>
<p class="paragraph_style">Television broadcast: ADD-TV, NYC, New York, USA, 2009</p>
<p class="paragraph_style"><strong><span class="style_3">exhibitions and screenings of ” Le saut dans le vide”:</span></strong></p>
<p class="paragraph_style_2"><strong>2010</strong><span class="style_2"><br /></span></p>
<ul>
<li><a title="Extraordinary Men" href="http://pierreyvesclouin.fr/items/show/12" target="_self">“Extraordinary Men” </a>program curated by stefan st Laurent,<a title="http://www.sfcinematheque.org/#/archive/200504070/" href="http://www.sfcinematheque.org/#/archive/200504070/"> Art Star video Biennal</a>, Galerie Saw Gallery, Ottawa, On, Canada</li>
</ul>
<p class="paragraph_style"><strong>2008</strong><span class="style_2"><br /></span></p>
<ul>
<li>“<a title="best of independant exposure" href="http://pierreyvesclouin.fr/items/show/298">Best of 2007 Independent Exposure</a>” curated by Hal Hartley, Caroline Collective, Houston, Texas, USA</li>
</ul>
<p class="paragraph_style"><strong>2007</strong><span class="style_2"><br /></span></p>
<ul>
<li>“<a title="http://www.independentexposure.com/title/2361/Le_Saut_dans_le_Vide.html" href="http://www.independentexposure.com/title/2361/Le_Saut_dans_le_Vide.html">Mind Over Matter” Independent Exposure</a>”, Central Cinema, Seattle , Axiom Theatre, Houston, Texas111 Minna Gallery, </li>
<li>San Francisco, CA, Aqus Café, Petaluma, CA, Out North, Anchorage, Alaska, USA</li>
</ul>
<p class="paragraph_style"><strong>2006</strong><span class="style_2"><br /></span></p>
<ul>
<li><a title="MIX 2006" href="http://pierreyvesclouin.fr/items/show/287" target="_self">19th Mix NYC</a>, 3LDArt@Technology Center, NYC, New York, USA</li>
</ul>
<p class="paragraph_style"><strong>2005 </strong><span class="style_2"><br /></span></p>
<ul>
<li>San Francisco Cinematheque presents <a title="http://www.sfcinematheque.org/#/archive/200504070/" href="http://www.sfcinematheque.org/#/archive/200504070/">"We Cannot exhibit It: The Videos of Pierre Yves Clouin"</a>, Yerba Buena Center for the Arts, San Francisco, USA</li>
<li><a href="https://pierreyvesclouin.fr/items/show/588">Macadamia Video Festival</a>, Alliance Française and Museum of Contemporary Art, Buenos Aires, Argentina</li>
</ul>
<br />
<p class="p1"><a href="https://pierreyvesclouin.fr/items/show/12"><em><span class="s1"><strong>Extra Ordinary Men</strong></span></em></a></p>
<p class="p1"><em><span class="s1">Pierre Yves Clouin est un vidéaste excentrique et curieux, et probablement le premier vidéaste avec lequel j’ai travaillé, autour de 1995. Je l’ai rencontré pour la première fois en personne à Paris, sa ville, il y a une dizaine d’années, alors que j’effectuais des recherches à titre de commissaire; il m’a montré un aspect de la ville que peu de jeunes commissaires ont la chance de voir et d’expérimenter. J’y ai été confronté à plein de nouvelles idées et je me suis posé des questions sur mon compte. Son travail m’a éclairé comme je n’avais jamais imaginé que des videos lo-fi, à petit budget, pouvaient le faire.</span> </em></p>
<p class="p1"><em><span class="s1">Clouin vivait en périphérie de Paris dans une cité conçue par Le Corbusier et habitée par des artistes. Nous nous y sommes rendus à pied; c’était assez loin, à partir du Marais jusqu’à la Seine du côté de la bibliothèque Mitterrand, et nous nous sommes arrêtés dans une zone de drague gaie tellement extravagante que Paris a commencé à me sembler irréelle, comme dans un film. Si vous demandiez à des cinéastes hétéros d’essayer d’imaginer à quoi ressemblerait une scène de drague gaie, probablement qu’ils en arriveraient exactement à ce que j’ai vu. Cette réalité était exagérée: j’ai compris sur le champ que je me trouvais, en fait dans cet espace extrêmement chargé et sexualisé qui, depuis toujours, fascine Clouin.</span></em></p>
<p class="p1"><em><span class="s1">Nous avons traversé un passage souterrain qui est vite devenu très sombre, même si nous étions au beau milieu du jour. On pouvait voir des figures en mouvement, des silhouettes qui se profilaient devant la petite entrée à l’autre bout d’où émanait un peu de lumière. Je lui ai dit que j’avais peur, et il a ri. En connaissance de cause, il m’a dit: « Attends de voir l’autre côté.» Là, des hommes, soi-disant vêtus comme des ouvriers de la construction, étaient assis à califourchon sur des machines gigantesques, les scrotums sortant de leurs jeans par des échancrures comme de la cire fondue, et ils s’adonnaient frénétiquement à des activités sexuelles orales et anales. Dans plusieurs de ses dernières œuvres, Clouin explore cet espace précaire où cohabitent public et privé.</span></em></p>
<p class="p2"><em> <span class="s1">Je me suis confronté à une pruderie à l’intérieur de moi même dont j’ignorais l’existence. Pendant des années, j’avais pensé m’être affranchi tout simplement en proclamant «je suis gai »; je ne savais pas alors à quel point la vision que j’avais de ma propre sexualité était expurgée et passait par un filtre hétérosexuel et culturel. L’actrice rebelle Marlène Dietrich affirmait : «Le sexe. En amérique, une obsession. Dans d’autres parties du monde, un fait.» On ne peut s’empêcher de penser qu’elle évoquait Paris, où elle a passé les dernières années de sa vie. Empreinte de sexualité et d’humour, l’œuvre de Clouin nous montre une facette de la vie gaie qui, sans être nécessairement flatteuse est touchante et qui, tout en étant crue, est spectaculairement sublime.</span></em></p>
<p class="p2"><em> <span class="s1">Examiner la teneur philosophique des travaux de Clouin sans renvoyer à Michel Foucault équivaudrait à occulter le cœur même de sa pratique. Le corpus de ses vidéos est constitué de moments vécus ou documents intimes d’un être en relation avec d’autres, captés par le petit œil de sa caméra portable. En 1982, Foucault aurait pu parler du travail de Clouin lorsqu’il déclarait en entrevue: « La sexualité fait partie de nos comportements. elle fait partie de notre liberté mondiale. La sexualité est quelque chose que nous inventons nous-mêmes. Elle est notre propre création, et elle est beaucoup plus que la découverte d’une face cachée de notre désir. Nous devons comprendre que nos désirs s’accompagnent de nouvelles formes de relation, de nouvelles formes d’amour, de nouvelles formes de création. Le sexe n’est pas une fatalité; c’est un potentiel de vie crétive. Il ne suffit pas d’affirmer que nous sommes gais; nous devons également créer une existence gaie1.»</span></em></p>
<p class="p1"><em><span class="s1">Ethnographie homosexuelle destinée à la consommation populaire, l’œuvre vidéo de Clouin révèle la matière extraordinaire dont est faite la culture gaie contemporaine. Le jeu qui consiste à montrer et à cacher est très significatif, et il me rappelle le paradoxe de la vie gaie: vouloir la visibilité et la liberté, tout en cherchant l’invisibilité par peur de la violence et de l’humiliation. Bien que le voyeur, en général, n’entre pas en contact ou n‘échange pas directement avec le sujet de son observation, plusieurs critiques et programmeurs réfèrent souvent au côté voyeur du travail de Clouin.</span> </em></p>
<p class="p1"><em><span class="s1">J’établirais plutôt des parallèles avec la photographie secrète, apparue à la fin du XIXe siècle avec l’avènement de l’appareil photo d’espion et depuis popularisée grâce à la miniaturisation des dispositifs d’enregistrement d’images. Et bien que la France ait maintenant adopté des lois très strictes interdisant la publication de toute photographie sans le consentement exprès du sujet, Clouin accepte l’illégalité de ce qu’il produit et accomplit dans la sphère publique. Bien sûr, sa démarche n’est pas nouvelle et elle nous rappelle la technique de Paul Strand : « Strand partait pour le district Five Points, le cœur des taudis d’immigrants dans le Lower East Side, avec son appareil photo équipé d’un faux objectif pour détourner l’attention. Strand s’approchait d’un sujet potentiel, faisait un tour de 90 degrés sur lui-même et pointait le faux objectif dans cette direction. Le vrai objectif, situé au bout d’un soufflet, émergeait de son aisselle et visait le sujet désiré2.»</span></em></p>
<p class="p1"><em><span class="s1">Clouin nous fait voir son monde sous un jour remarquable de réalité et de proximité, comblant ainsi la séparation entre écran et spectateur. Nous regardons en quelque sorte à travers l’objectif de sa caméra, comme si celle-ci était entre nos propres mains. Même lorsqu’il la retourne vers lui-même, dans le cadre intime de son studio, nous avons encore l’impression de manipuler la caméra, découvrant son corps gai, étrange et ce sans la sensation désagréable de fouiner dans sa vie privée. Parfois narrées, les œuvres prennent alors le ton d’un journal intime tout en ayant une échelle cartographique: nous vivons ces moments en compagnie de Clouin, au fil de ses errances dans les rues de Paris et du monde, jamais tout à fait flâneur, jamais tout à fait voyeur.</span></em></p>
<p class="p1"><em><span class="s1">Sura Wood, journaliste à Hollywood, dit de son travail qu’il « (séduit) le public avec ses gros plans intimes de courbes et d’orifices de son propre corps bien modelé. Au moment où l’on pense reconnaître ce qui apparaît à l’écran, le corps se déplie et on réalise avoir été excité par le creux d’une épaule ou un lobe d’oreille particulierement sexy3». avec une économie de moyens, Clouin est capable de se montrer, de montrer son corps et ceux d’autres hommes sous un éclairage extraordinaire.</span> </em></p>
<p class="p1"><em><span class="s1">La mise en lumière de la vie homosexuelle ordinaire et d’une masculinité tangible est un antidote nécessaire aux images stéréotypées, exagérées, d’homosexuels que véhiculent constamment les médias. Clouin offre des images de la sexualité masculine gaie crûment honnêtes et qui baignent dans une lumière régénératrice et libératrice. Je remercie Pierre Yves Clouin de m’avoir montré que mon identité est résolument gaie et que ma vie, dans tout ce qu’elle a d’ordinaire, demeure toujours fascinante.</span></em></p>
<p class="p1"><em><span class="s1">Stefan St-Laurent, commissaire</span></em></p>
<p class="p1"><em><span class="s1">Traduit de l’anglais par Colette Tougas</span></em></p>
<p class="p1"><em><span class="s1"><strong>Notes</strong></span></em></p>
<ol class="ol1">
<li class="li1"><em><span class="s1">Bob Gallager et Alexander Wilson, « Michel Foucault. An Interview: Sex, Power and the Politics of Identity», Advocate (7 août 1984).(Notre traduction.)</span></em></li>
<li class="li1"><em><span class="s1">Department of Photographs, «Paul Strand (1890 - 1976) «, Heilbrunn Timeline of Art History, New York, The Metropolitan Museum of Art, 2000-, <a href="http://metmuseum.org/toah/hd/pstd/hd_pstd.htm"><span class="s2">http://metmuseum.org/toah/hd/pstd/hd_pstd.htm</span></a> (visité le 20 octobre 2010).(Notre traduction.</span></em></li>
<li class="li1"><em><span class="s1">Sura Wood, «Exploring the Offbeat World of Experimental Film» San Francisco Arts Monthly, avril 2005. (Notre traduction.)</span></em></li>
</ol>
<p class="p2"><em> </em><span class="s1"><em>Artiste multidisciplinaire et commissaire, <strong>Stefan St-Laurent</strong> est né à Moncton au Nouveau-Brunswick en 1974. Il est détenteur d’un baccalauréat en arts médiatiques de l’université Ryerson de Toronto. Son travail performatif et vidéographique a été présenté dans de nombreuses galeries et institutions muséales au Canada (YYZ - Toronto, La Galerie d’art d’Ottawa, Western Front - Vancouver, Art Gallery of Nova Scotia - Halifax) et en Europe ( Centre national de la photographie de Paris - France, Centre d’art contemporain de Basse-Normandie, Edsvik Konst och Kultr - Suède). En 2008, il était invité de la Biennale d’art perfomatif de Rouyn-Noranda. Il a également été invité comme commissaire du Symposium international d’art contemporain de Baie-Saint-Paul de 2010 et 2011. Il agit présentement à titre de commissaire de la Galerie SAW Gallery d’Ottawa.</em><br /><br /></span></p>
<p class="p1"><a href="https://pierreyvesclouin.fr/items/show/12"><span class="s1"><strong>Extra Ordinary Men</strong></span> </a></p>
<p class="p1"><span class="s1">Pierre Yves Clouin is an eccentric and transgressively curious video artist from Paris, and possibly the first video artist I worked with in my life, circa 1995. I met him in person for the first time about a decade ago in his hometown while doing curatorial research, and he showed me a side of this city few budding curators get to see and experience. I was confronted with a slew of new ideas, and even self-questioning. His work iluminated me in ways I didn’t think lo-fi, low budget video could.</span></p>
<p class="p1"><span class="s1">Clouin lived on the outskirts of Paris in a Le Corbusier - designed artists’ housing project. We walked there, quite far, from the Marais district to the Seine river on the Mitterand library side, stopping at a gay cruising area that was so over-the-top, Paris started to look unreal, like in the movies. If you asked a group of straight filmmakers to try to imagine what a gay cruising scene would look like, they would probably imagine exactly what I saw. It was an exaggerated reality: I realized right then and there that I was actually in that hyper-charged, sexualized space Clouin has been eternally fascinated with.</span></p>
<p class="p1"><span class="s1">In broad daylight, we walked through an underpass that became extremely dark. Moving figures could be seen briefly as silhouettes from the small door at the other end which emitted a little bit of light. I told him I was scared, and he just laughed. He knowingly said to me, «Wait until you see the other side.» There, men theoretically dressed as construction workers sat spread-eagle on colossal machines, scrotums oozing out of jeans holes like melting candles, with everyone eventually engaging in frenetic outdoor oral and anal sex. Many of Clouin’s later works indulge in this tenuous space where the public and the private cohabit.</span></p>
<p class="p1"><span class="s1">I was confronted with a prudeness inside me I didn’t know was there. For years, I thought I had gained my freedom by only having pronounced the words «I’m gay,» obivious back then to how heterosexualized or culturally sanitized my view was of my own sexuality. Renegade actor Marlene Dietrich proclaimed, «Sex. In America an obsession. In other parts of the world a fact», and one can’t help but imagine she was speaking latterly of Paris, where she spent the final years of her life. Drenched in sexuality and humour, Clouin œuvre shows us a facet of queer life that may be unflattering but still endearing, raw but spectacularly sublime.</span></p>
<p class="p1"><span class="s1">Examining Clouin’s philosophical side without referencing Michel Foucault would overlook what is at the heart of his practice. The corpus of his video are lived moments, or intimate recordings of the self in relation with others, captured by the tiny eye of a hand-held video camera. In a interview in 1982, Foucault could have been speaking of Clouin’s work: «Sexuality is a part of our behaviour. It’s part of our world freedom. Sexuality is something that we ourselves create. It is our own creation, and much more than the dicovery of a secret side of our desire. We have to understand that with our desires go new forms of relationships, new forms of love, new forms of creation. Sex is not a fatality; it’s a possibility for creative life. It’s not enough to affirm that we are gay but we also create a gay life.»</span></p>
<p class="p1"><span class="s1">A queer ethnography for popular consumption, his video work reveals the extraordinary and ordinary stuff found in contemporary queer culture. The game of hiding and revealing is quite significant, and reminds me of the paradox of gay life: seeking visibility and freedom all the while seeking invisibility for fear of violence and humiliation. While a voyeur does not typically relate or directly exchange with the subject he or she is observing, many critics and programmers refer often to the voyeuristic nature of Clouin’s work.</span></p>
<p class="p1"><span class="s1">I would rather make comparisons with secret photography, introduced in the late 1800s with the advent of spy cameras and popularized ever since by miniaturization of image-recording devices. And although France has now adopted quite strict laws prohibiting the publication of any photograph of a person without their express consent, Clouin embraces the lawlessness of what he is making and doing in the public sphere. His approach is certainly not new, and reminds us of Paul Strand’s technique: «Strand set out for Five Points, the heart of the immigrant slums on the Lower East Side, with his camera rigged with a false lens to distract attention. Approaching a potential subject, Strand turned ninety degrees away and aimed the false lens in the direction he was facing. The real lens, on an extended bellows, stuck out under his arm toward the person.»2</span></p>
<p class="p1"><span class="s1">Clouin shows us his world with spectacular realness and proximity, closing the divide between screen and viewer. We are somewhat looking through Clouin’s camera lens, as if we were holding the camera ourselves. Even when he turns the camera onto himself, in the intimate setting of the studio, we feel like we are manipulating the camera once again, discovering his strange, queer body without that nagging feeling of snooping into his private life. Sometimes narrated, the works become diaristic in tone, and cartographic in scale - we are living the moments with Clouin, as he wanders the streets of Paris and the world, never quite flâneur, never quite a voyeur.</span></p>
<p class="p1"><span class="s1">Holywood reporter Sura Wood states that his work «(seduces) audiences with intimate close-ups of curves and orifices on his own well-sculpted body. Just when you think you recognize what’s on-screen, the body unfolds and you realize you just got turned on by shoulder cleavage or by a particularly sexy earlobe.»3 With an economy of means, Clouin is able to show himself, his body, and the bodies of other men, in an extraordinary light.</span></p>
<p class="p1"><span class="s1">This illumination of ordinary queer life, of tangible masculinity, is a necessary antidote to the stereotypical, exaggerated images of homosexuals we constantly encounter in the media. He portrays an image of queer male sexuality that is brutally honest, and basked in a light that is regenerating and liberating. I thank Pierre Yves Clouin for showing me that my identity is determinately queer, and that my life, in all its ordinariness, is somehow fascinating still.</span> </p>
<p class="p1"><span class="s1">- Stefan St-Laurent, Curator</span></p>
<p class="p1"><span class="s1"><strong>Notes</strong></span></p>
<ol class="ol1">
<li class="li1"><span class="s1">Bob Gallager et Alexander Wilson, « Michel Foucault. An Interview: Sex, Power and the Politics of Identity»,<span> </span><em>Advocate</em>, August 7, 1984.</span></li>
<li class="li1"><span class="s1">Department of Photographs, «Paul Strand (1890 - 1976), « in<span> </span><em>Heilbrunn Timeline of Art History</em>, New York, The Metropolitan Museum of Art, 2000-,<span> </span><a href="http://metmuseum.org/toah/hd/pstd/hd_pstd.htm"><span class="s2">http://metmuseum.org/toah/hd/pstd/hd_pstd.htm</span></a><span> </span>(accessed October 20, 2010)</span></li>
<li class="li1"><span class="s1">Sura Wood, «Exploring the Offbeat World of Experimental Film»<span> </span><em>San Francisco Arts Monthly</em>, April 2005.</span></li>
</ol>
<p class="p2"> <span class="s1"><strong>Stefan St-Laurent,<span> </span></strong>a multidisciplinaryartist and curator, was born in Moncton, New Brunswick, in 1974. He holds a Bachelor of Media Arts from Ryerson University in Toronto. His performative and video works have shown extensively in Canada and Europe, including at YYZ in Toronto, the Ottawa Art Gallery in Ottawa, Western Front<span class="Apple-converted-space"> <span> </span></span>in Vancouver, the Art Gallery of Nova Scotia in Halifax, the Centre national de la photographie in Paris and<span class="Apple-converted-space"> <span> </span></span>Edsvik Konst och Kultur in Sweden. In 2008, he was the guest curator of the Biennale d’art perfomatif de Rouyn-Noranda. He was also invited to serve as the guest curator of Baie-Saint-Paul’s International Symposium of Contemporary Art in 2010 and 2011. He is currently Curator of Galerie SAW Gallery in Ottawa.</span></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
2004-06-18
Rights
Information about rights held in and over the resource
© Pierre Yves Clouin
Type
The nature or genre of the resource
MovingImage
blue
leap
sky
void
-
https://pierreyvesclouin.fr/files/original/a4f802d3905485b536d99702daec068b.mov
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Height
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Films (1995 - )
Description
An account of the resource
Pierre Yves Clouin has been working exclusively in film since 1995
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
dv
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00:01:36
Director
Name (or names) of the person who produced the video.
Pierre Yves Clouin
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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<em>Le vrombissement du voyage</em>
Description
An account of the resource
<img title="Le vrombissement du voyage" src="https://pierreyvesclouin.fr/files/original/ce2c3fccaed97155b8c4df574d4d11eb.jpeg" alt="" width="400px" /><br />
<p class="paragraph_style"><span class="style_1"><strong>you can see the movie at the bottom of the page</strong><br /><br /><br />« Can you close the window, can you? »<br /></span><em>« Tu veux bien fermer la fenêtre, tu veux bien? »</em></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
2005-12-20
Rights
Information about rights held in and over the resource
© Pierre Yves Clouin
Type
The nature or genre of the resource
MovingImage
Coverage
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Paris
-
https://pierreyvesclouin.fr/files/original/43d85e4ba4d25d45b8e3d86459ecc885.mov
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Films (1995 - )
Description
An account of the resource
Pierre Yves Clouin has been working exclusively in film since 1995
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
dv
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00:01:02
Director
Name (or names) of the person who produced the video.
Pierre Yves Clouin
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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<em>Les affranchis</em>
Description
An account of the resource
<img title="Les affranchis" src="https://pierreyvesclouin.fr/files/original/e6edc7ede2898c62143540a53e35ca27.jpeg" alt="" width="400px" /><br />
<p><strong>you can see the movie at the bottom of the page<br /><br /><br />exhibitions of ” Les affranchis”:</strong></p>
<p><strong> 2006 </strong></p>
<p><strong><span class="style_3">. </span></strong>“sexperimental”, Chéries Chéris, Cinema du Monde, Paris, France</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
2006-04-14
Rights
Information about rights held in and over the resource
© Pierre Yves Clouin
Type
The nature or genre of the resource
MovingImage
Coverage
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Paris
café
People
street
-
https://pierreyvesclouin.fr/files/original/8ca3db4a6d634c1e49d04925aeeb1fb8.mov
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Films (1995 - )
Description
An account of the resource
Pierre Yves Clouin has been working exclusively in film since 1995
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
vhs
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
00:03:00
Director
Name (or names) of the person who produced the video.
Pierre Yves Clouin
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Les deux mains sur la tête</em>
Description
An account of the resource
<a href="https://drive.google.com/file/d/1tIWuVu1MAWJFbf5hpXJkLztAAActzDKl/view?usp=sharing"><img title="Les2MainsSurLaTête" src="https://pierreyvesclouin.fr/files/original/5422abdafe7ac7cf10845987deb08cb9.jpeg" alt="" width="400px" /></a>
<p class="paragraph_style_1"><strong><span class="style"><a href="https://drive.google.com/file/d/1tIWuVu1MAWJFbf5hpXJkLztAAActzDKl/view?usp=sharing">Click here or on the photo to see the film</a><br />you can see the movie at the bottom of the page<br /><br />exhibitions and screenings of "Les 2 mains sur la tête":</span> </strong></p>
<p class="paragraph_style_1"><strong>2003 </strong></p>
<ul>
<li><em><a title="vue sur court" href="http://pierreyvesclouin.fr/items/show/646" target="_self"><span class="style_2">Vue sur court,</span></a></em><span class="style_1"><a title="vue sur court" href="http://pierreyvesclouin.fr/items/show/646" target="_self"><span> </span>short film festival</a>,</span> La Rochelle, France</li>
<li>"A Thinly Veiled Threat.""Undermining the Overview," SMART Cinema, SMART Project Space, Amsterdam, Netherlands</li>
</ul>
Date
A point or period of time associated with an event in the lifecycle of the resource
1997-08-11
Rights
Information about rights held in and over the resource
© Pierre Yves Clouin
Type
The nature or genre of the resource
MovingImage
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Paris
hand
head
studio
-
https://pierreyvesclouin.fr/files/original/a687dc02f2fc91f783433b96f17b703b.pdf
4a5109cafb0460f6f23f8bdf69aff61d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Text
Any textual data included in the document.
Les Instants videos à Nice 2008
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Les instants videos à Nice 2008</em>
Description
An account of the resource
program during Les 10e Rencontres Cinéma et Vidéo à Nice<br />with:<br />
<ul>
<li><a title=""Probably spam" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/47" target="_self">Probably Spam</a></li>
<li><a title=""La vie en rose" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/50" target="_self">La vie en rose </a></li>
<li><a title=""Escalator" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/37" target="_self">Escalator</a></li>
</ul>
Publisher
An entity responsible for making the resource available
Les 10e Rencontres Cinéma et Vidéo à Nice
Date
A point or period of time associated with an event in the lifecycle of the resource
2008:09:21
Type
The nature or genre of the resource
event
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Nice
Relation
A related resource
<ul>
<li><a title=""Probably spam" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/47" target="_self">Probably Spam</a></li>
<li><a title=""La vie en rose" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/50" target="_self">La vie en rose </a></li>
<li><a title=""Escalator" by Pierre Yves Clouin" href="http://pierreyvesclouin.fr/items/show/37" target="_self">Escalator</a></li>
</ul>
program
-
https://pierreyvesclouin.fr/files/original/65e2f1fa183c1975c7622d3b6ef974dc.mov
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Omeka Video File
The metadata element set that was included in the `files_videos` table in previous versions of Omeka. These elements are common to all video files.
Bitrate
374640
Codec
H.264
Duration
263
Height
288
Width
352
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Films (1995 - )
Description
An account of the resource
Pierre Yves Clouin has been working exclusively in film since 1995
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Transcription
Any written text transcribed from a sound.
jugglers, acrobats, magicians, and sleepers
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
dv
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
00:04:24
Director
Name (or names) of the person who produced the video.
Pierre Yves Clouin
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Les Kennedy à Montsouris</em>
Description
An account of the resource
<img title="Les Kennedy à Montsouris" src="https://pierreyvesclouin.fr/files/original/1587067e31eff7e66e74b121a1f6a3bd.jpeg" alt="" width="400px" /><br />
<p><strong>you can see the movie at the bottom of the page</strong><br /><br />jugglers, acrobats, magicians, and sleepers</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
2006-06-07
Rights
Information about rights held in and over the resource
© Pierre Yves Clouin
Type
The nature or genre of the resource
MovingImage
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Paris
environment
garden
green
jugglers
Kennedy
magicians
Montsouris
Paris
square
-
https://pierreyvesclouin.fr/files/original/8638ecebe5c3d7fc2ee7b9d91e36706d.mov
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Omeka Video File
The metadata element set that was included in the `files_videos` table in previous versions of Omeka. These elements are common to all video files.
Bitrate
193792
Codec
H.264
Duration
90
Height
240
Width
320
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Films (1995 - )
Description
An account of the resource
Pierre Yves Clouin has been working exclusively in film since 1995
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
dv
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
00:01:30
Director
Name (or names) of the person who produced the video.
Pierre Yves Clouin
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Les monuments</em>
Description
An account of the resource
<img title="Les monuments" src="https://pierreyvesclouin.fr/files/original/3db1d1c6f216ac54afdbd8baf6ab4d2a.jpeg" alt="" width="400px" /><br />
<p><em><br /></em><strong>you can see the movie at the bottom of the page</strong><em><br /><br />Les tiroirs sont allignés sur le trottoir<br /></em>The drawers are lined up on the sidewalk</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-11-03
Rights
Information about rights held in and over the resource
© Pierre Yves Clouin
Type
The nature or genre of the resource
MovingImage
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Ottawa
cars
drawers
Ottawa
reflection
sidewalk
-
https://pierreyvesclouin.fr/files/original/2545fbab521bea5645e8e05645d76f24.jpg
d55c633a089ed2fec0a145a89cfcb0ce
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1036
Width
715
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mailings (1994 - 1998)
Description
An account of the resource
Pierre Yves Clouin & Tony Frank Paschall worked on mailings sent to a selected list of art critics and artists around the world (1994-1998).
1. "Il ne vous le fait pas dire" (1995, tiré à 200 ex) référence à une une installation photo sur les vitres de l'atelier 19, 19 allée Marc chagall 75013 Paris, visible depuis le jardin Joan Miro, en face
2. "faites comme chez vous" (1995, tiré à 150 ex)
cassette pour répondeur téléphonique sur laquelle est enregistré notre message (de Tony Paschall et Pierre Yves Clouin) à installer sur son propre répondeur
3. gant en latex(1995, tiré à 150 ex)
4. entendre (1996, tiré à 150 ex)
5. ça (1996, tiré à 150 ex)
6. Carte de membre (d'après le dessin de Leonard de Vinci d'un anus) (1997, tiré à 200 ex)
7. If you use ecstazy (1996, tiré à 150 ex)
8. In memoriam (1996, tiré à 200 ex)
lettre relative à la chapelle Ste Rita de Fontenay aux roses
9. Bien rentrée (1996, tiré à 1500 ex)
10. Party Wear (1996, tiré à 250 ex)
11. Leur planche à repasser (1997, tiré à 250 ex)
12. et demain est un autre jour (cassette vhs PAL tiré à 150 ex)
13. Fist le décor (1997, tiré à 250 ex)
14. NUL (1997, tiré à 250 ex)
15. commande public (1997, tiré à 250 ex)
16. pensez à un chiffre... (1997, tiré illimité)
17. calendrier 1998 (1997, tiré à 200 ex)
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
29 x 21 cm
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Leur planche à repasser</em>
Description
An account of the resource
<img src="http://pierreyvesclouin.fr/files/original/3ae28241f2bc9b1a47f53186f5241202.jpg" alt="" width="400px" /><br />
<p><em>10 ans de vie commune, ça se fête<br /></em><em>Pierre Yves Clouin et Tony Frank Paschall </em><em>vendent </em><em>leur planche à repasser<br /></em><em>(1997, tiré à 250 ex)<br /></em><em>Ten years together: a cause for celebration<br /></em><em><em>Pierre Yves Clouin and Tony Frank Paschall </em></em><em><em>are selling "<em>leur planche à repasser"</em></em></em></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
1997-01-25
Relation
A related resource
<a title="poste restante" href="http://pierreyvesclouin.fr/items/show/417" target="_self">poste restante</a>
Type
The nature or genre of the resource
Text
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Paris
Rights
Information about rights held in and over the resource
© Pierre Yves Clouin & Tony Frank Paschall
-
https://pierreyvesclouin.fr/files/original/5099dec8a2c390a6d4740fd11c494513.mov
dda7f16b697ddb53c3bda8df08b4ce8b
Omeka Video File
The metadata element set that was included in the `files_videos` table in previous versions of Omeka. These elements are common to all video files.
Bitrate
193397
Codec
H.264
Duration
70
Height
240
Width
320
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Films (1995 - )
Description
An account of the resource
Pierre Yves Clouin has been working exclusively in film since 1995
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
dv
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
00:01:10
Director
Name (or names) of the person who produced the video.
Pierre Yves Clouin
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Limousine</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-12-01
Rights
Information about rights held in and over the resource
© Pierre Yves Clouin
Type
The nature or genre of the resource
MovingImage
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Paris
Description
An account of the resource
<img title="Limousine" src="https://pierreyvesclouin.fr/files/original/9e60e6db396d74b7fd4dbfa28bb7db72.jpeg" alt="" width="400px" /><br /><br /><strong>you can see the movie at the bottom of the page</strong>
cloud
night
Paris
sky
-
https://pierreyvesclouin.fr/files/original/d13117e1c51a64dd65b7f16147630f4d.pdf
e3648379e2cd6c50bbb1e09cad92eed1
https://pierreyvesclouin.fr/files/original/2f97223bf49f9a1a72a6fc72c5e2aa99.pdf
d54152c92fbcbcf7c5ab9e10b183d6bb
https://pierreyvesclouin.fr/files/original/732381a3468e4f1cf53f69db411dab2c.pdf
b21a98d33bfa2a0c2fbc76fbeaee8ea4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions, screenings, festival selections & documents
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
2019-03-13/17
Event Type
Festival
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Lumenité</em> selected at<em> Rencontres Traverse Vidéo</em>, Toulouse
Description
An account of the resource
<img title="Lumenité in Traverse Video" src="http://pierreyvesclouin.fr/files/original/9956fc0e47ad870d25a676c564e7e764.jpg" alt="" width="400px" /><br /><a title="Lumenité by PY.Clouin" href="http://pierreyvesclouin.fr/items/show/1087" target="_self"><em>Lumenité</em></a> selected at<em> <a title="Rencontres Traverse Video 2019" href="https://traverse-video.org/" target="_self">Rencontres Traverse Vidéo</a> </em>(March 13-17 2019) and screened on Sunday March 17 at the <span class="s1"><em><a title="Les abattoirs 2019" href="https://traverse-video.org/2019-dimanche-17-mars-musee-des-abattoirs/" target="_self">Musée des Abattoirs - Frac Occitanie,</a> , Toulouse,</em> France <br /><br /><em>"La lumière, c'était le lumen en latin; lumen/lumenis, de là, la cohorte des termes désignant son champ lexical, ainsi lumineux et luminosité et luminaire et déormais comme unité de mesure de la lumière, LM, pour les ampoules LED, le lumen... Pierre Yves Clouin y agrège la luminosité comme capacité du Lumen, la quantité totale de lumière émise dans un faisceau un angle défini... et il en joue en traquant dans la nuit noire, de petits points brillants et mouvants allant jusqu'à former une farandole... ils s'avèrent les lumières de lampes de poches portées par des coureurs à pied pour on ne sait quelle course ou marathon nocturnes: la luménité convergente ne suffit que pour cette révélation - éphéùère par définition dans son apparition et ne laissant d'elle que son nom."</em><br /><br />Simone Dompeyre<br /><em>Catalogue des Rencontres Traverse Vidéo 2019</em><br /><br /></span>
Date
A point or period of time associated with an event in the lifecycle of the resource
2019-03-17
Relation
A related resource
<a title="Lumenité by PY.Clouin" href="http://pierreyvesclouin.fr/items/show/1087" target="_self"><em>Lumenité</em></a>
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Toulouse
-
https://pierreyvesclouin.fr/files/original/1e48d09fbade224e5a7e28616b53ff89.mov
ef141ff3713c6070aa9fb0cfd4efcf76
https://pierreyvesclouin.fr/files/original/c961ebd2a4c9afffe604b6043da94b7e.mov
ef141ff3713c6070aa9fb0cfd4efcf76
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Films (1995 - )
Description
An account of the resource
Pierre Yves Clouin has been working exclusively in film since 1995
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
4k
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1'
Director
Name (or names) of the person who produced the video.
Pierre Yves Clouin
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Lumenité</em>
Description
An account of the resource
<a href="https://dai.ly/k5OE6UxLNjqCCjyV9az"><img title="Lumenité" src="https://pierreyvesclouin.fr/files/original/a26d9be22b24c9c2bb3c296ef62f9de2.jpeg" alt="" width="400px" /></a><br p="" /><em>cliquez <a href="https://dai.ly/k5OE6UxLNjqCCjyV9az">ici</a> ou sur la<a href="https://dai.ly/k5OE6UxLNjqCCjyV9az"> photo</a> pour voir le film<br /></em>click <a href="https://dai.ly/k5OE6UxLNjqCCjyV9az">here</a> or on the <a href="https://dai.ly/k5OE6UxLNjqCCjyV9az">photo</a> to see the film<br /><em><br />En mission, <br /></em>On mission<br /><strong><br />exhibitions and screenings of "Lumenité":<br /><span>2022</span><br /></strong>
<ul>
<li><a href="http://www.festivaldominuto.com.br/en/contents/51075"></a><a href="https://pierreyvesclouin.fr/items/show/1283">1 Minuto</a>, <span>São</span><span> </span>Paulo, Brazil</li>
</ul>
<p><strong>2020</strong><em><a title="Lumenité at Les Inattendus" href="http://pierreyvesclouin.fr/items/show/1107" target="_self"><br /></a></em></p>
<ul>
<li><span><em>"<a href="http://www.filmcourtangouleme.com/cave-a-films/">La cave à films"</a></em> at the </span><em><a href="http://www.filmcourtangouleme.com/">Festival International du Film Court d’Angoulême (FIFCA)</a><span> </span></em><span>Angoulême, France</span></li>
</ul>
<p><strong>2019</strong><em><a title="Lumenité at Les Inattendus" href="http://pierreyvesclouin.fr/items/show/1107" target="_self"><br /></a></em></p>
<ul>
<li><a title="Lumenité at Rencontres Traverse video 2019" href="http://pierreyvesclouin.fr/items/show/1154" target="_self"><em>Rencontres Traverse Vidéo</em>,</a> <span class="s1"><em><a>Musée Les Abattoirs - Frac Occitanie</a>, </em></span>Toulouse, France</li>
<li><a title="exploding cinema at the others" href="http://pierreyvesclouin.fr/items/show/1167" target="_self">Exploding Cinema</a> at the others, London, UK</li>
</ul>
<p><strong>2018</strong><em><a title="Lumenité at Les Inattendus" href="http://pierreyvesclouin.fr/items/show/1107" target="_self"><br /></a></em></p>
<ul>
<li><a title="Wndx 2018" href="http://pierreyvesclouin.fr/items/show/1127" target="_self">WNDX, Festival of Moving Image</a>,<em> Carte Blanche Les Inattendus</em>, Winnipeg, Man, Canada<em> </em></li>
<li>
<p><em><a title="Lumenité at Les Inattendus" href="http://pierreyvesclouin.fr/items/show/1107" target="_self">Les Inattendus</a>, Lyon, France</em></p>
</li>
</ul>
<p><strong><strong>2017<br /></strong></strong></p>
<ul>
<li><a title=""Lumenité" by Pierre Yves Clouin at Angoulême" href="http://pierreyvesclouin.fr/items/show/1094" target="_self"><em>Festival du Film Court d'Angoulême</em><strong> </strong></a>, Angoulême, France</li>
</ul>
<p><strong>2016</strong></p>
<ul>
<li><a title="RISC 2016" href="http://pierreyvesclouin.fr/items/show/1088" target="_self"><em>Rencontres Internationales Sciences et Cinemas</em></a>, RISC 2016 Marseille, France</li>
</ul>
<br /><em>"La lumière, c'était le lumen en latin; lumen/lumenis, de là, la cohorte des termes désignant son champ lexical, ainsi lumineux et luminosité et luminaire et déormais comme unité de mesure de la lumière, LM, pour les ampoules LED, le lumen... Pierre Yves Clouin y agrège la luminosité comme capacité du Lumen, la quantité totale de lumière émise dans un faisceau un angle défini... et il en joue en traquant dans la nuit noire, de petits points brillants et mouvants allant jusqu'à former une farandole... ils s'avèrent les lumières de lampes de poches portées par des coureurs à pied pour on ne sait quelle course ou marathon nocturnes: la luménité convergente ne suffit que pour cette révélation - éphéùère par définition dans son apparition et ne laissant d'elle que son nom."</em><br /><span>Simone Dompeyre</span><br /><a href="https://pierreyvesclouin.fr/items/show/1154"><em>Catalogue des Rencontres Traverse Vidéo 2019</em></a><br /><br /><em><a title="interview RISC 2016" href="http://festivalrisc.org/interview-du-realisateur-pierre-yves-clouin/" target="_self">Interview durant RISC Marseille 2016</a></em>
Rights
Information about rights held in and over the resource
© PY Clouin
Type
The nature or genre of the resource
Moving Image
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Paris
Date
A point or period of time associated with an event in the lifecycle of the resource
2016 - 02 - 07